Uri Blayer

Kauai Large Panoramic Landscape Ocean Painting Oil on Canvas

2010

Israeli born artist that works mainly in Hawaii, whose realistic and whimsical landscapes has earned him a vast reputation. Blayer's work was critiqued in the New York Times (see b...

Natalia Aandewiel (Ukrainian, born 1996) "Ocean Realms" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. 'Ocean Re...

Aeling’s fascination with atmospheric drama—rooted in his childhood in the American West, where weather dominates the horizon—finds powerful expression in this seascape. The low line of the ocean reinforces the artist’s signature device: vast, open skies that dwarf the land below. Yet the work also reflects a more personal history: Aeling’s enduring love of Hawaii, where he spent many winters surfing and studying the Pacific’s shifting moods. Those days on the water deepened his awareness of how ocean and sky interact, how storms gather, dissolve, and re-form with astonishing rapidity. The painting captures that moment when light changes direction and the boundary between calm and impending weather becomes charged with meaning. His precise modulation of color and temperature recalls his study of 19th-century luminists, yet the lived experience of Hawaiian surf breaks gives the scene an immediacy and authenticity that is distinctly his own. Jeff Aeling Sunset Aliomanu Bay, Kauai oil on panel 28h x 48w in 71.12h x 121.92w cm JAE040 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

‘Kiawe at Hilo Bay’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oil on canvas paintings that reflect western and Hawaiian environments. Loftus is known for his meticulous realist oil paintings that feature ocean-scenes, babbling brooks, mountain ranges and their vistas, as well as figures and people. 'Kiawe at Hilo Bay' is beautifully and skillfully painted in jewel like blues and warm earth hues with greens. An awe inspiring scene that is a pleasure to gaze upon. 24 x 36 inches. Artist signed, titled and dated Verso. Peter Loftus was born in 1948, in Washington DC. He received a BFA in painting from the Maryland Institute College of Art, in 1971. In 1974, Loftus earned an MFA from the University of Pennsylvania. Drawn by the glorious California light, Loftus moved to Santa Cruz in 1975. He has lived and painted there ever since. Loftus taught at both University of California at Santa Cruz and Cabrillo Community College between 1975, through the present (at UCSC). He taught Beginning, Intermediate and Advanced Drawing, and Painting, in both oil and aqueous media. During that time, he also sustained a rigorous exhibition schedule, showing regularly on the East and West coasts; in New York at Fischbach Gallery, and San Francisco at William Sawyer Gallery and later Hackett-Freedman Gallery. In addition, Loftus has participated in a number of group exhibitions. These include: American Realism: 20th Century Drawings and Watercolors (and accompanying book), San Francisco Museum of Modern Art, New Horizons in American Realism: Flint Institute of Arts, Flint, MI. Loftus is also included in several publications, including: "The Artist as Native: Reinventing Regionalism" by Alan Gussow, "Capturing at Distinct Light", Feature Cover and Article: American Artist Magazine; "Art in Embassies, Bagdad, Iraq", Feature Cover, and Article; Artworks Magazine: "Peter Loftus", feature article. Loftus' work has been avidly collected by public, corporate, and private collections. These include General Electric, Heinz Corporation, Hunter Museum, TN, San Jose Museum of Art, CA, The collection of the Saudi Royal Family, Jubail, Saudi Arabia...