Board Landscape Paintings

Technical Details Artist: Rosendo González Carbonell Title: River Year: c.1980 Technique: Oil on board Dimensions (without frame): 10.6 x 1...

Landscape. 1937, oil on cardboard, 34x40 cm Reinhold Kasparsons (born 13/9/1889 in Cēsis, died 14/1966 in Riga), painter. Born in a craftsman's family. Studied at Nītaure school, a...

Rooftop view of the upper West Side Manhattan as it looked in the 1930s. There is a rough indication of a billboard and a glimpse of the Hudson River. The cluster of buildings depic...

The evening painting with the Moon over the river is an unordinary wall decoration of any interior. The artwork is full of different difficult colours. The artist masterfully capture...

A substantial mid-century Baltic figurative courtyard genre painting by an unknown Eastern European artist (latvia or Lithuania possible) (20t...

I love this garden in the park. Walking there, you forget about the flow of time, and in the spring, at the time of flowering, when the apple trees try on a white wedding dress, your...

Landscape, skiing, black and white, mountain, snow, france. Sam Gare is available online and in our gallery at Wychwood Art. Samantha Gare Chamonix, France Alps Pen, Marker and Pastel on Mountboard Framed (gray box...

Highly detailed mid century landscape depicting a glorious autumn scene, of a tranquil stream running through a forest full of tress with golden fall foliage, by Harriet Yule (Americ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Vintage flower landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang an...

Oil on board Board size: 8.5 x 6.5 inches Framed size: 20 x 18 inches Signed lower right

Arthur Vidal Diehl British, 1870-1929 Venetian Harbor Oil on board 14 by 17 in, w/ frame 25 by 28 ¼ in Signed lower right Inventory Number: 01854 Best known for his sand dune and ...

Small Square Abstract Landscape Canvas Art Study of Sunflower Field by Contemporary Artist, Angela Wakefield Art measures 6 x 6 inches Frame measures 11 x 11 inches Angela Wakefiel...

Frederick John Mulhaupt Gloucester Boats Signed lower left Oil on board 12 x 16 inches Born in Rock Port, Missouri, in 1871, Mulhaupt studied...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2014 Title: On the land of the ancestors Si...

Amber Glow - Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Amber Glow Artist: Angel...

Original oil painting on cardboard by the artist Simon Kozhin. Framed. Plein air painting with snow made in Impressionist style. "Not without a special fe...

Wonderful mid century landscape titled "Late Afternoon in Novato" by Ted Lewy (American, 1912-1963). Presented in a rustic wooden frame. Signed "Ted Lewy" and dated "1962" lower righ...

Title: Stone House in Salardú Artist: Joan Vila‑Puig (1890–1963) Technique: Oil on canvas board Dimensions: 33 x 41 cm (12.99 x 16.14 in) Support: Canvas board Signature: Signed in t...

​Helen Taylor (Contemporary) A Short Walk to Europe Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...

A radiant Impressionist-style landscape, this oil painting captures the vibrant warmth of a summer meadow scattered with white daisies and blush-pink wildflowers. Loose, expressive b...

River in the Desert - Western Plein Aire Landscape in Acrylic on Board Lush Western landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer stands at ...

This piece is a pertinent example of Jacques Weismann's most sought after works, depicting a Garden view with flowers by an elegant building in the background. As an American Impres...

Mid 20th Century view of a French village, oil on board, by Ghislaine de Fiquelmont. The painting, though not signed, is annotated as from the atelier to the back of the board. Prese...

The painting captures a stunning sunset over a calm lake. The water perfectly mirrors the vibrant colors and soft clouds above. Сlouds catch the last light of day, adding depth to th...

Quiet Stream, Small-Scale Mid Century California Landscape, 1937 Plein air painting of a California landscape, quiet stream and hills, 1937. Attributed to California artist, art co...

"Industrial Facade", by Catherine Picard-Gibbs, is a gritty depiction of an industrial building painted in acrylic on a 5 x 7 inch board. Gestural brushstrokes and a palette of brick...

In this piece, I poured my love for serene coastal moments, blending impressionism with realism to capture the gentle dance of light and shadow. The oil brings warmth and depth, invi...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed, inscribed...

Framed Size - 43.7 x 45.7 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils...

Miniature Painting of Big Ben from Trafalgar Square in London, using bold primary colours. A unique original painting study from Contemporary British Artist, Angela Wakefield. Art ...

Signed lower left, 'Henri Buron' for Henri Lucien Joseph Buron (French, 1880-1969) and dated lower right 1927; additionally signed verso and dated. The painting is displayed in a cu...

Antique French Impressionist Oil on Panel by Paul de Frick, Place des Vosges Paris, 1908. Antique oil painting by French Impressionist artist Paul de Frick (1864-1935), signed & date...

Oil painting by Sean Durkin of a high street scene showing a busy day shopping.  It depicts an old town image with smokey chimney stacks. ADDITIONAL INFORMATION: Busy High Street ...

shipped in roll Immerse your space in the breathtaking beauty of the Swiss Alps with this original artwork. The vivid sunset sky and snow-covered ridges capture the tranquil majesty...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2012 Title: On the Psel Size: 16.5...

Inspired by breathtaking tropical landscapes, this original painting showcases a stunning island rising from turquoise waters. The textured brushstrokes and layered colors create dep...

Study using Earthy Colours - Miniature Abstract Landscape Art by British Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Miniature Abs...

Choosing the motive as different for their eye-pleasing variety and play, at the same time, simplicity drew attention to themselves. I painted with this motive in winter, but this su...

A whimsical oil painting depicting a Parisian Cafe scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in the first ...

Technical Details Artist: Rosendo González Carbonell Title: "Montaña Sta. Magdalena" (as inscribed on the reverse) Year: 1983 (as noted on the reverse) Technique: Oil on board Dimensions (without frame): 10.6 x 11.4 in Dimensions (with frame): 15.7 x 16.5 in Support: Wooden board Signed: Yes, in the lower right corner Condition: Painting: The surface is in good condition with slight craquelure typical of its age. Frame: Minor surface wear consistent with age, retaining its classic golden appearance. Description of the Artwork The painting "Montaña Sta. Magdalena" by Rosendo González Carbonell captures the tranquility and beauty of a natural setting. The composition begins with a dirt path in the foreground that guides the viewer's gaze toward a valley dotted with small buildings, surrounded by rolling hills and crowned by a majestic mountain range. The color palette is dominated by vibrant greens in the landscape and soft blues in the mountains and sky. The brushstrokes are loose and dynamic, adding texture and life to the scene. The interplay of natural light and subtle contrasts demonstrates the artist's skill in capturing the atmosphere and depth of the landscape. The golden frame, measuring 15.7 x 16.5 in, enhances the vivid colors of the artwork and adds a touch of elegance, harmonizing with the classic style of the painting. Similar Artists The style of Rosendo González Carbonell shows parallels with the following artists: Joaquín Sorolla: Known for his mastery of light and depiction of vibrant landscapes. Darío de Regoyos...

1930s French Impressionist Barbizon School oil on panel view of a wooded landscape with autumn colours by Georges Guerin (1910-1984). The painting is signed top right to the back of ...

The wooden church on the site of the present was founded no earlier than 1593, probably simultaneously with the establishment of the Streletsky settlement. In the second half of the ...

Impressionist style plein-air landscape painting of trees and buildings by Stuart Shils. Oil on paper mounted on rag board. Image size: 12.75 x 17.75 inches. Frame size: 20 x 25 x ...

A whimsical oil painting depicting a Street Scene in Venice of people going about their day by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produ...

As a psychologist, I have explored numerous practices for self-discovery. During one of the training sessions, I learned that the oak tree symbolizes a connection to family. This maj...

Impressionist winter pastoral scene of a quaint snow covered home by the Mill Along Neshaminy Creek in Bucks County, PA. Willett has portrayed this charming mill scene in a most inti...

Nicolás Raurich Petre - Costa Brava - Oil on board Oil mesures 14x23 cm. Frame mesures 31x40 cm.

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

In this piece, I explored the transient beauty of nature with rich oils, blending impressionism's vivid play of light with realism's grounded textures. I sought to evoke a sense of p...

"Ole Swimmin Hole" Southern California Oil on canvas board 1930s Elegant mid century landscape depicting a lake and hillside in summer by well known and collected California artist ...

Albert Rafols Cullerés (1892-1986) - Landscape - Oil on board Oil measures 27x36 cm. Frame size 33x42 cm. Catalan painter formed the Llotja with Lluis Labarta and Arcadi Más and fon...

A very simple motif with boats on the sea that I painted from the balcony of a hotel in the Greek village of Bali on the island of Crete. In creating this piece, I used oils to captu...

Fred Parker Sonoma Mountain, 1996 Signed, dated, and titled on the reverse Acrylic, pastel, and pencil on board 21 1/2 x 29 1/2 inches

Manuel Isidor Valle Micolau (1874-1959) - Spanish landscape - Oil on board Oil mesures 18x11 cm. Frame measures 28x22 cm. Photographer and artist from Lleida trained at the "Círculo...

This is a happy time for gardens to bloom once a year. The singing of birds, especially at night the nightingales are flooded. A tired bumblebee will fly by grumbling and carrying pr...

Expansive landscape painting of the Teton Range in Wyoming reflecting in a nearby lake by Alma McGovern (American, 20th century). Signed and dated "Alma '61...

Sheep in a VW Split Screen Camper Van celebrating St Patricks Day in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 ...

Original Oil Painting of the Galway Bogland Landscape in Ireland by Northern Irish Artist, Margaret Stockman Art measures 20 x 16 inches Frame measures 28 x 24 inches This origin...

A fine impressionist coastal painting with figures gathering at a dune party by well known American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and so...