Olga Nikitina

Papaya Tropical Fruit Painting

2022

Facing the Light Floral Still-life Nature 18" x 18" Oil on Canvas Gallery Wrap In Andres Lopez's paintings you can find a beautiful fine art of wild life and the majestic beauty...

Impressionistic Impasto Painting of Cottage on Blue Stack Mountains in Donegal Northern Ireland, by 20th Century Artist Jim Holmes Art measures 12 x...

Signed post impressionist oil on canvas landscape by French painter Lucien Levy-Dhurmer. The piece depicts the gardens of a Moorish Palace at evening. Painted in largely blues, there are some flowering trees in the front of the work below a much larger bare tree. Beyond that the palace sits below a starry sky. Mr. Jumeau-Lafond believes the work was likely painted in Morocco but he also stated that Dhurmer often used imagination to construct settings for his ideas. Signature: Signed lower left Dimensions: Framed: 39"x31" Unframed: 32"x24" Provenance: Private collection - France The authenticity of this work has been confirmed by Jean-David Jumeau-Lafond A certificate of authenticity from Mr. Jumeau-Lafond is available upon request Lucien Lévy-Dhurmer did not follow the conventional route for education in fine arts but was nevertheless a pupil of the painters Raphaël Collin, Vio and Wallet. He was an ornamental painter in an earthenware factory in Golfe-Juan from 1887 to 1895, which influenced his use of pastel. He travelled to Italy in 1895. Around 1902 he painted the portraits of Rodenbach, Pierre Loti and Marguerite Moreno. Although he had not been instructed by Puvis de Chavannes or Gustave Moreau, he seemed to have much in common with those visionary 'painters of the soul' who had been exhibiting at the Salon de la Rose-Croix for several years: Edmond Aman-Jean, Louis Welden Hawkins, Henri Martin, Charles Maurin and Alphonse Osbert. Following the example of some of these artists, Lévy-Dhurmer admired Italian Renaissance art, evidence of which can be seen in pastels such as Woman with a Medal, Medusa, Circes and Florence. His translation of the Symbolist themes in the scores of Beethoven ( Appassionata), Fauré or Debussy into different hues made him seem like a visionary, but his aesthetic seems to have changed to some extent after 1900, when his landscape painting became more prominent. In fact, only his presentation and style changed. He continued to suggest feelings, interpretations and emotions but without relying on any traditional allegories. He became involved in the Intimist movement, along with Ernest Laurent, Charles Cottet, Henri le Sidaner and René Ménard, whose pastels presaged the Classicism of the 1930s. He exhibited at the Salon des Artistes Français in Paris from 1882. From 1906 he was associated with the Salon de la Société Nationale des Beaux-Arts. He showed his works in individual exhibitions, notably in 1896 at the Galerie Georges Petit in Paris, which was a very successful exhibition and earned him admiration in artistic and literary circles alike. Several decades later the exhibition Around Lévy-Dhurmer ( Autour de Lévy-Dhurmer) at the Galeries du Grand Palais in Paris in 1973 revealed a tendency in art which had been largely unknown until then and which remained on the margins of the great innovative movements of the 20th century, but which was nonetheless of a quality which could not be ignored. Lévy-Dhurmer obtained a distinction from the Salon des Artistes Français in 1896 and a bronze medal at the 1900 Exposition Universelle in Paris. He became a Chevalier of the Légion d'Honneur in 1902. Museum and Gallery Holdings Bayonne (Mus. Basque): Portrait of Pierre Loti (1896, pastel) Brest (MBA): Circes Detroit (AI): Vase with Dragonflies (1890, earthenware with iridescent glaze) Mulhouse: Harvest New York (Metropolitan Mus. of Art): Flower Pot (c. 1893, earthenware with metallic glaze) Paris (Mus. d'Orsay): Portrait of Georges Rodenbach (c. 1895, pastel on paper); The Woman with a Medal (1896, pastel on paper on card); The Lost Explorer...

Tuscan Sunset Italian School, circa 1970's indistinctly signed lower right oil painting on canvas, framed framed size: 31 x 26 inches condition: very good provenance: private collection, England Beautiful mid/second half century Italian oil painting capturing this beautiful view over the Tuscan hills as the evening light fades. The soft colors are stunning - with teal blues and greens as well as the reflection upon the still pool waters beneath the Roman fountain statue. Signed by the artist to the lower corner, it is a wonderful reminder of how incredible the landscape of Italy...

Maggy Clarysse (1931-2011) oil on canvas, unframed 20x 16 inches signed front and back condition: excellent provenance: all the paintings we have by this artist have come from the ar...

Maggy Clarysse (1931-2011) oil on canvas, unframed 16 x 20 inches signed front condition: excellent provenance: all the paintings we have by this artist have come from the artists es...

Calm farm scene of a bucket filled with daisies by an unknown artist (20th Century). In the background a brick barn has a door open, with weeds and plants growing in front of it. A p...

In 1975, Jacklin went to live and work in New York City, and his work has subsequently been correspondingly large and ambitious. His oeuvre since 1975 comprises a portrait of parts o...

Mikael Olson's (US based) "Paradox" is an original, handmade oil painting that depicts the downtown area of a large city. Artist Biography and Statement: Born in Denver in 1973, Mik...

Mikael Olson's (US based) "Bar Bands Blur" is an original, handmade oil painting that depicts the downtown area of a large city. Artist Biography and Statement: Born in Denver in 19...