Thelma Appel

Thelma Appel Times Square V unique signed oil painting New York art architecture

2015

Miniature Painting of Radio City New York with Night Traffic - a unique original from leading Contemporary Artist, Angela Wakefield. Part of the New York Collection. Art measures 6...

Miniature Painting of Victoria Embankment London & Houses of Parliament, Westminster in the Rain - a unique original from leading Contemporary Cityscape Artist, Angela Wakefield. Par...

Deansgate Manchester Urban City Scene at Night by Contemporary British Artist, Angela Wakefield. Art measures 24 x 24 inches Frame measures 29 x 29 inches This striking painting of...

Times Square New York City Reflections after the Rain by British Urban Landscape Artist, Angela Wakefield. Entitled “November Rain”, this unique origi...

Neon Reflections in the New York City Rain, by Contemporary British Urban Artist, Angela Wakefield. This is a major work to continue her epic New York Series...

An Original Painting of Urbis & The Printworks at Night in the City of Manchester, England, by British Cityscape Artist Angela Wakefield. It captures the changing nature of Mancheste...

Large Original Painting of a Classic 1990's Busy New York City Scene in the Rain, with Yellow Taxis, Cars and Figures, by British Urban Landscape Artist, Angela Wakefield. This is a ...

Original Painting of a Contemporary New York City Scene after the Rain, with Cars and Figures, by British Urban Landscape Artist, Angela Wakefield. This is a major work to continue h...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

Kotlicki is a constantly searching artist. Treading his own path, aiming at defining himself, giving his work a clear identity, he came across the avant-garde. He would back off the ...