1810s Landscape Paintings
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Period: 1810s
English 19th century Fox hunter with hounds, hunter and rider in a landscape
Located in Woodbury, CT
John Nost Sartorius (1759–1828)
Fox Hunter and Hounds
Oil on canvas, circa 1810
Provenance: Ackermann & Johnson, London
A fine and spirited example of early 19th-century English spo...
Category
Victorian 1810s Landscape Paintings
Materials
Canvas, Oil
English 19th century Fox hunter with hounds, hunter and rider in a landscape
Located in Woodbury, CT
Attributed to John Nost Sartorius (1759–1828)
Fox Hunter and Hounds
Oil on canvas, circa 1810
Provenance: Ackermann & Johnson, London
A fine and spirited example of early 19th-centu...
Category
Victorian 1810s Landscape Paintings
Materials
Canvas, Oil
English 19th century Fox hunter with hounds, hunter and rider in a landscape
Located in Woodbury, CT
Attributed John Nost Sartorius (1759–1828)
Fox Hunter and Hounds
Oil on canvas, circa 1810
Provenance: Ackermann & Johnson, London
A fine and spirited example of early 19th-century ...
Category
Victorian 1810s Landscape Paintings
Materials
Canvas, Oil
English 19th century Fox hunter with hounds, hunter and rider in a landscape
Located in Woodbury, CT
Attributed toJohn Nost Sartorius (1759–1828)
Fox Hunter and Hounds
Oil on canvas, circa 1810
Provenance: Ackermann & Johnson, London
Though the painting has impeccable provenance as ...
Category
Victorian 1810s Landscape Paintings
Materials
Canvas, Oil
English 19th century Fox hunter with hounds, hunter and rider in a landscape
Located in Woodbury, CT
Attributed to John Nost Sartorius (1759–1828)
Fox Hunter and Hounds
Oil on canvas, circa 1810
Provenance: Ackermann & Johnson, London
A fine and spirited example of early 19th-centu...
Category
Victorian 1810s Landscape Paintings
Materials
Canvas, Oil
The standard bearer
By Jacques Francois Joseph Swebach-Desfontaines
Located in Genève, GE
Work on wood
Oil on panel depicting a lively military scene, attributed to Jacques Swebach, known as Swebach-Desfontaines (1769–1823), a French painter celebrated for his battle scenes, cavalry subjects, and historical genre compositions.
The painting features a mounted standard bearer leading a small group of cavalrymen, accompanied by figures on foot, advancing through an open landscape beneath a dramatic, cloud-filled sky. The dynamic arrangement of figures, the expressive postures, and the detailed rendering of horses demonstrate the artist’s keen observational skills and narrative clarity—hallmarks of Swebach’s work.
The color palette is composed of warm browns, earthy ochres, and muted blue-grey tones, creating a balanced yet animated atmosphere. The handling of paint is fluid and confident, with careful modeling of the figures and a sensitive treatment of light, particularly in the sky. The composition reflects the strong influence of 17th-century Flemish and Dutch painting, which played a significant role in Swebach’s artistic formation.
Executed in oil on wooden panel, a support frequently used in the late 18th and early 19th centuries for such subjects, this attributed work displays strong decorative appeal and solid pictorial quality. It is well suited for collectors of Old Master paintings, military art, and European historical scenes from the Napoleonic era.
Oil on panel
Oil on wood painting
Attributed to Jacques Swebach
Swebach Desfontaines
French Old Master painting
18th century French painting
Early 19th century painting
Antique military painting...
Category
Old Masters 1810s Landscape Paintings
Materials
Oil, Wood Panel
View of the surroundings of Saint-Cloud from Meudon near Paris in France
Located in BELEYMAS, FR
Antoine-Ignace MELLING
(1763 Karlsruhe - 1831 Paris)
View of the surroundings of Saint-Cloud from the terrace of Bellevue in Meudon
Watercolor and gouache
H. 62.5 cm; W. 93.5 cm
Sign...
Category
French School 1810s Landscape Paintings
Materials
Paper, Watercolor
"A Day on the Beach"
Located in Lambertville, NJ
Jim's of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875-1976).
Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists. In 1909, Walter won the Mary Smith Prize from the Academy for a portrait she had painted while in Europe. At the onset of World War I, Martha returned home and began painting plein-air subjects, such as Ellis Island, the fishing village of Gloucester, scenes of cheerful children, and the quintessential American beach scenes which have brought her national acclaim.
Throughout her life, Walter continued to travel with great regularity capturing in oil and watercolor a wealth of landscapes and cultures across the globe. Martha lived a charmed life...
Category
1810s Landscape Paintings
Materials
Oil, Board
Antique English 19th century marine scene
Located in Woodbury, CT
Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters.
William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school.
Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours.
He based his style on that of well-known Dutch maritime...
Category
Old Masters 1810s Landscape Paintings
Materials
Oil, Wood Panel
$5,167 Sale Price
35% Off
Village Scene Figures
Animals - British Old Master exh pastoral oil painting
By James Ward
Located in Hagley, England
This stunning British Old Master exhibited pastoral oil on panel is by noted artist James Ward. Painted circa 1815 with superb provenance, it was e...
Category
Old Masters 1810s Landscape Paintings
Materials
Oil
$131,868 Sale Price
20% Off
Landscape near Paris
By Jean-Victor Bertin
Located in BELEYMAS, FR
Jean-Victor Bertin and workshop
(Paris 1767 - 1842)
Landscape of the Île-de-France region
Oil on canvas
H. 38 cm; W. 46 cm
Related work: painting of the same composition held at the...
Category
French School 1810s Landscape Paintings
Materials
Oil, Canvas
Mythological figurative painting of 19th century Italian Romanticism
Located in Florence, IT
The painting depicts "Ossian tells Malvina about the exploits of his son Oscar" and is dated at lower right "Filippo Bellati did the year 1811" and the unframed measurements are 233 ...
Category
Romantic 1810s Landscape Paintings
Materials
Canvas, Oil
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Located in Stockholm, SE
This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999.
The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further.
The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work.
The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson.
Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented.
Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre.
Information:
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Located in Woodbury, CT
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Located in Woodbury, CT
Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters.
William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school.
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H 14.97 in W 18.51 in D 1.19 in
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Located in Woodbury, CT
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19.5 x 24.5 cm
Label with the name and adress (!) of the painter on the reverse
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Smith was born at Irthington, near Carlisle, Cumberland, the son of a gardener to the Gilpin family, and educated at St. Bees.The fortunate social connection allowed him to study art under the animal painter Sawrey Gilpin.
Becoming known as a skilful topographical draughtsman, he was employed on Samuel Middiman's Select Views in Great Britain, and obtained the patronage of George Greville, 2nd Earl of Warwick, which enabled him to travel to Italy between 1776 and 1781. While there he met other British artists such as Francis Towne, Thomas Hearne and William Pars...
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