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Lumi MizutaniMaple in Brooklyn by Lumi Mizutani - Japanese style painting, abstract, New York2019
2019
$7,267.49
£5,399.24
€6,100
CA$10,076.71
A$10,836.66
CHF 5,794.38
MX$130,686.99
NOK 73,273.91
SEK 66,761.97
DKK 46,492.13
About the Item
Maple in Brooklyn is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Indian ink, Japanese pigments and gold leaves on Japanese paper mounted on panel, dimensions are 65.2 × 50 cm (25.7 × 19.7 in).
The artwork is signed, sold framed and comes with a certificate of authenticity.
With this piece of art, the artist departs from her custom of portraying traditional Japanese landscapes in favour of a detail of a North American landscape in which the maple leaf serves as a symbol. The title transports the audience to New York in the fall, and the seasonal subject is handled visually with a typical theme of Japanese poetic sensitivity.
Lumi Mizutani works on the alchemy between different elements she uses: paper, ink and water. Through the magic play of the materials, Lumi invites the viewer to enter the world of her artworks full of emotion. The artist juggles with the codes by using traditional techniques, on the one hand, and permanently reinventing with her own techniques, on the other.
- Creator:Lumi Mizutani (1948)
- Creation Year:2019
- Dimensions:Height: 25.67 in (65.2 cm)Width: 19.69 in (50 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117176032
Lumi Mizutani
Painter and lithographer, Lumi Mizutani draws her inspiration from traditional Chinese and Japanese painting techniques. Her ink drawings and her paintings extend this tradition, and, through constant experimentation, carry her towards new horizons. For a few years now Lumi Mizutani’s work has revolved around the duality between abstract and figurative, black and colour, the spontaneity of the gesture (the ink painting) and the patient composition work (the painting with pigment). Thanks to these antagonisms she finds the necessary and complementary resources to express herself. “I felt the desire to introduce colors, especially Japanese color pigments, familiar to my childhood. Japanese painting thus entered my artistic expression and my life. While respecting the ancestral techniques and codes, I strive to create a personal and contemporary footprint that challenges the viewer by the emotion it arouses.“
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