V. Templin

The red forest, V. Templin, Paint/panel, Expressionist

1920-1994

An original oil on canvas painting on panel by American contemporary artist Mark Lavatelli from the artist's most recent series. This painting comes housed in an artist made natural...

"Evening's Glory" (2025) is a beautiful original impasto oil painting, created on linen panel by American artist Sandra Pratt, which depicts a mountain range at sunset, captured in a...

"Dawn" (2023) by Lorenzo Chavez is an original, handmade oil painting on panel that depicts an expressionist landscape with a colorful cloudy sunset covering the sky. About the art...

"End of Fall" by Sandra Pratt is an original oil painting that depicts an autumn landscape with colorful leaves and a house in the distance. Artist Statement: My work is inspired b...

Leigh Ann Van Fossan's "Rain To The North" (2024) is an original, handmade oil painting that depicts a valley with a few houses in the distance and a storm brewing above. Van Fossan...

"Fence Jumper" is an oil painting with chalk and graphite on wood panel, and measures 16" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – a boy, a young lad leaps over the fence, seen here mid-flight. It's clearly important to the boy. His focus and sense of achievement ring out. Drawn lines and painterly brushstrokes render the scene, but also note the toned wood coming through as color and texture. All of it held, as if in time, by the resin layer acting as a lens to both transmit this picture and admit light to the picture. A true artifact. From Will Hudson...

"Copse" is an oil painting with chalk and graphite on wood panel, and measures 16" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – the landscape with trees on the horizon, the wide full sky bearing down with clouds and light. The picture surface is very interesting – drawn lines and painterly brushstrokes to be sure, but note the speed and swift conviction of those brushstrokes. All of it held, as if in time, by the resin layer acting as a lens to both transmit this picture and admit light to the picture. A true artifact. From Will Hudson...

Mid 20th Century oil on panel view of sailboats in the port of Monte Carlo. The painting carries a monogram of the peace symbol and a date to the back of the panel. The artist has c...

Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...