Julian Onderdonk

" Summer Evening Southwest Texas " 1909 Texas Hill Country Julian Onderdonk

Dated 1909

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil on Canvas 1921 "A Road in Late Afternoon" This painting is so magnificent that ...

P. L. Hohnstedt (Peter Lanz) (1872 - 1957) San Antonio, Comfort Artist Image Size: 12 x 16 Medium: Oil Circa 1930s "Texas Summer" Hill Country Biography P. L. Hohnstedt (Peter Lanz) ...

Lewis Teel (1883-1960) El Paso Artist Image Size: 21 x 28 Frame Size: 27 x 34 Medium: Oil on Board Signed Lower Left and on original price tag on verso Circa 1930s "Sunset Glow" Guad...

E.G. Edward Eisenlohr (1872 - 1961) Dallas Artist Image Size: 11 x 14 Frame Size: 14 x 18 Medium: Oil "Old Path Home" Biography E.G. Edward Eisenlohr (1872 - 1961) Edward Gustav Eise...

Squint Texas Hill Country Sunrise 8" x 10 " oil Landscape Impressionism The Texas Hill Country is a distinctive geographic and cultural region in Central Texas, known for its rugged limestone and granite hills, numerous spring-fed rivers, and a blend of American and German heritage. It is a popular destination for outdoor recreation, wine tasting, and exploring charming small towns. V....Vaughan is known for impressionist paintings of wildlife...

Gorgeous late 19th century Tonalist landscape painting of foothills and oak trees in the style of Willard Leroy Metcalf circa 1900. Inscribed "M" in circle monogram lower left corner and on frame verso. Presented in original rustic giltwood frame. Image size: 6"H x 8"W. Framed size: 8.5"H x 10.5"W. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Interesante oleo sobre tela del prestigioso artista catalán modest urgell inglada (Barcelona, 1839 - 1919) Representando un paisaje crepuscular Como pueden apreciar, la obra va fir...

"New England Sunrise," 1910 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.75 x 14 inches. The work is signed by DeForest and dated Sept. 17, 1910 at lower left. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...