Lockwood DeForest

New England Sunrise, 1910 by Lockwood DeForest (American, 1850-1932)

1910

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood DeForest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the DeForests made frequent trips abroad. Excursions to the great museums, which were prominent on the DeForests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old DeForest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. DeForest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, DeForest took a studio at the Tenth Street Studio Building in New York. During these formative years DeForest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade DeForest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Hudson River School artist William Richardson Tyler's (1825-1896) "Lake George," is oil on canvas and measures 8 x 13 inches. The painting is signed at the lower center and signed an...

William H. Langworthy (1836–1900) was an American painter known for his contributions to landscape and genre painting during the late 19th century. Little is known about Langworthy's...

A luminous Autumn oil on canvas board landscape, probably of the hills in the Hudson River Valley, by the noted American artist William Louis Sonntag (1822-1900). Signed in the lower right. Sonntag was born near Pittsburgh, PA and moved to Cincinnati, OH in the 1840’s to study art. He studied for a brief time with G. Frankenstein at the Cincinnati Academy of Fine Art and his idealized paintings of American wilderness and visionary paintings of imagined European ruins were commercially successful. He traveled twice to Europe in the 1850’s to improve his skills, eventually settling in New York City. He joined the National Academy of Design, where he exhibited his works for forty years. His mature works identify him with the Hudson River School of landscape painters. A romantic and naturalistic painter of his surroundings, Sonntag also created idealized paintings of Roman ruins, recalling his European trips of earlier years. Sonntag was an Associate (1860) and Academician (1861) at the National Academy of Design, and a member of the American Watercolor Society, Artists Fund Society, and the American Art Union...