Ruth Thomas

Jerusalem Tower of David, Sabra, Israeli British Modernist Impasto Oil Painting

1959

Genre: Realism Subject: Portrait Medium: Oil Surface: Canvas Country: Israel Dimensions: 31.5x23.5 Marina Grigoryan (Armenian/Russian/Israeli) was born in 1963 in Dushanbe, Russia. ...

Ivan Schwebel, Israeli American (1932-2011) Oil on canvas. Painting of Winter Landscape. Signed Schwebel, 1985. Sight- L-27" x W-31.5", Frame- L-28.5" x W-32". Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. He was included in a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints...

Unframed Manuel Capdevila i Massana (Barcelona, ​​December 28, 1910 - April 18, 2006) was a Catalan painter and goldsmith, son of the goldsmith Joaquín Capdevila y Meya and father of the also goldsmith, Joaquim Capdevila y Gaya. In 1950 he was invited to The 1950 Pittsburgh International contest at the Carnegie Institute, Pennsylvania, where he presented the painting The Priest, which is currently part of the MNAC collection. A year later the Museum of Modern Art in Panama acquired the work Crisantemos. He was part of the Morera Prize Jury in 1953. Two years later he signed the manifesto that Alexandre Cirici drafted, creating the Institute of Industrial Design, as a member of the IDIB Management Board of Directors. At the request of Lluís Maria Güell, director of the Massana School, he assumed the creation of the Open Jewelery Classroom in 1959, from where he made students think and reflect on the new possibilities of contemporary jewelry. He establishes contacts with the Kunst Werkschule in Pforzheim, a pioneering school...

This is a view of the Comares Tower and the exterior of other buildings from the Alcazaba. The Comares Tower is a Tower-Palace, one of the most beautiful and imposing of the Alhambra...