Want more images or videos?

Request additional images or videos from the seller

1 of 7

Otis Dozier
"GREEN BOATS" OTIS DOZIER 1960 MCM ABSTRACT MID CENTURY MODERN
DATED 1960

Name: "GREEN BOATS" OTIS DOZIER 1960 MCM ABSTRACT MID CENTURY MODERN
Brand: Otis Dozier
Rating: 5 (10 reviews)

$15,500List Price

About the Item

Otis Dozier (1904 - 1987) Dallas Artist Image Size: 20 x 30 Frame Size: 25 x 35 Medium: Oil Dated 1960 Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters to teach at the Dallas Museum of Fine Arts School and in Southern Methodist University’s art history department. While teaching, Dozier continued to paint and his paintings from this period display a liveliness and uncommon sense of vitality, attributed by the artist to his vivid surroundings. Classifying Otis Dozier as a Regionalist ignores his significance and diminishes his achievements. Dozier, like other members of Dallas’s art community, explored Regionalist subject matter, but he did so using sophisticated techniques and methods. He was unafraid of experimentation and eagerly incorporated techniques imported from abroad into his works. Recognized during his lifetime as an artist of national significance, it is vital that Dozier be remembered as an important contributor to American Modernism. Selected Biographical and Career Highlights • 1904, Born in Forney • 1920, Moves to Dallas • 1920-22, Studies at Aunspaugh Art School • Studies at the Dallas Art Institute • 1929-32, 1935, Draftsman at the Dallas Power and Light Company • 1936, Instructor at Dallas School of Creative Arts • 1945-48, Instructor at Southern Methodist University, Dallas • 1945-60s, Instructor at Dallas Museum of Fine Arts School • 1987, Dies in Dallas Selected Exhibitions • 1927, Annual Texas Artists Exhibition, Fort Worth • 1928-33, 1935, 1937-41, 1946-50, Annual Allied Arts Exhibition, Dallas • 1932, 1935, 1946, 1957, 1961, 1978, 1985, Dallas Museum of Art • 1933, Museum of Modern Art, New York • 1936, Dallas Centennial Exposition, Dallas • 1936, 1938, National Exhibition of American Art, Rockefeller Center, New York • 1940, 1946-48, Texas General Exhibition • 1942, 1944, 1952, 1960, Dallas Museum of Fine Arts • 1944, Fort Worth Museum of Art • 1948, 1955, Witte Memorial Museum, San Antonio • 1950, Metropolitan Museum of Art, New York • 1927, Annual Texas Artists Exhibition, Fort Worth • 1928-33, 1935, 1937-41, 1946-50, Annual Allied Arts Exhibition, Dallas • 1932, 1935, 1946, 1957, 1961, 1978, 1985, Dallas Museum of Art • 1933, Museum of Modern Art, New York • 1936, Dallas Centennial Exposition, Dallas • 1936, 1938, National Exhibition of American Art, Rockefeller Center, New York • 1940, 1946-48, Texas General Exhibition • 1942, 1944, 1952, 1960, Dallas Museum of Fine Arts • 1944, Fort Worth Museum of Art • 1948, 1955, Witte Memorial Museum, San Antonio • 1950, Metropolitan Museum of Art, New York Selected Public Collections • Blanton Museum of Art, Austin • Panhandle-Plains Historical Museum, Canyon • Dallas Museum of Art • Modern Art Museum of Fort Worth • Museum of Fine Arts, Houston • McNay Art Museum, San Antonio • Witte Museum, San Antonio • Denver Art Museum • Wadsworth Athenaeum, Hartford • Metropolitan Museum of Art, New York • Whitney Museum of American Art, New York

Creator:
Otis Dozier (1904-1987, American)
Creation Year:
DATED 1960
Dimensions:
Height: 25 in (63.5 cm)Width: 35 in (88.9 cm)Depth: 3 in (7.62 cm)
More Editions Sizes:
Image Size 20 x 30Price: $15,500
Medium:
Oil
Movement Style:
Modern
Period:
1960-1969
Framing:
Frame Included
Framing Options Available
Condition:
Please visit my 1stdibs storefront for more Texas and American Art.
Gallery Location:
San Antonio, TX
Reference Number:
1stDibs: LU76939469182

20th Century Modern Landscape Paintings

Materials

Canvas, Oil

Dennis Orme Shaw
Sunset in Ireland Countryside - Original Oil Painting by Northern Irish Artist, 1985 Circa

$1,037 Sale Price

20% Off

H 14 in W 16 in D 2 in

Mountain Lake in Ireland Countryside - Oil Painting by Northern Irish Artist

Located in Preston, GB

Mountain & Lake in Ireland Countryside - Oil Painting by Northern Irish Artist, Dennis Orme Shaw Art measures 12 x 10 inches Frame measures 18 x 16 inches Dennis Orme Shaw was b...

Category

20th Century Modern Landscape Paintings

Materials

Canvas, Oil

Dennis Orme Shaw
Mountain Lake in Ireland Countryside - Oil Painting by Northern Irish Artist, 1980

$1,256 Sale Price

$1,600 Sale Price

$2,000

H 16 in W 16 in

Frederick Shane “Twilight of History” 1947 Surrealist Oil Painting, Signed

By Frederick Shane

Located in Denver, CO

"Twilight of History" is a powerful and evocative original oil painting on board by renowned American artist Frederick Shane (1906–1992), created in 1947. This deeply symbolic work e...

Category

1940s American Modern Figurative Paintings

Materials

Oil, Board

Frederick Shane
Frederick Shane “Twilight of History” 1947 Surrealist Oil Painting, Signed, 1947

$3,750

H 24.5 in W 28.5 in D 2.75 in

Vintage Oil Painting of Southern California Seascape

Located in Soquel, CA

Original Southern California Seascape in Oil Paint on Canvas Beautiful seascape that captures the ruggedness and beauty of the Southern California coast by Nadine Pollard (American,...

Category

1970s American Modern Landscape Paintings

Materials

Oil, Stretcher Bars, Linen

Nadine Pollard
Vintage Oil Painting of Southern California Seascape, Circa 1970

Oil

Lu Ann Barrow
"Penguins", Circa 1979

$6,900

"COASTLINE" WATERCOLOR SAN ANTONIO ARTIST CIRCA 1960s

Located in San Antonio, TX

Margaret Flowers San Antonio Artist Image Size: 9.75 x 13 Frame Size: 14 x 17.5 Medium: Watercolor and Ink "Coastline" Margaret Flowers Study Art Pottery under Harding Black. Painte...

Category

20th Century Modern Landscape Paintings

Materials

Ink, Watercolor

Margaret Flowers
"COASTLINE" WATERCOLOR SAN ANTONIO ARTIST CIRCA 1960s, 20th Century

$750

Still Thinking About These?

All Recently Viewed

More Ways To Browse

Ponte Vecchio Painting

Rene Charles Edmond His

Robert Salmon

Robert Waltsak

Russian Village Oil Painting

Sala Herrero

Sattler Painting

Seascapes Capri

Sheep American Painting

Sierra Nevada Painting

Snow Painting Shadow

Snow White Garden

Spanish Artists 20th C

Texas Cow Art

Otis Dozier"GREEN BOATS" OTIS DOZIER 1960 MCM ABSTRACT MID CENTURY MODERNDATED 1960

About the Item

You May Also Like

20th Century Modern Landscape Paintings

Dennis Orme ShawSunset in Ireland Countryside - Original Oil Painting by Northern Irish Artist, 1985 Circa

20th Century Modern Landscape Paintings

Dennis Orme ShawMountain Lake in Ireland Countryside - Oil Painting by Northern Irish Artist, 1980

1960s American Modern Landscape Paintings

Don HannanMid Century Coastal Clouds Sunrise Seascape, 1960

Mid-20th Century Modern Landscape Paintings

Yosemite High Sierra Sunrise - Midcentury Landscape, c.1950s

1960s American Modern Landscape Paintings

Francis WoodcockMid Century California East Bay Hills Landscape, 1960s

1960s American Modern Landscape Paintings

Vintage Utah Desert Range Landscape, 1970s

Early 2000s Modern Landscape Paintings

PascuaOverlook Hill -- Autumnal Landscape

21st Century and Contemporary Modern Landscape Paintings

Qian ZhangQian Zhang Modernist Original Mixed Media "Go Home", 2000 Circa

1940s American Modern Figurative Paintings

Frederick ShaneFrederick Shane “Twilight of History” 1947 Surrealist Oil Painting, Signed, 1947

1970s American Modern Landscape Paintings

Nadine PollardVintage Oil Painting of Southern California Seascape, Circa 1970

More From This Seller

1960s Modern Landscape Paintings

Dickson Reeder"Floating" Mid Century Modern Fort Worth Texas Artist, Circa late 1950s early 60s

1960s Modern Landscape Paintings

Michael Frary"Victoria Tower England" Mid Century Modern Texas Painting Oil, Circa 1966

1960s Modern Landscape Paintings

Rezalia Thrash"Trees" The 1st Texas Black Woman allowed to exhibit in a Juried Art show., Circa 1960

1980s Modern Landscape Paintings

Ernesto Pacheco"Cactus Skull", 1988

1970s Modern Landscape Paintings

Lu Ann Barrow"Penguins", Circa 1979

20th Century Modern Landscape Paintings

Margaret Flowers"COASTLINE" WATERCOLOR SAN ANTONIO ARTIST CIRCA 1960s, 20th Century

Still Thinking About These?

More Ways To Browse

Otis Dozier
"GREEN BOATS" OTIS DOZIER 1960 MCM ABSTRACT MID CENTURY MODERN
DATED 1960

Dennis Orme Shaw
Sunset in Ireland Countryside - Original Oil Painting by Northern Irish Artist, 1985 Circa

Dennis Orme Shaw
Mountain Lake in Ireland Countryside - Oil Painting by Northern Irish Artist, 1980

Don Hannan
Mid Century Coastal Clouds Sunrise Seascape, 1960

Francis Woodcock
Mid Century California East Bay Hills Landscape, 1960s

Pascua
Overlook Hill -- Autumnal Landscape

Qian Zhang
Qian Zhang Modernist Original Mixed Media "Go Home", 2000 Circa

Frederick Shane
Frederick Shane “Twilight of History” 1947 Surrealist Oil Painting, Signed, 1947

Nadine Pollard
Vintage Oil Painting of Southern California Seascape, Circa 1970

Dickson Reeder
"Floating" Mid Century Modern Fort Worth Texas Artist, Circa late 1950s early 60s

Michael Frary
"Victoria Tower England" Mid Century Modern Texas Painting Oil, Circa 1966

Rezalia Thrash
"Trees" The 1st Texas Black Woman allowed to exhibit in a Juried Art show., Circa 1960

Ernesto Pacheco
"Cactus Skull", 1988

Lu Ann Barrow
"Penguins", Circa 1979

Margaret Flowers
"COASTLINE" WATERCOLOR SAN ANTONIO ARTIST CIRCA 1960s, 20th Century