Soren Emil Carlsen

Emil Carlsen American Impressionist landscape oil Painting Salmagundi Club

circa 1900

CHAUNCEY FOSTER RYDER (American, 1868-1949), Pasture Lands oil/canvas signed LR 31.5 x 39.5 image, 40.5 x 48.5 framed A wonderfully subtle tonalist painting by Ryder incorporating a farmer/farmhand probably moving cows about the pastures mid right in the scene. Ryder uses a subtle S design from lower left that zig zags up to the figure and cows. The painting shows Ryder's masterful use of abstract design and technique utilizing textures in his application of paint giving the painting life and interest. Original frame, some craquelure in sky, old surface. Bears Newhouse Galleries, possibly NYC, label verso. The painting hangs in my collection currently and would benefit from a cleaning and new varnish. It is a large museum quality oil painting. SHIPPING-This will need In Home Delivery service as it is too large for me to pack. The handling time is listed as 10 days but is dependent on who 1stdibs hires and their schedule to pick up and deliver. 3 -7 weeks is listed in the shipping section for this service. Buyer can also arrange for their own pick up. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

Rocks & Trees Oil/Board 12 x 16 image unframed, 18.75 x 22.75 framed Signed lower left although hard to read. No restoration housed in a reproduction frame. The painting is in beauti...

A landscape mountain hillside oil painting on panel by artist Roy Henry Brown possible western scene. Painting is under glass signed lower right. The image measures sight size 10 x 1...

JOHN JOSEPH ENNEKING American (1841-1916) Raining Pasture oil on canvas, signed "Enneking" lower right Framed dimensions - 15 x 18 1/2 x 2 1/4 inches 11 x 14 1/2 inches Provenance:...

Antique Hudson River School Oil On Board Landscape Painting In Original Frame Signed By F. W. Loven C1914 Measures - 13" x 15 1/8" x 2 3/4" An oil on board landscape painting by F....

Gorgeous late 19th century Tonalist landscape painting of foothills and oak trees in the style of Willard Leroy Metcalf circa 1900. Inscribed "M" in circle monogram lower left corner and on frame verso. Presented in original rustic giltwood frame. Image size: 6"H x 8"W. Framed size: 8.5"H x 10.5"W. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

A fine tonalist landscape by American artist J. Francis Murphy (1853-1921). Murphy was born in Oswego, New York, he moved to Chicago in 1868, where his father was employed in the shipping industry. In Chicago, Murphy began working as a scene painter in a local theatre and was quickly promoted to lead his co-workers. Largely self-taught, his only training consisted of a few classes at the Chicago Academy of Design. There he became friends with Emil Carlsen and Theodore Robinson, and in 1873, Academy members elected him an Associate; a few weeks later, he became an Academician. His work was first exhibited at the National Academy of Design in 1876, where he was inducted eleven years later.He won numerous prizes, medals and honors for his landscape paintings, which are said to rank with those of George Inness, Alexander Wyant, and Homer Martin. Although his world was a limited one, his landscapes captured the forms of nature and the subtle nuances of the scene. Murphy was referred to as the "American Corot" because of his similarity to the painting style of Camille Corot (1796-1875), one of the original Barbizon...

Antique American impressionist landscape painting by Edna Thurber (1887 - 1981). Oil on canvas, circa 1915. Signed. Displayed in a period impressionist ...