Virginia Blight

Mid Century Urban Landscape San Francisco Golden Gate Park

circa 1960

Wonderful mid century expressionist urban landscape of Coit Tower and skyline of San Francisco, circa 1950s. Signed lower right illegibly (D. Y'Gasseu?). Co...

1931 Bay Area Post-Impressionist Landscape "Woodside Road" by Timothy Miton Wulff Painted in 1931, Woodside Road by San Francisco artist Timothy Wulff (American 1890-1960) exemplifi...

Midcentury Pacific Trail Landscape Beautiful mid century landscape of a path leading through the woods by California artist Florence Belle Boosey (American, 1906-1999), c.1960. Pai...

Quaint mid-century landscape of a small California town, by unknown artist Antolin (American, 20th Century). Signed "Antolin" lower right. Painted on artist's board laid down on blac...

Painted this in the studio, based on a photo I took of some Victorians just a block away from Haight Street in San Francisco. This is part of a new series of paintings where I spray ...

This artwork titled " Colombia Park, California" c.1930 is an oil painting on canvas board by noted California artist William E. Frates, 1891-969 It is signed at the lower left corner by the artist. The canvas board size is 18 x 22 inches, framed size is 25.25 x 29 inches. Custom framed in a wooden gold leaf frame, with fabric liner. It is in excellent condition About the artist: Painter, etcher. Born in Hayward, CA in 1896. Frates first studied art in San Francisco with Wm Otto...

Plein air oil painting of the San Francisco Bay from Skyline Blvd in Oakland, California. I am not sure the exact date but I think it was around 1995. :: Painting :: Impressionist ::...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...