Mary Mintz Koffler

Noon in Central Park by Mary Mintz Koffler

c. 1950

Charles Henry Miller (American, 1842-1922) Untitled (New York Landscape), c. 1900 Oil on canvas laid on foam 6 1/8 x 10 5/8 in. Signed lower left: C.H.M. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

Harry Bilson (Icelandic, b. 1948) Untitled (Day in the Park), c. 21st Century Oil on canvas 17 1/2 x 23 in. Framed: 19 1/2 x 25 x 1 1/2 in. Signed lower left: Bilson Bilson was born in Reykjavik, Iceland. At the age of five he moved to London, England, speaking Icelandic rather more fluently than English. He realised that nobody was listening and started to paint. His unique talent was first noticed a year later, when, at the age of six, he won an international Exhibition of Children’s Art competition in Prague, Czechoslovakia. At the age of nineteen he became a full-time professional: self-taught, self-propelled and completely self-supported. He has painted ever since. Bilson has lived in various countries including Australia, Hong Kong, USA, Canada, Ireland and now resides happily in Iceland. There continues to be a great deal of travelling and painting on the move, as well as continuing to exhibit worldwide. Many of Bilson’s paintings are owned by well-known people and corporations, such as Bob Hawke – former Prime Minister of Australia, Jonathon Sachs – The Chief Rabbi, Clint Eastwood, Zsa Zsa Gabor, Anne Robinson, The Von Thyssen Collection, The Romanov Collection, Westinghouse, Ashland Oil and Arrowfield Horse Stud...

Mary Kollock (American, 1840-1911) [illegible] France, 1892 Oil on canvas 30 1/2 x 23 1/4 in. Frame: 36 1/2 x 33 x 2 7/8 in. Signed, titled, and dated lower right Landscape, still l...

George Gách (American, 1909-1996) The Old Tree in Glenwood Landing, 1957 Oil on canvas 23 x 27 in. Framed: 26 x 29 1/2 in. Singed lower right: Gách 1957 Provenance: Garden City Galleries, Garden City, NY Includes brochure. Born in Hungary, George Gách, the son of sculptor Stephen Gách (1880-1962), was noted for sculpture, impressionist painting and teaching. His subjects included animals, people, florals, nudes, cowboys, sports and scenes of Long Island, Bermuda, Mexico, Florida and upstate New York. Among his sculpture subjects are portrait busts of prime ministers, governors, corporate presidents and soccer stars. He served as a commercial pilot from 1939 to 1952. and in 1944, was shot down and given up as dead. He was also in prisoner of war camps twice during World War II and then in 1947, was almost imprisoned by the communists in Hungary. Gách graduated form the Academy of Fine Arts in Budapest in 1939, and then immigrated to the United States. He located his studio in Roslyn Heights Long Island, and at one point set a goal...

Born in 1906, Cooley settled in New York City where she studied at the Arts Student League with John Sloan. Her genre paintings of women, children and the working class are in the As...

As a fine artist, I love to find peaceful moments in the world around me and capture them in my paintings. One such moment that I recently painted was during a bike ride with my fami...

This exceptional 1924 original oil painting by influential Colorado modernist John E. Thompson depicts the historic High Bridge—New York City’s oldest surviving bridge—as it rises gracefully above the Harlem River. A rare and dynamic example of Thompson’s early modernist style, the work blends architectural realism with expressive, textured brushwork. The elegant stone arches, rhythmic spans, and atmospheric urban setting reveal Thompson’s mastery of composition and color. Signed and dated in the lower right, the painting carries strong historical authenticity and collector appeal. It is presented in a custom vintage frame that complements the period and enhances its refined, timeless presence. This rare early 20th-century view of New York City architecture is an important acquisition for collectors of American modernism, urban landscapes, and historic engineering landmarks. It captures a pivotal moment where traditional realism meets the burgeoning energy of modernist vision—making it a standout work in any distinguished collection. About the Artist: John E. Thompson – Pioneer of Colorado Modernism John Edward Thompson (1876–1945) is celebrated as the “Dean of Colorado Artists” and a foundational figure in introducing European modernism to the American West. Educated at the Art Students League of Buffalo and later in New York, he absorbed avant-garde influences while working in Europe, particularly inspired by Paul Cézanne. Settling in Denver in 1914, Thompson became a catalyst for the region’s modern art movement. He taught at the University of Denver and the Santa Fe Art School, working alongside Andrew Dasburg, B.J.O. Nordfeldt, and Walter Ufer. His mentorship shaped artists such as Józef Bakoś and Walter Mruk, co-founders of the influential group Los Cinco Pintores...

Harald Grote. Afternoon at Fairmount Park Oil on masonite, panel, 12 x 16 inches. Signed and dated lower right.