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Lumi MizutaniMemory V – Izu’s Pi by Lumi Mizutani - Japanese painting, trees, nature, flowers2018
2018
$16,754.03
£12,458.72
€14,000
CA$22,995.28
A$25,117.90
CHF 13,295.65
MX$301,956.51
NOK 169,006.90
SEK 154,583.95
DKK 106,659.47
About the Item
Memory V – Izu’s Pine is a unique diptych painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments, India ink and gold leaves on paper mounted on wood panel. Dimensions are 72.7 × 121.2 cm (28.6 × 47.7 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
Memory V – Izu’s Pine is a painting by contemporary Franco-Japanese artist Lumi Mizutani. In this series of figurative works, Mizutani offers a poetic homage to the landscapes of Japan, drawing particular inspiration from places such as Higashiyama-ku, the garden of the Honpo-ji Temple in Kyoto, and Ueno in Tokyo.
Through multiple interpretations, she captures these sites across changing seasons and moments in time. Trees and nature, plum and cherry blossoms, pines, and weeping willows, hold a central role in her compositions, reflecting the artist’s deep reverence for the natural world. The series is distinguished by its use of India ink paired with color, and the delicate application of gold, silver, and copper leaf, lending the works a luminous, timeless quality.
- Creator:Lumi Mizutani (1948)
- Creation Year:2018
- Dimensions:Height: 28.63 in (72.7 cm)Width: 47.72 in (121.2 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803116695452
Lumi Mizutani
Painter and lithographer, Lumi Mizutani draws her inspiration from traditional Chinese and Japanese painting techniques. Her ink drawings and her paintings extend this tradition, and, through constant experimentation, carry her towards new horizons. For a few years now Lumi Mizutani’s work has revolved around the duality between abstract and figurative, black and colour, the spontaneity of the gesture (the ink painting) and the patient composition work (the painting with pigment). Thanks to these antagonisms she finds the necessary and complementary resources to express herself. “I felt the desire to introduce colors, especially Japanese color pigments, familiar to my childhood. Japanese painting thus entered my artistic expression and my life. While respecting the ancestral techniques and codes, I strive to create a personal and contemporary footprint that challenges the viewer by the emotion it arouses.“
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