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19th Century Oriental Sunset Landscape By The Sea

Late 19th century

$3,076.92List Price

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White Turban – 2024, Oil on Cardboard, Contemporary Figurative Beach Scene
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Bright forest landscape by Veva Sisemore (American, 1919-1991). Tags from the artist with information about the piece are attached to back of frame. Presented in a gold painted wood frame with a linen liner. Art size: 14"H x 10"W Veva Sisemore was born in White Horse, Oklahoma, and moved to Salinas, California in 1966. Sisemore attended Hartnell College and then studied creative painting at Gavilan College. Santa Cruz Art League member and exhibitor. Selected Exhibitions and Awards: 1968 - “Special Showing”, Cutshall’s Interiors, Salinas, CA 1970 - Joined Santa Cruz Art League 1970 - 1st Place for “Bold Autumn”, Santa Cruz Art League 1980 - Off Main...
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Ariccia Bridge Landscape Painting, Oil on Paper, Circa 1850s
Located in Stockholm, SE
View of the Ariccia Bridge and the Alban Hills This finely executed plein air landscape depicts the monumental bridge of Ariccia and the town with the surrounding Alban Hills, painted by German landscape artist Joachim Ludwig Heinrich Daniel Bünsow (born 1821 in Kiel, died 1910 in the same city). Executed in oil on paper mounted on cardboard, the work dates from his Italian period between 1853 and 1858. Not signed. Bünsow received his artistic training at the Royal Danish Academy of Fine Arts in Copenhagen from 1839 to 1848, studying under Johann Ludwig Lund and Christoffer Wilhelm Eckersberg. In 1844, the Copenhagen Art Association acquired his painting "Tellingstedt in Dithmarschen." Following his studies, he traveled to Dresden, where he became associated with the circle around Johan Christian Dahl. A scholarship from the Copenhagen Academy enabled Bünsow to reside in Rome from 1853 to 1858. During this period, his landscapes evolved from the finely toned, naturalistic style of his early work to more atmospheric and idealized compositions, influenced by Louis Gurlitt. Bünsow's early works from his time in Copenhagen are characterized by fine tonality and naturalistic rendering, reflecting the style of his teacher Christoffer Wilhelm Eckersberg. His Italian landscapes, however, exhibit a more atmospheric and idealized approach, influenced by Louis Gurlitt. Notably, Bünsow produced high-quality drawings during his time in Rome, some of which are preserved in the Kunsthalle zu Kiel. Historical Context: The Ariccia Bridge In the early 19th century, the local authorities sought to improve the Appian Way's safety and accessibility. The solution involved constructing bridges to span the Ariccia valley and adjacent ravines. In 1843, Pope Gregory XVI commissioned a six-arched bridge to address the elevation differences. Following his death in 1846, Pope Pius IX continued the project, entrusting architect Ireneo Aleandri with the design and Giuseppe Bertolini with the execution. Completed in 1854, the bridge stands as a significant 19th-century engineering achievement. Featuring three tiers of elegant neoclassical arches inspired by Roman art, it measures 59 meters in height and 312 meters in length. Travertine columns at both ends commemorate the Roman milestones...
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Stockholm Sunset View Oil Painting, Art Nouveau, Signed, 1923
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A magnificent view of Stockholm, featuring a steamboat gliding slowly passing by Skeppsbron, (the bridge) with Södermalm and Katarina Church illuminated in the soft light of dusk. Th...
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Nordic Light Over Lake and Mountains, Oil on Canvas, Study
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Oil study by a lake and mountains during sunset by Edward Rosenberg (1858-1934). This is a an oil study for a larger painting that Rosenberg did. A te...
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19th Century Coastal Landscape: Women Picking Flowers, Oil on Panel
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Venetian Capriccio Landscape Painting, Oil on Canvas, Circa 1777
By Gaetano Vetturali (Lucca, 1701-1783)
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