1830s Landscape Paintings

A Gathering by a Lake in the Roman Campagna Oil on canvas: 48 x 65 in. Framed: 58 x 74 in. Circa 1840 Samuel James Ainsley (1820-1874) was a British artist recognized especially fo...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

William Shayer (1787–1879) & Henry Brittan Willis (1810–1884) Pastoral Landscape with Cattle and Sheep, circa 1830 Oil on canvas, Signed and inscribed on the reverse Presented in a h...

Jean-Charles GRANDJEAN Active between 1833 and 1857 Oil on canvas 33 x 41 cm (46 x 54 cm with frame) Signed and dated lower right “Grandjean / 1835” Beautiful Restoration period fram...

US buyers pay no import tariffs on this item. This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother...

Vivid and fresh representation of one of the most spectacular and last eruptions of Vesuvium, that of January 1-5, 1839. Wonderful conditions. Framed in walnut and with passepartout...

A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...

Victor LEFRANC Paris, 1812 - ? Oil on paper 33 x 42 cm (44 x 52 cm with frame) Inscription on the verso 'Tancarville / 1839" and stamp from the Georges Lhoste collection Painter of ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

A. GUILLAUME (Active in the 1830s) Watercolor on paper 32.5 x 47 cm (60 x 74.5 cm with frame) Signed and dated lower left (on the rock) “A. Guill. / 1838 » Beautiful 19th century fra...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...

Eugène Viollet-le-Duc (1814 - 1879) Walker in a wood, somewhere in the South of Italy (Naples/Sicily) Signed and dated at the bottom right, with the artist's mark (L.2924a) on the m...

Attributed to James Barenger (British, 1780–1831) Huntsman with Hound in a Parkland Landscape Oil on canvas, English, circa 1830 Presented in an antique gilt frame The piece is not ...

This finely painted pastoral scene is attributed to Charles Towne, one of the leading animal and landscape painters of the late 18th and early 19th centuries. The composition depicts...

This painting presents a winter twilight in Värmland: snow-capped mountains rise in the distance while a foaming rapid cuts through a dense spruce forest. Signed “H. Hertzhoff,” the ...

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

Hubertus van Hove (The Hague, 1814 - Antwerp, 1865) - Signed H Van Hove and dated 1839 (bottom left) - Coastal landscape with the beach of Scheveningen Oil on panel 62 x 80 cm. - Framed 84 x 102 cm. Provenance: Sotheby's, London, 19th Century European Paintings, Watercolours 12.03.1989, lot 11 (see details in photos) The fine coastal view presented here is a work signed and dated by the Dutch landscape painter Hubertus van Hove (The Hague, 1814 - Antwerp, 1865), son of Bartholomeus van Hove (1790-1880). The work exhibits excellent taste and quality of execution, displaying a tender feeling for nature, romantic in character, and a mastery of drawing and a delicacy of chiaroscuro and harmony that is truly astonishing. Although his major production was concentrated in works depicting domestic scenes, he was also an excellent landscape painter, a master in the use of light that he was able to infuse into his works through quick and precise brushstrokes, creating lively compositions such as the one in the catalogue. Here we see a glimpse of one of the most fascinating beaches in the Netherlands, just a few kilometres from the city of The Hague, overlooking the North Sea. As early as the 17th century, this area became a popular seaside resort for entertainment, strolling and fish-buying among the citizens of nearby The Hague. We are on a bright day on a wide sandy beach populated by numerous people who have come to breathe in the fresh sea air and are engaged in various activities. In the foreground we see a well-dressed couple on horseback, probably on a trip to the seaside, accompanied by a servant and a horseman, observing the catch lying on the beach by a fishing family. Behind them a carriage has stopped, the wealthy passenger chats with another middle-class couple, while a servant protects them from the sun with an umbrella. The space is mainly occupied by the sky, criss-crossed by a few clouds and lit by a pale sun; typical is the clear, gentle light that gives a great sense of tranquillity to the composition. The Dutch were the first to think of the sea in a ''modern'' sense, as a place of recreation, and already in the 17th century the beach of Scheveningen, famous because it was also the subject of paintings by Vincent van Gogh, was a place of pastime and outdoor activity. Many Flemish authors, first and foremost Adriaen van de Velde...

John Wilson Carmichael 1799 - 1868 Popular Newcastle painter of coastal maritime subjects and landscape. Regular exhibitor at the Royal Academy and elsewhere, and found in many impor...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Unknown Artist (European, nineteenth century) Oil on canvas, 15 x 20 3/4 inches Framed: 23 x 28 inches Signed at lower left: “A.H.” The area around the Arch has changed dramatically over the years. This view is most similar to views taken circa 1835. See, for example, Charles Heath Wilson (1809–1882) The Arch of Titus...

KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...

WILLIAM JAMES MÜLLER British, 1812 - 1845 NEAPOLITAN COAST signed "W. J. Muller" (lower right) oil on canvas 23-5/8 x 35-3/4 inches (60 x 91 cm.) ...