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Marion Gray Traver"Sleigh Ride"Circa 1955
Circa 1955
$2,400
$3,25026% Off
£1,805.84
£2,445.4126% Off
€2,086.30
€2,825.2026% Off
CA$3,369.55
CA$4,562.9326% Off
A$3,640.22
A$4,929.4626% Off
CHF 1,936.63
CHF 2,622.5226% Off
MX$43,801.70
MX$59,314.8026% Off
NOK 24,521.83
NOK 33,206.6426% Off
SEK 22,425.88
SEK 30,368.3826% Off
DKK 15,585.70
DKK 21,105.6426% Off
About the Item
Oil on artist board painting by the American artist, Marion Gray Traver. The painting is entirely executed with a palette knife, a familiar tool used by this artist. Signed lower right. Circa 1955. Overall size framed is 16.5 by 20.75 inches. Condition: Good. Provenance: J.J. Gillespie company, Pittsburgh, Pennsylvania.
Biography Marion Traver
Born in Elmhurst, New York, she studied art with her father, George Traver. Until his death, she shared a studio with him for many years in New York City. Her favorite subject and the one that brought her much acclaim was New England winter scenes.
She was active from 1918 to 1946 in the National Association of Women Artists. Among her many exhibition venues were the National Academy of Design from 1925 to 1935, the 1931 International Art Club in London, and the Catherine Wolfe Art Club in New York.
Source: Paul Sternberg, Art by American Women
- Creator:Marion Gray Traver (1892 - 1964, American)
- Creation Year:Circa 1955
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Excellent condition; no restorations. Original gold leaf frame with linen liner in fine condition.
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1411826433
Marion Gray Traver
Marion Gray Traver was born in Elmhurst, Illinois, and she studied art with her father, George A. Traver. Until his death, she shared a studio with him for many years in New York City. Her favorite subject and the one that brought her much acclaim was New England winter scenes. Traver was active from 1918–46 in the National Association of Women Artists. Among her many exhibition venues were the National Academy of Design from 1925–35, the 1931 International Art Club in London, and the Catherine Wolfe Art Club in New York.
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