Post-Impressionist Landscape Paintings

Rafael Duran Benet (1931-2015) - View of a Spanish town - Oil on panel Oil measurements 53x64 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

The Old Village signed by Léon Schwartz -Abrys ( 1905 - 1990) French Expressionist painter oil on board, unframed board: 21.5 x 25.5 inches Provenance: private collection, Paris Co...

In this artwork, I've harnessed the fleeting beauty of a vibrant sky, as it blankets an idyllic harbor scene. The texture of the oil paint captures the dynamic clouds and glistening ...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 46' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

Signed oil on artist's board riverscape circa 1910 by Belgian neo-impressionist painter Jenny Montigny. The piece depicts a view of the River Lys in winter as the sun sets. The river...

Brilliantly-colored bouquet of flowers in a landscape, set against a dramatic sky. Oil on canvas measures 16 x 12; frame dimensions measure 24 x 20 x 1 1/2. Housed in a soft-gold to...

Windswept Landscape French School, mid 20th century signed lower right oil painting on board, unframed painting: 15 x 18 inches provenance: private collection, France Painted with d...

Lavender Fields by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists es...

Conditions: Very good overall Conditions, oil on canvas framed. Signed lower left. Free US CONTINENTAL Shipping, incl Europe and Asia. Jean Pierre Dubord was born in Rouen in 1949, ...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 13x18 in original unlined condition. The piece is included in the ...

Title: French Mid-Century Ink and Graphite Drawing of Village Among Trees by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Ink and graphite on unframed paper Size:...

The Old Town, Provence by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 23 x 17 inches canvas: 16 x 10.5 inches very good condition provenance: fr...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: the Village Gathering Medium: oil on stretched canvas on board, unframed board: 10 x 14 inches...

Robert Antoine PINCHON (1886–1943) Bord de Seine, automnale Oil on canvas. Dimensions without frame: 27 × 35 cm Dimensions with frame: 45 x 53 cm Unsigned Provenance: Private collect...

Signed post impressionist figures in landscape oil on panel circa 1910 by French painter Eugene Henri Alexandre Chigot. The work depicts a mother and child outside a thatched cottage beside a pond. In the centre of the painting is an apple tree in blossom - beautifully painted in pinks, blues and greens. Signature: Signed lower right Dimensions: Framed: 19"x22.5" Unframed: 12.5"x16" Provenance: Private French collection A pupil of his father Alphonse Chigot, Eugène Chigot...

"This landscape was painted in 2008 after a visit to the beautiful capital of the Czech Republic, Prague." said Anna Shesterikova about this artwork. "Above there is a magnificent vi...

This interesting British landscape oil painting is by noted artist Laurence Henry Irving. Painted circa 1940 it is a Kent harvest landscape of the Rother Valley from Prospect Hill, W...

Immerse yourself in the atmosphere of silence and natural abundance with this expressive work, where a picturesque garden appears in bloom - with a riot of greenery, flowering plants...

Gustaf Theodor Wallén (1860–1948) Swedish  Afternoon Mood, c. 1886-1887 oil on canvas signed G.T.Wallén unframed 100 x 150 cm (39 ⅜ x 59 in) framed 130 x 180 cm (51 ⅛ x 70 ⅞ in) ...

This painting depicts a colorful landscape scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so interesting ...

Josep Roca Sastre (1928-1997) - Landscape - Oil on canvas Oil measures 50x100 cm. Frameless. Josep Roca-Sastre i Muncunill (Tarrasa, 1928 - Barcelona, ​​1...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 20 by 18 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

Elisée MACLET (1881-1962) Paris, Montmartre : Moulin de la Galette (The Mill), c. 1930 Original oil painting on panel Signed bottom middle On panel 61 x 46 cm (c. 24 x 18 in) Prese...

"In this work I captured the passionate energy and warm palette of Tuscany." said Anna Shesterikova about this painting. "The picture radiates the bright sun and good mood of the Ita...

This superb British Post Impressionist landscape oil painting is by artist Peter Field. Painted circa 1955 on canvas, the composition is of daffodils in front of a lake with trees re...

Title: Mid-Century French Watercolour Beach Scene With Green Umbrella and Seated Figure by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor on unframed paper Size: 13....

Mediterranean Landscape by G. Grillon-Leduc, French mid 20th century signed oil on on board, framed framed: 29 x 24.5 inches board : 26 x 21 inches Provenance: private collection, F...

The Old Tree French Post-Impressionist artist, circa 1930's oil painting on board, unframed painting: 13.75 x 10.5 inches provenance: private collection, France condition: basic good...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on board, unframed Size : 16 x 13 inches double sided Provenance: private collection, France Condition: The painting...

Jardins de Tuileries, Paris signed by Regine David (female French artist, 1910-2018) painting on artist paper, unframed panting: 13 x 20 inches inscribed verso condition: This painti...

Woodland Glade French School, circa 1970's signed by J. Bredeche ( French School) oil on canvas, unframed Canvas : 22 x 18 inches Inscribed verso Provenance: private collection, Pari...

Harbor Scene in Nice Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Condition: ...

Original oil on canvas painting of a seaside vista by the American artist, Robert Waltsak. Signed lower left. Condition is excellent. Overall framed in a new custom gold leaf frame....

Large and historically significant post-impressionist painting by Albert André. Exhibition: Exposition Post et Néo-Impressionniste, Durand-Ruel Gallery, Paris, 10–31 March 1899, n...

The South of France by Josine Vignon (French 1922-2022) oil painting on canvas, unframed canvas: 24 x 32 inches Very good condition Provenance: from the artists estate, France Jo...

Artist/ School: Suzanne Crochet (French c. 1930 female French Impressionist artist), signed Title: The Old Provencal Village Medium: oil on board, un...

Charming Riverside Cottages French School, circa 1970 oil on canvas, unframed Canvas : 24 x 29 inches Provenance: private collection, Paris Condition: very good condition Descriptio...

Antonio Sala Herrero (1927-2012) - View of Montjuic Barcelona - Oil on canvas Oil measures 50x61 cm. Frame measures 66x77 cm.

A beautiful pointillist oil on canvas depicting figures waiting for a train at Zevgolatio, Greece. Exhibited at the Royal Academy Summer Exhibition 1987. Original exhibition label on the reverse. Artist: Malcolm John Hitchcock (1929–1998) Title: Zevgolatio Medium: Oil on canvas Size: 26cm x 35cm including frame Malcolm John Hitchcock (1929–1998) was born in Salisbury, Wiltshire. He studied at Andover School of Art, then did “a variety of work to keep the wolf from the door,” becoming a full-time artist in mid-1980s. His main works were Pointillist railway paintings...

Afternoon Stroll Louis Faille (French 1878-1964) signed oil on board, unframed board : 27.5 x 20.5 inches Provenance: private collection, Paris Condition: very good condition Descri...

Title: Mid-Century French Watercolour Portrait of Blonde Girl With Green Bow and Dress by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor and pastel on unframed paper...

In this oil painting, I aimed to capture the tranquil yet mysterious essence of a nighttime scene, viewed as if through a window. My brushstrokes, shaped by impressionism, blend ligh...

Structure: The Panthéon, a neoclassical monument, dominates the scene. Setting: A Parisian street with people and buildings creates a city atmosphere. The artwork is an oil paintin...

This piece is an exceptional impressionistic cityscape scene by Paul Gagni of 'Boulevard des Italiens' in Paris. The boulevard des Italiens is one of the 'Grands Boulevards' in Paris...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

ALBERTO PLA Y RUBIO Spanish, 1867 - 1937 AT THE ANNUAL FAIR signed & dated "Pla Rubio, 909" (lower right) oil on canvas 14 X 25-5/8 inches (35.5 X 65 cm.) ...

Vintage Post-Impressionist Painting of a Tree-Lined River in the Irish Countryside by 20th Century Irish Artist, Ray Cochrane. Art measures...

Title: Mid-20th Century Post-Impressionist Pastel of Fishing Boats and Harbour Crowd by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 15.75 inc...

French Post Impressionist, circa 1982 Joysne Gallet, signed inscribed verso oil on canvas, framed 11.5 x 19 inches 11 x 18 inches private collection, France the painting is in overal...

Signed oil on original canvas landscape by French post impressionist painter Albert Charles Lebourg. The work depicts a view of rural Rouen, a city on the River Seine in northwestern...

Signed pointillist landscape oil on canvas circa 1920 by French neo-impressionist painter Jeanne Selmersheim-Desgrange. The piece depicts a view of a French port, with boats dotted a...

Signed fauvist oil on canvas figures in landscape by French painter Louis Valtat. The work depicts a view of the Arc du Triomphe du Carrousel from the Louvre in Paris, France. A beau...

20th century figurative landscape oil on cardboard painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted. Artwork depicts a cityscape MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...

Landscape Oil Painting, French Art, Mid-Century Art, Wall Art, Vintage Décor, Vintage art, Pastoral Landscape, Countryside painting, Vintage Painting, Original oil painting, French d...

This painting by Ture Ander, created in 1917, depicts a serene landscape from Värmland, Sweden. At the center of the composition is a large tree, likely a deciduous species, as suggested by the hints of autumn seen in both the tree and the meadow below it. The short brushstrokes used to depict the leaves and grass evoke a sense of movement and texture, typical of the early 20th-century artistic style. Another beautiful detail is the bluish-tinted forested mountains in the background, creating a sense of depth and tranquility. Ture Ander played a significant role in the Racken group (Rackstadkolonin), an important artistic collective in Sweden at the time. Ander was born on September 17 in Askers socken, Örebro. At the age of 13, he became an apprentice painter in Stockholm, attending evening classes at the Technical School (now known as Konstfack) while working during the day. He earned his journeyman’s certificate in 1902, and the following year, he graduated from the Technical School with the highest honors in painting. In 1905, he was accepted into the Konstnärsförbundets skola (School of the Artists' Association), where he studied alongside notable artists like Leander Engström, Isaac Grünewald, and Einar Nerman...

Archway and Figures by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 7.5 x 10.5 inches condition: This painting is in excellent c...

Rene Fontayne (French, 1891 – 1952) La Rochelle Signed ‘Rene Fontayne’ (lower right) Oil on canvas 36 x 25.1/2 in. (91.5 x 65 cm.)

Signed oil on canvas riverscape circa 1980 by French artist Hugues Claude Pissarro. The piece depicts a view of boats sailing towards a viaduct on the River Seine. Painted in a divis...

The River Gorge signed by Regine David (female French artist, 1910-2018) oil painting on board, unframed panting: 15 x 18 inches inscribed verso condition: This painting is in good c...

An exceptional impressionistic depiction of an afternoon at the Waterfront Cafe in Paris by Jules René Hervé. This piece takes place on a summer day with busy activities of figures l...