Fabric Landscape Paintings

Oil on canvas board. Signed and dated lower left. Unframed. Salvador de Regil’s 1951 surrealist oil painting transports viewers into a mesmerizing dreamscape where architecture and ...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2007 Title: The beginning of spring, ...

The painting was painted from life. The composition of the motif is stretched horizontally. In the foreground we see the near bank, which is in the shadow, and tree trunks on the sid...

Childe Hassam 1859-1935 American The Bather Signed and dated “Childe Hassam” (lower right) Oil on canvas Considered by many to be America’s foremost Impressionist painter, Childe Hassam composed his tranquil and intimate oil on canvas The Bather in the early years of the 20th century. The creation of the artwork aligns with a period of Hassam’s career where the artist’s palette was transforming, matching ever closer with the pale and pastel hues of French Impressionists like Claude Monet. Even the subject — a nude woman — represents a greater alignment with the Impressionist project, as artists of the movement and their non-mythological and non-biblical nudes still generated cries of indecency. With Hassam’s signature brushwork and attention to color, The Bather serves as a dream-like vision, serene and sensuous, of a young woman bathing in a lush forest. While the artist's skill for landscape painting is on display, it is Hassam's command of form, light and color that brings this canvas to life. He creates a captivating composition, placing the nude subject in the bottom left of the canvas. The soft, undulating curves of the woman's body in contrapposto and the glow of her fair skin are balanced by the strong verticals and deep earth tones of the tall trees to her right. Hassam delicately frames the nude in the vivid blues of the distant water, building luminous color that further draws the viewer’s eye and results in a somewhat voyeuristic appeal — endowing his nude with both a natural innocence and an intentional sensuality. Born in Dorchester, Massachusetts, Childe Hassam began his artistic career as a freelance illustrator, working for national publications such as Harper’s Weekly, Scribner’s Monthly, and The Century. His first solo exhibition of watercolors took place in Boston in 1883, and he quickly catapulted onto the international scene, winning a bronze medal at the Exposition Universelle in Paris in 1889. The year before the present work was created, he received the Webb Prize from the Society of American Artists for another landscape painted at Gloucester. Hassam would receive numerous other awards throughout his career, most notably the Gold Medal for Distinguished Services to Fine Art from the American Dealers Association. A true master, Hassam depicted a way of life characteristic of both American and French society, and his work elucidates a critical chapter in American art history. Today, his work resides in the Oval Office of the White House and in numerous important museums, including the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC and the Museum of Fine Arts in Boston, among others. This painting will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work. Circa 1905 Canvas: 24 1/2“ high x 20 18” wide Frame: 35 7/8“ high x 31 1/4” wide x 3 1/4“ deep Provenance: Private Collection of William Young...

The Bridge of Allan, Scotland signed by F. E. Jamieson (British 1895-1950) oil on canvas, unframed canvas: 16 x 24 inches provenance: private collection, UK condition: The painting i...

Elizabeth Geisler’s dazzling contemporary water reflection acrylic paintings bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet with a little di...

The Color of the Sky. Poetry of Light Oleksandr Khrapachov, 2018 Canvas, oil • 50×70 cm --- The Color of the Sky is a meditative journey into a space where matter dissolves into t...

A beautiful 1960's oil on canvas by Paul Lucien Dessau depicting the famous entrance to Horse Guards in central London, with mounted Guardsmen on watch and parade. The work is signe...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

In this stirring seascape, I embraced the raw energy of the ocean, capturing its power and grace with acrylics. Blending realism and impressionism, I sculpted light and shadow, infus...

"A Coastal Landscape with Figures and Ruins" Medium: Oil on canvas Dimensions (Framed): 75 x 100 cm Dimensions (Canvas): 48 x 74 cm No signatured This striking 18th-century oil paint...

Figures in a Forest by a River Bank in Northern Ireland by 20th Century Artist, Allan Ardies (1918 - 2014) Art measures 10 x 8 inches Frame measures 14 x 12 inches Figures in a ...

John Maclauchlan Milne (1886-1957), became a post impressionist artist in the Scottish Colourist tradition. His work has been exhibited in the Royal Scottish Academy. and in New Yor...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

A gorgeous mid century landscape of boats sailing along the Monterey, California coastline by Virginia Shackles (American, 1921-2020). Boats on the w...

"Timeless", from the series Horizons, handwoven painting, linen yarn, acrylic textile paint, 60 x 80 cm, 2022. Canvas is entirely constructed on a weaving loom...

Title: Small Pond Under The Mountain Medium: Oil on canvas Size: 15 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

This contemporary expressive abstract landscape, "River Among Mountains", was created by the French artist Natalya Mougenot as part of her series dedicated to Nature. One of Natalya'...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2020 Style: Impressionism, Subject: Riverside, Size: 30" x 45" x 0....

Vintage American modernist still life oil painting. Oil on canvas. Signed verso.

Artist: Vahe Yeremyan Title: Canyon View Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 30" x 44.5" x 1" inch (76 x 113 x 2cm) Presentation: Unframed, Gallery Wrapp...

Artist: Vahe Yeremyan Work: Print on Canvas Subject: Autumn Palette Size: 21" x 16" x 0.8''inch, 53x41x2cm Unframed, Stretched on the wooden bar, Gallery Wrapped, Ready to Hang All ...

Gail Chase Bien paints thinly layered oil on linen over extended periods (from months to years) to complete a single work of art. Taking cues from nature’s extraordinary visual offer...

Waiting in Ceuta, acrylic on canvas, 100cm x 80cm Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

This beautiful large impressionist oil on canvas by French artist Charles Cermak was painted in the 1930's. The work depicts colourful sailing boats in a harbor on the Côte d'Azur, m...

"The Three Sisters" in the Blue Mountains of New South Wales, Australia by Australian Artist, Alan Robert Colquhoun Grieve (1910-1970). Art measures 21 x 17 inches Frame measures 28 x 24 inches (Original ornate period frame is commensurate with age) Vintage 1960's Born in Sydney in 1910, Alan Robert Colquhoun Grieve studied at the Julian Ashton School and the East Sydney Technical College and with Australian artist Herbert Edward Badham. Alan Grieve has notably exhibited at Royal Arts Society in Sydney and was Vice President of the Australian Arts Society. His work is held in private collections the world over, including The Art Gallery of New South Wales, The Fred & Elinor Wrobel Collection in Sydney and the Howard Hilton Collection. He has won numerous art prizes during the 20th Century. This painting was bought from Gordon Galleries in Double Bay, Sydney, New South Wales in circa 1962 by Major General Sir Douglas Kendrew KCMG, CB, CBE, DSO - Governor of Western Australia from 1963 to 1974. The Three Sisters are an unusual rock formation in the Blue Mountains of New South Wales, Australia, on the north escarpment of the Jamison Valley. They are located close to the town of Katoomba and are one of the Blue Mountains' best known sites, towering above the Jamison Valley. The Legend: The Aboriginal dream-time legend has it that three sisters, 'Meehni', 'Wimlah' and 'Gunnedoo' lived in the Jamison Valley as members of the Katoomba tribe. These beautiful young ladies had fallen in love with three brothers from the Nepean tribe, yet tribal law...

Oil painting by Willard Dixon featuring figures enjoying a day at Ocean Beach in San Francisco. Willard Dixon, who is one of the finest American contempora...

Landscape mineral oxide on canvas relief paint original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2010 Style: Impressionism Title: Summer Meadow Size: 2...

'Two Girls', is 20 x 20 inches and was painted in 2025. Framed in a classic minimal hardwood strip frame, 20 1/2 x 20 1/2 inches. Artist signed, dated and titled verso. Willard Dix...

Circa 1930 American school winter impressionist landscape painting. Oil on board. Framed. Signed verso. Image size, 16 by 20 inches.

Artist/ School: Charles Curtelin (French, 1859-1912) Title: Woodland Scene Medium: oil painting on board, unframed. Size: painting: 13.5 x 18.5 inches Provenance: from a privat...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Charles L. A. Smith (American, 1871 - 1937) Signed: CHAS. L. A. SMITH (Lower, Right) " Valley of Dreams ", 1934 (San Gabriel Valley) Oil on Canvas 39" x 46 3/8" Housed in a 5" ...

Cottage in a Lush Garden with Hens in the English Countryside by 20th Century British Artist, Terry Heath (1943-2011) Art measures 20 x 16 inches Frame measures 26 x 22 inches S...

An exceptional impressionistic painting titled 'The Difficult Passage' depicting an afternoon along the River with Figures throughout by Jules René Hervé. Here the scene is set on a ...

A very simple motif with boats on the sea that I painted from the balcony of a hotel in the Greek village of Bali on the island of Crete. In creating this piece, I used oils to captu...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Adolphe Joseph Thomas Monticelli 1824-1886, was a French painter and influencer of Vincent van Gogh. Monticelli was well known to Theo and Vincent Van Gogh, Theo acted as agent for ...

Woodland Scene, 1885 Oil on canvas, 38 x 50 inches (96.5 x 127 cm) Framed dimensions: 49 3/8 x 61 3/8 inches Signed and dated lower left: W Bliss Baker 1885 Provenance Albert E Clue...

Antique American impressionist winter cityscape oil painting. Oil on board. Signed. Framed. Measuring 20 by 24 inches overall and 16 by 20 painting alone. In excellent original cond...

Charles Henry Miller (American, 1842-1922) Untitled (Farm at Dusk), 1886 Oil on canvas 16 x 27 in. Signed and dated lower right: Chas. H. Miller, N.A., 1886 Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Alfred Augustus Glendening Senior (English, 1840–1921) River Landscape, oil on canvas, circa 1890 This lyrical river landscape by Alfred Augustus Glendening Senior is a quietly lumi...

oil stick, acrylic, & charcoal on raw linen

“The Holy Hour” German School, circa 1930's signed lower corner oil painting on canvas, framed The painting is a copy after the earlier work: THE HOLY HOUR; DIE HEILIGE STUNDE. by LUDWIG FAHRENKROG (1867-1952). painting: 51cm x 81cm provenance: private collection, Germany Fine quality Symbolist oil painting from the 1930...

Known for his luminous, atmospheric landscapes, Doug Foltz masterfully captures both vastness and intimacy in She Was Always Quick to Forgive. Rendered in soft tonal grays and silver...

Oil on canvas Yuriy Demiyanov is a Russian artist born in 1964 who lives and works in Zadonsk, Russia. He is graduated from the Lipetsk State Pedagogical Institute. He frequently ex...

This exquisite painting by renowned Victorian English artist Oliver Clare beautifully captures a vibrant still life of fruit on a mossy bank. The composition is a testament to Clar...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed inscribed verso canvas size: 35 x 46 inches condition: overall very...

French Expressionist oil on canvas of a river and mountain landscape by Gisele Grant-Gapail. The painting is initialled bottom right, signed and dated to the back of the canvas and t...

The painting "Joy of a Spring Morning" (60x70, oil on canvas) is filled with the light and freshness of awakening nature. The artist conveys the morning mood of spring - a clear sky,...

Mid 20th Century evocative Post-War (WWII) cityscape in Russia with church ruins by Anany Alexeevich Verbitsky (translated), (Russian, 20th Century). Signed lower left corner; street...

Celadon Sea Gyre is part of C. Ellen Hart’s The Bayou Reflections Series which investigates reflections on my local waterways. An arm of White Oak Bayou meanders across the foot o...

An original and unique painting by contemporary artist Eric Alfaro. Painting is signed by the artist, accompanied with it's certificate of authenticity and sold framed with a wooden ...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photographs and American pop icons opposite brand names and advertising references, adding bold colors and compelling patterns. She transfers them onto archival paper which is mounted on canvas. The pop art imagery is often distressed in an attempt to emphasize a bygone era. She further enhances the artworks with acrylic paint and texture, adding depth to her paintings. This vibrant one-of-a-kind 15.75-inch tall by 11.75-inch wide post-pop artwork is created with mixed media on canvas. The sides of the artwork are finished with a textured white paint, and it does not require framing. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Marion Duschletta was born in 1972 in Graubünden, Switzerland. She has been a full time professional artist since 2004. For over ten years, she was the owner of Galerie Mauerblümchen in Zürich, Switzerland. Due to her increasing international success as a fine artist she now focuses exclusively on creating unique artworks. Her popular series of artworks include cities such as New York, Miami, Las Vegas, Los Angeles, London as well as American Pop Icons such as Marilyn Monroe, Audrey Hepburn, and Chanel. Notable collectors include Ariel Winter, Los Angeles, CA. Artspace Warehouse has been representing and exhibiting Marion Duschletta's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, California EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Artspace Warehouse, Los Angeles, CA Galerie Kunsthaus Rapp Will Galerie VivaArte.online Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder Revier-Hotel, Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior, Arosa Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Kunst-Reproduktionsverkauf bei Swisskyline 2020 Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder für das Revier-Hotel in Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior Arosa Palatso pop up...

Stones and water, are two elements that have existed for a long time, and although water may seem soft, it grinds off the hardest stones. Provenance: 2007-2016 Private collection Pub...

'The Sacramento River, Rio Vista' by James Everett Stuart, 1919. California, Bohemian Club, White House, SFSD ----- Signed lower left, 'J. E. Stuart' for James Everett Stuart (Ameri...

Title: Landscape of Olot Artist: Joaquim Marsillach Codony (1905-1986) Year: 1945 Technique: Oil on canvas Dimensions: 23.6 x 28.7 in (60 x 73 cm) Location: Olot School, Catalonia Mo...

This artwork depicts a cozy corner of the ancient German city of Aschaffenburg. A winter day with such a rare phenomenon for Europe as snow. Snow falls and covers the old paving ston...