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Lumi MizutaniChatty Trees II, Pines and Migrant Birds by Lumi Mizutani - Japanese painting2022
2022
$18,461.54
£13,795.79
€15,600
CA$25,706.77
A$27,624.63
CHF 14,822.22
MX$325,401.23
NOK 186,372.92
SEK 170,250.46
DKK 118,920
About the Item
Chatty Trees II, Pines and Migrant Birds is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mounted on panel. This artwork is a diptych composed of two wood panels of 60.6 x 72 cm (23.8 × 28.3 in); the two panels are joined and the total dimensions are 60.6 × 145.4 cm (23.9 × 57.2 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
In this series of figurative paintings, Lumi Mizutani pays homage to Japan and its wonderful landscapes especially those at Higashiyama-ku in Kyoto and Ueno in Tokyo. The artist places a lot of emphasis on nature and trees in her works of art. This series is characterized by the use of India ink and colour pigments together with gold, copper and silver leaf.
Lumi Mizutani works on the alchemy between different elements she uses: paper, ink and water. Through the magic play of the materials, Lumi invites the viewer to enter the world of her artworks full of emotion. The artist juggles with the codes by using traditional techniques, on the one hand, and permanently reinventing with her own techniques, on the other.
- Creator:Lumi Mizutani (1948)
- Creation Year:2022
- Dimensions:Height: 23.86 in (60.6 cm)Width: 57.25 in (145.4 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117059782
Lumi Mizutani
Painter and lithographer, Lumi Mizutani draws her inspiration from traditional Chinese and Japanese painting techniques. Her ink drawings and her paintings extend this tradition, and, through constant experimentation, carry her towards new horizons. For a few years now Lumi Mizutani’s work has revolved around the duality between abstract and figurative, black and colour, the spontaneity of the gesture (the ink painting) and the patient composition work (the painting with pigment). Thanks to these antagonisms she finds the necessary and complementary resources to express herself. “I felt the desire to introduce colors, especially Japanese color pigments, familiar to my childhood. Japanese painting thus entered my artistic expression and my life. While respecting the ancestral techniques and codes, I strive to create a personal and contemporary footprint that challenges the viewer by the emotion it arouses.“
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