Board Landscape Paintings

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

September Seas, Original Seascape Painting in Pastel on Board, 2021 Sunlight reflects off of the waves crashing onto the beach. Artist Commentary: I’m mesmerized by waves of all sh...

This is a beautiful Cape Cod Massachusetts spring landscape with a rural farm and water behind it was painted by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, Vermont and later became one of the founders of the Rockport Art Colony, living on Cape Ann in Massachusetts and summering in Jamaica, Vermont. Trained at the Boston Museum School, Hibbard carried forth the tenets of traditional academic art into the 20th century. He became very well-known for his New England...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...

A fine impressionist harbor scene in Gloucester, Massachusetts by American artist Guy Carleton Wiggins (1883-1962). Wiggins was born in Brooklyn, New York, and had a long and success...

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

An impressionistic, antique landscape painting depicting the rugged coastal beauty of Race Point Beach, Massechusets. The rocky coastline and rushing waves are rendered in luminous ...

Nathan Hoffman Brighton Beach, August 5, 1941 Signed, titled, dated and estate stamped on the reverse Oil on board 9 3/4 x 14 inches Born in Russia, th...

Abstract landscape painting. Fame included.

Lielupe. 1980. Cardboard, oil. 51x66 cm

Incoming, Original Impressionist Painting, 2021 8" x 10" (HxW) Pastel on Board Please note this piece is framed A contemporary pastel work depicting the ocean's water crashing onto...

William Samuel Horton (1865 - 1936) La Seine Fumee bleu, Paris, France, circa 1909 Oil on canvasboard 17 x 21 inches Signed lower left A landscape painter, William Horton lived and ...

Boris Vassiloff, Russian/American (1906 - 2000) Artist Boris Vassiloff was born on March 24, 1906 to Julia Nikolaevna and Boris Ivanovich Vassiloff in Russia. He died peacefully on D...

Giovanni Korompay (Italian, 1904-1988), Mountainous Landscape Scene, Oil on Board, signed lower right and to verso, silvered wood frame. Image: 14" H x 18" W; frame: 20.75" H x 25" W...

Arlberg brücke. 1930, оil on cardboard, 30x36,5 cm

The American landscape – endless skies, calming waters and the varied shores of the East and West coasts - are Cople’s passion and she travels far and wide to capture her subjects. “I love painting the landscape en plein air. In the outdoors, exposed to the sun, wind and rain, you can incorporate not only what you see, but also the sounds and the smells of the landscape. All of this lets me convey the sense of wonder I feel at the subject,” says Cople. Undeterred by nature’s extremes, Cople has painted in blizzards in the Wasatch Mountains of Utah; on the precarious cliffs of Monhegan Island, Maine; in howling gales off the California coast; and, of course, in both summer and winter in her beloved Eastern Shore of Maryland and Potomac River...

Sunny winter landscape. 1985, cardboard, oil, 45x58 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in diffe...

Framed Size - 43.7 x 45.7 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils...

Oil on board Board size: 13 x 16 inches Framed size: 18.25 x 21.25 inches Signed with initials lower left

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Pine trees on the seashore. 1981, cardboard, oil, 46x65 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in d...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

"Autumn on Canal" is a Pennsylvania landscape by American Impressionist painter Albert Van Nesse Greene. The painting is a 8" x 10" oil on board, framed, and signed "A V Greene...

St Ives Harbour [2017] Original Figurative Acrylic on Board Image size: H:27 cm x W:22 cm Frame Size: H:46 cm x W:40 cm x D:2cm Sold Framed Please note that insitu images are purely ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

This impressionist oil painting landscape with two people under an orchard tree was done by American artist John Fulton Folinsbee (1892-1972). Folinsbee was born in Buffalo, New York, spending much of his life in the New Hope, Pennsylvania area, becoming well known for his impressionist landscape paintings and later in life, industrial street genre paintings. Provenance: The painting has been included in the catalogue on Folinsbee. It was painted circa 1916 and exhibited at Smith College in 1916 and sold at that exhibition.This is from the catalogue: In the Orchard...

Island Garden Border II Dylan Lloyd Medium: Oil on board Image size: 30 x 24 cm Framed size: 42.5 x 36.5 cm Sold Framed Dylan Lloyd was born in Gravesend, Kent in 1972 and studied F...

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

William R Davis's "Florida Waterway" is a breathtaking contemporary painting that encapsulates the vibrant atmosphere of Florida's coastal landscapes. This stunning artwork presents ...

Artist: Vahe Yeremyan Title: After Storm Medium: Oil on Cardboard Year: 2025 Style: Impressionism Dimensions: 17" x 17" x 0.2" inch (43 x 43 x 1cm) Framed: 21'' x 21'' x 1'' inch (53...

"Evening at Harvey Bear Park" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created during Colibri Gallery's 2nd An...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

"La Place au Bistro des Filles" by Gerard Valtier is an original oil on canvas that measures 35x46 inches. The bright colors of this impressionistic painting create a lively evening scene of people walking and dancing outside of the shops along a canal. Empty gondola's float on the water, lit by the street lamps. Many appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Seething with colors, sparkling, blazing, molten gold: the whole mystery of Gerard Valtier’s painting lies in the working of this colorful living chemistry, where the thickening cover of the glaze catches the reflections of the light, which progressively becomes incandescent. The contrasting blue and yellow, basically naturalistic colors - characteristic of the impressionist palette - create a feeling of bedazzlement which send out their own light, directly imitating the natural effects of light itself. Thus, the property of the color, the interaction of colors as well as their power to create some light, definitely are the basis of Valtier’s work. The artist can paint everything: barges along the quay, the busy crowds, Venice and its carnival, the bride and her procession - his whole painting is under the sign of the feast. Unlike Renoir or Cezanne, Valtier does not hesitate to use black as a true color, not one designed to soften or drain the pure color, as in the shadows. One will also appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Valtier has had exhibitions throughout the world and has received many awards. He paints from his studio in Arles, France. He is listed in Mayers, Akoun, La Cote des Peinteres, Bordas International, and Financial Art.

Roses. 2008, cardboard, oil, 87x67 cm

Carnations and roses. 1990, cardboard, oil, 92x67 cm

"Veiled Guardians, Micah 7:7" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a serene forest landscape with several buffalo traveling through. About the...

Highlighting the rural beauty and solitude of life in the farm country, Laura Mann's paintings have a timeless and atmospheric quality that call for reminis...

Rye field. 2000. Cardboard, oil, 69x91 cm Summer landscape with Rye field and river by Edgars Vinters

Alice Maud Fanner was born in Surrey in 1865 and for many years lived in the Chiswick area of London. She studied at the Richmond School of Art and also taught there. She attended Slade School of Art in London. She was a pupil of Albert Julius Olsson. Like Olsson, Fanner often painted the sea and the coast, as well as yachts and sailing scenes. One of her paintings, "Riverside Landscape," was included in the book "Women Painters...

This beautiful painting by Edgar Payne shows a stunning view of the Swiss Alps, with snowy mountain peaks towering over rocky slopes in warm brown tones. Below, simple cabins sit in ...

This Western Landscape by New England Impressionist painter Richard Edward Miller is a 12.5 x 23.5 inches, oil on board painting from 1931. A plein-air and impressionist painter as ...

A masterful oil painting depicting a coastal scene with a sail boat passing through the glimmering waters, lush hills, and seaside buildings under a lightly clouded sky. This particu...

Signed figures in landscape oil on board circa 1905 by Australian-American impressionist painter Richard Hayley Lever. The work depicts fishing vessels docked in the harbour in Douar...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

This piece, "Saffron Clearing", is a 36x36 oil painting on board by artist Carol Young featuring a vibrant barn in the midst of a yellow golden field and deep blue sky. The barn is a bluish violet with a scarlet red roof. A line of dark green trees are on the horizon. Young's use of complimentary colors make this painting jump out towards the viewer. About the artist: “I've always been an artist. At a young age I painted rocks...

Peonies and Dew 1 (20/30см), 27x37 in frame Peonies and Dew 2 (20/40 см) 27-47 in frame The work "Peonies and Dew" from the "Garden Dreams" series is done in an impressionist style...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. John Wells James (1873 - 1951) A master of both landscape and still life painting, Brooklyn-born John Wells James was a significant member of the New Hope...

Fine & important American New England Impressionist landscape oil painting on board by Gerrit Albertus Beneker (1882-1934), Provincetown Massachusetts, 1915. A beautiful scene of "Th...

Artist Statement-"I work in mixed media, laying down layers of spray paint, pencil, and traditional oil wash on wood or canvas before bringing in photography or other elements that c...

This piece, "California Poppies", is 14x18 oil painting on board by artist Monique Sakellarios. Featured is a view of an expansive flower field sp...

"Morgan Hill Morning" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created at Harvey Bear Park in Morgan Hill, CA, known for its lush scenery and excellent hiking trails. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. Framed: 13.5" x 15.5" Unframed: 8" x 10" Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery’s 2nd Annual Morgan Hill Plein Air Paint Out, where he won third place for his painting, Roses Among the Vines. In 2021, Mancuso achieved Master Circle Status with The International Association of Pastel Societies and is a Signature Member of the Pastel Society of America. Mancuso holds membership with The California Art Club, Laguna Beach Plein Air...

Dripping in Diamonds is a water and figurative artwork featuring swimmers in the water. It is a Pastel on archival board. It is the first time in 30 years Bennett has created artwo...

This plain air sketch was painted by the artist in Kuzminki Park in winter near the Churilikha River and reflects the tranquil beauty of the winter landscape. The scene is dominated ...

Impressionist New York City winter city-scene depicting lights on the Street in New York City at the Roxy. Pedestrians in a most intimate, yet energetic way. Christopher is known for...

As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (11 November 1862-1941), mat weaver, and his wife Hannah (6 July 1860-1939), who married at Sudbury in 1883 and in 1939 were living at 5 Acton Square, Sudbury. Known as Paul Earee, an artist who was a professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

"By The Sea" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's pa...

The party’s over I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and copper leaves on Japanese cardboard, it is sold with a b...

Patrick Hughes Street 2021 hand-painted multiple 38.9 x 74.8 x 19.6 cm (15¼ x 29½ x 7¾ in.) edition of 50 Provenance Direct from the artist’s studio Notes “I have lived and worked in Shoreditch for a quarter of a century and I have watched with delight and amazement the rise of Street Art...

Nerhbass’ paintings focus on style as a sublime element of tension within beauty. Thematically they evoke modern dilemmas of what it means to see and be seen in a manner that is simu...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the Free School of Painting and Drawing in Cracow , from 1929 to 1934 at the Academy of Fine Arts in Warsaw : painting by Mieczysław Kotarbiński and Felicjan Szczęsny Kowarski and graphic art by Władysław Skoczylas and Leon...