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UnknownVintage Israeli Kibbutz Folk Art Silk Batik Painting Jerusalem Maskit, Bezalelc.1960
c.1960
Price:$650
$850List Price
About the Item
- Creation Year:c.1960
- Dimensions:Height: 40 in (101.6 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement Style:
- Period:
- Condition:some light fading, minor wear. frame needs to be replaced, please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213208312
About the Seller
4.9
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"The Sarari Hunt for the Man Eating Tiger " Texas Black Folk Artist Johnny Banks
By Johnny Banks
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Johnny Banks
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Image Size: 14 x 22
Frame Size: 21 x 29
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"The Safari Hunt for the Man Eating Tiger"
Biography
Johnny Banks (1912-1988)
In my opinion one of the greatest Texas folk artists of all time.
The following information was compiled and submitted by Stephanie Reeves:
John Willard Banks, San Antonio, Texas, African American Folk Artist John
Willard Banks, black self-taught artist, the son of Charlie and Cora
Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas.
At the age of five his parents took him to San Antonio, where he
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were divorced and John returned to his grandparents' farm near Seguin.
From childhood Banks's favorite pastime was drawing pictures on his Big
Chief tablet. He later recalled, "As a kid I used to lie flat on my
stomach, drawing and drawing. . . . My mother had to kick me off the
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While helping out on his grandparents' farm,
Banks completed the tenth grade before striking out on his own. His
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and playing baseball. In his adult years he worked in oilfields and
cotton fields, drove a truck, and tended a San Antonio service station.
During World War II he joined the army; he held the rank of sergeant
and was stationed in the Philippines. After the war he returned to San
Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort
Sam Houston, and at a local television station. Banks married Edna Mae
Mitchell in 1928, and they had five children. The marriage ended in
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His
art career began in 1978 while he was recuperating from an illness for
which he had been hospitalized. Banks's wife admired her husband's
drawings and secretly took several of them to a San Antonio laundromat.
There she hung the drawings on the wall, offering them for sale at the
price of fourteen dollars. They were purchased and taken to a gallery
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"Daddy Playing in the Mud"
Biography
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In my opinion one of the greatest Texas folk artists of all time.
The following information was compiled and submitted by Stephanie Reeves:
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Willard Banks, black self-taught artist, the son of Charlie and Cora
Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas.
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floor to sweep."
While helping out on his grandparents' farm,
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favorite activities during his youth were singing in a gospel quartet
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cotton fields, drove a truck, and tended a San Antonio service station.
During World War II he joined the army; he held the rank of sergeant
and was stationed in the Philippines. After the war he returned to San
Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort
Sam Houston, and at a local television station. Banks married Edna Mae
Mitchell in 1928, and they had five children. The marriage ended in
divorce around 1960. In 1963 he married Earlie Smith.
His
art career began in 1978 while he was recuperating from an illness for
which he had been hospitalized. Banks's wife admired her husband's
drawings and secretly took several of them to a San Antonio laundromat.
There she hung the drawings on the wall, offering them for sale at the
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Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.25 x 20 Frame Size: 17 x 28 Medium: Pen, Pencil, Crayon, Marker "The First Time on Telephone"
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In my opinion one of the greatest Texas folk artists of all time.
The following information was compiled and submitted by Stephanie Reeves:
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View AllFrench Outsider Art Brut Mixed Media Zinc Assemblage Sculpture Collage Painting
Located in Surfside, FL
Mixed media assemblage sculpture/painting. Hand signed and dated recto and verso.
Provenance: Galerie Alphonse Chave, bears their label verso
Michel, Fernand (1913-1999)
Born in 1913 in Neuviller-lès-Badonviller in the Vosges, Fernand Michel began working at the age of twelve in a Landes pottery factory. When his mother died, he went to live in Alsace with an aunt and became an art bookbinder. A lover of poetry, he bonded with Jean Vodaine, Jean Dubuffet and Alphonse Chave (Alphonse Chave was an art lover, dealer and collector. On November 15, 1947 in Vence, under the name Les Mages, he opened a contemporary art gallery which would also become a high place of art brut and unique art . The gallery took its final name - Galerie Alphonse Chave - in 1960. He exhibited Dado, Philippe Dereux, Jean Dubuffet, Max Ernst, Henri michaux, Louis Pons, Man Ray, Dorothea Tanning, Zao Wou-ki as well as other creators.)
Around 1962, he began carving zinc after finding a plaque in a landfill. From this period, he made numerous assemblies, most often of large dimensions, which he called "zinc works" where buxom bathers, Venus callipyges, nuns and holy nitouches rub shoulders. The corroded and battered material over the years, used as is, gives his works a certain harshness, however softened by more ornamental pieces. Fernand Michel lived in Montpellier. He died in 1999. His work is present in the collection of La Fabuloserie in Dicy.
Publications
Revue "Création Franche" N ° 16, November 1998
Catalog "Donation Claude Massé", March 1999
Catalog "Collection Création Franche - 1989-2010", September 2010
Revue "Création Franche" N ° 38, June 2013
Franche Creation, Special Issue N ° 2, April 2015
His son Patrick Michel's collection is housed in Montpellier in the Musee d’arts brut, singulier and autres. "I used to accompany my father to his exhibitions since he was exhibited every year at the Galerie Chave in Vence. I still remember that Alphonse Chave once offered me a little toy (a car!) from his shop. I therefore met the artists Philippe Dereux, Armand Avril, François Ozenda, Pascal Verbena, Louis Pons, Jean Vodaine, Henri Comby, Fred Deux and Eugène Gabritschevsky- I took the decision to create the museum in order to save (and protect) my father’s work- my father was often classified under the ‘Art Brut’ label but in fact he belonged to the ‘Singular Art’ label...
The term Art Brut exists since Jean Dubuffet gave it to us in 1945, covering self-taught and marginalised artists..The terms Outsider Art and Art Brut are fine with me- I place Nek Chand before Le Facteur Cheval. I also like the Art Brut artists Augustin Lesage...
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Magic realist fantasy painting in the manner of Ernst Fuchs and Arik Brauer.
Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective.
One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso.
Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art.
There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee).
At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries.
The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler.
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Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924)
Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States
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Spontaneous Art Museum in Brussels
Art en Marge Museum in Brussels
MADmusée in Liege
International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro
Gallery Jacques Ardies in São Paulo
Musée international d'art naïf de Magog in Magog
Croatian Museum of Naïve Art in Zagreb
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Frame: 25.5" X 31.5"
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