Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

Violet Parkhurst
Large 3.5-Foot Seascape Oil Painting on Canvas by Violet Parkhurst, Framed

circa 1980

$10,000List Price

You May Also Like

Impossible Series (Mountain in Winter), Lowell Nesbitt - Painting
By Lowell Nesbitt
Located in Fairfield, CT
Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Mountain in Winter) Year: 1982 Medium: Oil on canvas Size: 78 x 104 inches Inscription: Signed, dated by the artist, vers...
Category

1980s Realist Landscape Paintings

Materials

Canvas, Oil

NASA, Apollo 9 Space Mission Series, Lowell Nesbitt - Painting
By Lowell Nesbitt
Located in Fairfield, CT
Artist: Lowell Nesbitt (1933-1993) Title: NASA, Apollo 9 Space Mission Series Year: 1970 Medium: Oil on canvas Size: 26 x 18 inches Inscription: Signed, dated by the artist, verso No...
Category

1970s Realist Landscape Paintings

Materials

Canvas, Oil

Horizon - Hyperrealistic abstract wood still life landscape oil painting
By Anthony Adcock
Located in East Quogue, NY
Hyperrealist oil painting of wood horizon landscape still life painting by Anthony Adcock. **** This is a hyperrealistic oil painting. No wood o...
Category

2010s Realist Abstract Paintings

Materials

Copper

This is a Real Place! 2: large painting of lake or river w/ blue water bridge
By Brooke Lanier
Located in Bryn Mawr, PA
"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...
Category

2010s Realist Landscape Paintings

Materials

Oil, Panel

This is a Real Place! 3: large painting of lake or river w/ blue water bridge
By Brooke Lanier
Located in Bryn Mawr, PA
"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...
Category

2010s Realist Landscape Paintings

Materials

Oil, Panel

This is a Real Place! 1: large painting of lake or river w/ blue water bridge
By Brooke Lanier
Located in Bryn Mawr, PA
"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

Twisty Sky
Located in Boston, MA
Artist Commentary: A plaza sculpture that leads up to the sky. Keywords: city, painting, skyscraper, manhattan, ariel, perspective, sky, spiral, looking up
Category

21st Century and Contemporary Realist Landscape Paintings

Materials

Canvas, Oil

Twisty Sky
$1,800
H 24 in W 24 in D 1.5 in
Point to the Sky
Located in Boston, MA
Artist Commentary: Based on Chicago, Point to the Sky is the amalgamation of architectural genres that thrive in dense, urban environments, and present a human cliff on many a city b...
Category

21st Century and Contemporary Realist Landscape Paintings

Materials

Canvas, Oil

Point to the Sky
$990
H 22 in W 28 in D 1.5 in
Seashore
Located in Zofingen, AG
The ocean is a mystery, full of secrets and deep emotions. Its power can be frightening, yet it beckons and offers freedom. In every wave lies a story of fear and love, intertwined i...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

Seashore
$10,181
H 11.82 in W 17.72 in D 0.6 in
White lace
Located in Zofingen, AG
On the canvas of the artwork "White Lace" nature unveils its delicate side, as if weaving an intricate lace fabric for its masterpiece. A wave, enveloped in pristine foam, intertwine...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

White lace
$7,221
H 23.63 in W 31.5 in D 0.79 in

More From This Seller

View All
"Being There" Original Oil Painting by Robert White, Frameless Display
Located in Encino, CA
“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...
Category

2010s Realist Landscape Paintings

Materials

Oil, Canvas

"Collecting Cattails" Original Mixed Media on Board by Tom Perkinson, Framed
By Tom Perkinson
Located in Encino, CA
"Collecting Cattails" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly r...
Category

1970s Realist Landscape Paintings

Materials

Pastel, Ink, Mixed Media, Watercolor, Color Pencil

"Spring Journey" Original Acrylic Painting on Canvas by Tom Perkinson, Framed
By Tom Perkinson
Located in Encino, CA
"Spring Journey" is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the blue sky, clouds, and terrain in full view. Here, Perkinson chose to depict a tribal group traveling during springtime with the vast sky above. Tribal members are both on foot and horseback, and comprise of men, women, and children - all trekking across the landscape beneath the foothills to a destiny unknown to us as the viewer. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its original raw wood frame. The frame is by Legendwood in Sedona, Arizona, which no longer exists. Their frames are highly collectible, as they are rare, custom, and handmade. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, Southwestern Art, Native American themed art, plein-air painting, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: SPRING JOURNEY Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1979 Country of Creation: UNITED STATES Image Area Dimensions: 12 x 16 INCHES Frame Dimensions:* 19.5 x 23.625 x 2.125 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN ITS ORIGINAL UNIQUE RAW WOOD FRAME BY LEGENDWOOD, SEDONA, ARIZONA. FRAME IS IN GREAT CONDITION WITH MINOR WEAR CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...
Category

1970s Realist Landscape Paintings

Materials

Acrylic, Canvas

"Spring Sassafras" Original Mixed Media on Board by Tom Perkinson, Framed
By Tom Perkinson
Located in Encino, CA
"Spring Sassafras" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly real...
Category

1970s Realist Landscape Paintings

Materials

Pastel, Ink, Mixed Media, Watercolor, Color Pencil

"Plains Indian Camp" Lrg Original Mixed Media on Paper by Tom Perkinson, Framed
By Tom Perkinson
Located in Encino, CA
"Plains Indian Camp" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...
Category

1980s Realist Landscape Paintings

Materials

Pastel, Ink, Mixed Media, Watercolor, Color Pencil

"Flat Lands" Original Landscape Mixed Media on Paper by Tom Perkinson, Framed
By Tom Perkinson
Located in Encino, CA
"Flat Lands" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. Th...
Category

1970s Realist Landscape Paintings

Materials

Pastel, Ink, Mixed Media, Watercolor, Color Pencil

Still Thinking About These?

All Recently Viewed