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19th Century British "On the Medway. Morning"

Very well executed work by American artist William Harnden who specialized in Native American subjects. 23 3/4 x 29 1/2 in excellent condition frame.

George W. Drew 1875-1968. Excellent example of his work, housed in a period Louie XIV style frame measuring 20.5 x 24.5in. Painted in early to mid 20th century.

Oil on board 'Atrani' by Antonio Iannicelli. Atrani a small town along the Amalfi Coast recently featured in the film 'Ripley' Antonio Iannicelli was born in Naples, Italy in 1952...

Oil Painting, Landscape "Winter Skating Scene" by Anton Doll (1826-1877) ...

Oil on canvas by Eugene Verboeckhoven (1796-1881) & Alexander Daiwaille (1818-1888) Landscape with cattle & sheep on a farm track. Signed by both artists. Canvas size: 22" x 31" Fr...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Raf Peeters is a Belgian artist represented by Boycott Gallery.

A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...

Children fishing in a landscape. Original ,title 'Le Vesdre à Chaudfontaine' Oil on mahogany panel. Signed and dated 1876 lower left.

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...