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Max KuehneBrooklyn Bridge through the Clouds-Original New York 20th Century Oil PaintingUnknown
Unknown
$12,000
£9,093.46
€10,479.17
CA$16,971.31
A$18,251.22
CHF 9,758.96
MX$220,104.56
NOK 123,408.78
SEK 112,441.29
DKK 78,302.60
About the Item
An atmospheric and impressionistic view of New York City's towering skyline with ships in the harbour on a misty day. This lovely painting is housed in a beautifully detailed artist frame with gilt decoration and delicate waves. Max Kuehne (1880-1868) spent time studying in Paris and Europe and the impact of his training is evident in this painting of New York the date of which is unknown.
Max Kuehne was a man of many interests and many talents. Born in Halle, Germany, he came to the United States with his family in the 1890s. As a young man, he found work as an assistant in a dental laboratory, as a patent law clerk, and as a printer's apprentice. Eventually, he pursued art and was talented enough to train under William Merrit Chase, who was at the height of his career, and then Kenneth Hayes Miller and Robert Henri. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83).
Framed Dimensions: 26.5 H x 36.5 W x 2.5 D in
Visible Image Dimensions: 22.25 H x 32.13 W in
Signed "Kuenhe" lower right
- Creator:Max Kuehne (1880-1968, American)
- Creation Year:Unknown
- Dimensions:Height: 26.5 in (67.31 cm)Width: 36.5 in (92.71 cm)
- Medium:
- Movement Style:
- Period:
- Condition:The wax-lined canvas is in fine condition. With light, vertical craquelure throughout the sky, mostly visible in the upper tier of the canvas. Examination under UV light reveals minor inpainting. Full Condition report available.
- Gallery Location:Marco Island, FL
- Reference Number:Seller: INV7641stDibs: LU2866216359182
Max Kuehne
Born in Halle, Germany in 1880, Max Kuehne was a colorist who created cheerful landscapes that appear to be painted spontaneously and with freshness. He studied with William Merritt Chase and Kenneth Hayes at the Chase School in New York. In 1910, he embarked on a bicycling trip, traveling through England, France, Germany, Holland and Belgium. To support this trip he did portrait commissions along the way. When he returned to New York City, he set up a studio in Greenwich Village and was a student of Robert Henri from whom he learned a dark impressionist style. He also became close with such avant garde artists as Guy Pene du Bois, William Glackens, William Zorach and Maurice and Charles Prendergast, which also influenced his dark work including street scenes and docks in New York City. However, three years in Spain, and painting trips to Gloucester lightened his palette as did time in Paris where he was much influenced by the Fauves, Nabis, and decorative painters. By 1912 he was producing work that would make him known as a "colourist of great distinction" by producing "paintings full of sparkling sunlight." He became a member of the artistic community later in Rockport, Massachusetts, with Gifford Beal, Leon Kroll, Paul Manship, Edward Hopper and Jonas Lie. Many of his finest paintings done later in his career are of the busy harbors and piers of Gloucester and Rockport. His work was widely exhibited including the National Academy of Design, the Art Institute of Chicago, and the Carnegie Institute in Pittsburgh.
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