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Miguel Angel RíosCARTA DE NOVVS ORBI SVD AMERICA TAP PERV ANA1995
1995
$30,000
£22,671.69
€26,042.56
CA$42,197.22
A$44,675.85
CHF 24,177.30
MX$533,958.53
NOK 301,366.95
SEK 275,589.38
DKK 194,504.46
About the Item
The piece titled CARTA DE NOVVS ORBI SVD AMERICA TAP PERV ANA, is by Miguel Angel Ríos, belongs to Ríos' acclaimed "Mapas" series from the 1990s, a body of work that critically addresses the concept of "Latin America" and the history of colonial power. The artist physically deconstructs and reconstructs enlarged facsimiles off colonial maps to challenge traditional, Eurocentric cartographic representations of the continent. The work is a Cibachrome (a high-quality photographic print process) mounted on paper, often held with push pins. The surface of the map has been meticulously folded and pleated by hand, creating a textured, sculptural, and fragmented appearance. This physical manipulation disrupts the map's legibility, symbolizing the instability and ambiguity of borders and national identities imposed during colonization. The image centers on an old map of South America, specifically highlighting the region of Peru (PERV) and the Andes (ANA). The surrounding dark, pleated areas obscure significant portions of the original map, making the representation of the continent incomplete and fractured. The geometric folds and knots in the paper reference the Andean quipu system, an ancient Inca method of recording information using encoded knots on strings. By weaving this indigenous tradition into colonial cartography, Ríos contrasts the imposed Western systems with pre-existing local knowledge systems, making the "Encounter of two Worlds" tangible within the artwork.
Themes: The artwork is a critical post-colonial commentary on the political act of map-drawing, the arbitrariness of frontiers, and the multiple perspectives of history, violence, and politics in the region
Cibachrome mounted on paper, often with push pins
Provenance Fernando Quintana gallery
- Creator:Miguel Angel Ríos (1943, Argentinian)
- Creation Year:1995
- Dimensions:Height: 26 in (66.04 cm)Width: 38.5 in (97.79 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU453317518832
Miguel Angel Ríos
Miguel Angel Ríos studied at the Escuela de Bellas Artes in Buenos Aires before moving to New York in the 1970s to escape the military dictatorship in Argentina. He subsequently relocated to Mexico and now divides his time between the USA and Mexico. In his work, Ríos pairs a rigorous conceptual approach with a meticulously constructed and often handmade aesthetic. Since the 1970s, he has made work about the concept of the "Latin American," using this idea as both an artistic strategy and a political problem. In the 1990s, he began creating a series of maps, which he carefully folded and pleated by hand. Marking the 500th anniversary of the "discovery" of the Americas, the maps indicate long histories of power and colonial experience, and they reference traditional Indigenous arts in the Americas, including the Andean quipu. Since the early 2000s, Ríos has also delved into the medium of video to create symbolic narratives about human experience, violence, and mortality. For example, his videos of spinning tops--trompos--use the childhood game of tops as a backdrop for a meditation on the transience of life and the mechanics of power. In his 2012 Untitled video from The Ghost of Modernity, Ríos references high Modernism--with direct nods to John Cage, Marcel Duchamp, and Donald Judd--in the midst of the Mexican desert. "Is this ghostly geometric figure a lens through which the world can be reinterpreted?" the artist asks. "Or is it the paradigmatic principle of modernist thought that organizes the world around it? Are we inside or outside the cube? " Ríos’s works have been shown in a number of important solo exhibitions, including Landlocked, Arizona State University Art Museum, Phoenix, Arizona, USA (2015); Miguel Angel Ríos: Walkabout, Des Moines Art Center, Iowa, USA and Museo de Arte Carrillo Gil (MACG), Mexico City, Mexico (with exhibition catalogue) (2012); Miguel Angel Ríos, Dunedin Public Art Gallery, Dunedin, New Zealand (2010); Manhattan Códice, John Weber Gallery, New York City, New York, USA and Museo de Arte Carrillo Gil (MACG), Mexico City, Mexico (1999); Miguel Angel Ríos: Neither Colour, nor height, MUCEM, Marseille, France (2017);Miguel Angel Ríos, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina (2009); On The Edge, Museum of Contemporary Art San Diego (MCASD), California, USA (2009); Miguel Angel Ríos: On the Edge, The Museum of Fine Arts, Houston (MFAH), Texas, USA (2019); A Morir, Phoenix Art Museum, Arizona, USA (2007); and No Way Out, Röda Sten Konsthall, Gothenburg, Sweden (2019).
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