Max Kuehne

“View of Lower New York from Brooklyn”

Circa 1928

Original oil and acrylic painting on canvas of a contemporary cityscape.. Signed Lee Reynolds lower right. Vanguard Studio label verso. Circa 1975. Condition is excellent. The pain...

This wonderful seaport painting is by Jan Simon Knikker Jr. (Dutch, 1911–1990). Knikker was a prolific painter of the Hague school. Judging by the subject and age of the canvas this wonderful depiction of an industrial dutch port is from the 1960's. Signed lower right. Condition is good. Oil on canvas. Overall framed measurements are 23 by 27 inches. Provenance: A upstate, New York collector. Biography artist Jan Simon Knikker (Leiden 1911 – The Hague 1990), known as Jan, was born in Leiden in 1911. He lived and worked in Wassenaar, after that in Voorschoten until 1937 and then in The Hague. Signed with Jan Knikker jr. Son or Jan Simon Knikker sr. He was a student at the Academy of Visual Arts in The Hague (1928-1932) and of his father Jan Knikker Sr. He painted summer, river and winter landscapes, still lifes and cityscapes in a figurative way in the style of the Hague School. He is therefore seen as a follower of the Hague School and he worked a lot for art dealers. Abroad his cityscapes are particularly sought after. Although the Knikker family of painters and in particular Jan Knikker senior (Oude Jan) and Aris Knikker...

Very well executed original pastel on archival paper of New York City at night with beacon by the well known American artist, Leon Dolice. Signed lower right. Circa 1930. Condition is excellent. Beautifully gallery framed with stained mahogany wood frame. Under glass. Overall framed measurements are 21 by 30 inches. Birham Wood Galleries, East Hampton, New York provenance. Exhibited artwork. See photo gallery labels verso. Leon Dolice was born in Vienna, Austria on August 14, 1892, the son of a machinest/welder. He went on to study art in Europe and viewing the works of the Masters. Dolice immigrated to the United States in 1920, finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. Concentrating on etching and with the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan. A decline in popular favor for etchings led him to put aside his plates in the late 1930s and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes, and even experiments with Abstract Expressionism at the height of its new found favor in the 1940s punctuated his career. In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit. Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 20 by 18 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

A stunning oil on canvas urban landscape by sought after French post-impressionist painter Jacques Martin-Ferrieres. The piece depicts a very rare view of the Manhattan skyline - pai...

Johann Berthelsen depicts a view of New York City from the iconic Brooklyn Navy Yard in his work entitled, “New York Skyline from the Brooklyn Navy ...

Oil painting of an aerial view of Manhattan Island. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Han...

Nathan Hoffman Manhattan from the Rooftops, July 1, 1947 Signed, dated and estate stamped on the reverse Oil on board 15 3/4 x 20 inches Born in Russia...