Joseph Colla

Silver birches, Provence: luminous landscape painting 19C French painting

ca 1870

This scene, depicting delicate foliage and blossoms as well as a lone sculpture -in the grounds of a ruined Abbey or castle, was painted in the first spring after World War I. It is ...

An atmospheric landscape in the last glow of the evening sun by a rare 19th Century master , Auguste Delâtre. Delâtre (1822-1902) was a pioneering pri...

This wonderfully evocative work aligns with one of the most significant movements in 19th-century European landscape painting, reflecting a major shift toward Naturalism and the dire...

Our 19th Century painting of a mountain dwelling, bathed in soft light light is a fresh and relevant as if it had been created yesterday. Painted certainly in plein air on the motif,...

* No US duty or taxes to pay on this item * A beautful early 20th century French imprressionist oil on panel depicting a wooded river landsape. The work is superbly executed very,...

Landscape signed lower left beautiful original gold leaf frame. ​ Frank Peyraud earned a lasting reputation for rural landscapes, especially snow scenes in broadly defined forms and glowing colors. Excepting a trip from 1921 to 1923 to Italy and Switzerland, he was based in Chicago, where a Registrar of the Chicago Art Institute in materials for a traveling exhibition, described him as the "dean of Chicago landscape artists." (Richter) Peyraud was one of the first American painters to focus on the Midwestern landscape and did many river and farm scenes including his signature snowscapes. Many of his paintings reflected Impressionism, an abstract style executed with rapid technique and broken brushstrokes brought over from France towards the end of the 19th Century. Impressionism received much attention in Chicago in some of the artwork exhibited at the 1893 Exposition. Of Peyraud and Impressionism, it was written that "he was the most successful of the progressive Chicago painters who experimented with impressionist approaches in the years following Exposition." He was credited with more discipline of execution than many of his peer impressionists and with a "valid impressionism", (Greenhouse) that conveyed poetic interpretations to what many persons regarded as very ordinary rural Illinois landscape. His snow scene haystack painting, Winter Light on the Farm, in the Marshall Collection of Peoria and exhibited at the Terra Museum, shows "crystalline atmosphere and fleeting light of a waning winter afternoon". (Greenwood) and seems to reference the serial haystack paintings by Claude Monet. Many of Peyraud's works had luminous back-lighting, and careful arrangement of contrasting shapes, and a tone inviting the viewer into a "slightly enchanted world into which quotidian human elements rarely intrude." (Richter) Peyraud was born in Bulle, Switzerland, and enrolled as an architecture student at the Ecole des Beaux-Arts in Paris. In 1881, at age 22 and an established architect in France, he emigrated to Chicago where he spent the remainder of his career. He found employment there as a cyclorama painter, which meant creating huge panoramic paintings in the round, "forerunner of the wide-screen motion picture." (Richter). In 1891, he became involved in retouching Paul Phillipoteaux's panorama, The Battle of Gettysburg, when it came to Chicago for exhibition He continued to work on panoramic and cycloramas spectacles including The Creation for the 1903 Louisiana Exposition. Spring Painted Desert in the Santa Fe Railroad Collection shows at least one trip West. Peyraud also did mural painting, several of them in Peoria, Illinois including a series of allegorical murals with Hardesty Maratta in the Peoria at the newly-built Public Library. In Peoria, he also taught classes and gave lectures. In 1906, he married Elizabeth Krisher, a portrait painter, and illustrator. Sources include: Marianne Richter, Union League Club of Chicago Art Collection, "Frank Charles Peyraud...

Landscape signed lower left beautiful original gold leaf frame. ​ Frank Peyraud earned a lasting reputation for rural landscapes, especially snow scenes in broadly defined forms and glowing colors. Excepting a trip from 1921 to 1923 to Italy and Switzerland, he was based in Chicago, where a Registrar of the Chicago Art Institute in materials for a traveling exhibition, described him as the "dean of Chicago landscape artists." (Richter) Peyraud was one of the first American painters to focus on the Midwestern landscape and did many river and farm scenes including his signature snowscapes. Many of his paintings reflected Impressionism, an abstract style executed with rapid technique and broken brushstrokes brought over from France towards the end of the 19th Century. Impressionism received much attention in Chicago in some of the artwork exhibited at the 1893 Exposition. Of Peyraud and Impressionism, it was written that "he was the most successful of the progressive Chicago painters who experimented with impressionist approaches in the years following Exposition." He was credited with more discipline of execution than many of his peer impressionists and with a "valid impressionism", (Greenhouse) that conveyed poetic interpretations to what many persons regarded as very ordinary rural Illinois landscape. His snow scene haystack painting, Winter Light on the Farm, in the Marshall Collection of Peoria and exhibited at the Terra Museum, shows "crystalline atmosphere and fleeting light of a waning winter afternoon". (Greenwood) and seems to reference the serial haystack paintings by Claude Monet. Many of Peyraud's works had luminous back-lighting, and careful arrangement of contrasting shapes, and a tone inviting the viewer into a "slightly enchanted world into which quotidian human elements rarely intrude." (Richter) Peyraud was born in Bulle, Switzerland, and enrolled as an architecture student at the Ecole des Beaux-Arts in Paris. In 1881, at age 22 and an established architect in France, he emigrated to Chicago where he spent the remainder of his career. He found employment there as a cyclorama painter, which meant creating huge panoramic paintings in the round, "forerunner of the wide-screen motion picture." (Richter). In 1891, he became involved in retouching Paul Phillipoteaux's panorama, The Battle of Gettysburg, when it came to Chicago for exhibition He continued to work on panoramic and cycloramas spectacles including The Creation for the 1903 Louisiana Exposition. Spring Painted Desert in the Santa Fe Railroad Collection shows at least one trip West. Peyraud also did mural painting, several of them in Peoria, Illinois including a series of allegorical murals with Hardesty Maratta in the Peoria at the newly-built Public Library. In Peoria, he also taught classes and gave lectures. In 1906, he married Elizabeth Krisher, a portrait painter, and illustrator. Sources include: Marianne Richter, Union League Club of Chicago Art Collection, "Frank Charles Peyraud...

Landscape of the Ariege Regagnon Albert (1874-1961) representing around Sentarailles dated 1951. French school oil painting on canvas.