Willem van Hasselt

Locmariaquer - French Impressionist Brittany Beach Coastal Landscape Painting

c.1930

A beautiful 20th century oil on panel by the very popular English impressionist artist Walter John Beauvais. This work depicts fashionable ladies walking on a promenade by the French coast. This superbly executed impressionist study is signed with monogram lower left and presented in a painted wood frame. Artist: Walter John Beauvais (British, 1942-1988) Title: On the French Coast Medium: Oil on panel Size: 23 x 19 inches (58 x 48 cm) including the frame Walter John Beauvais was born in 1942 near Windsor, Berkshire, England. He was a grandson of French artist and lithographer Charles Henri Beauvais (1862-1909) and son of Arnold Beauvais (1886-1984), artist and one time President of the London Sketch...

A beautiful large French oil on canvas depicting a cloudy beach landscape at Villerville, Calvados, by André Houllier. Excellent quality work and condition work. Signed lower right ...

* No US duty or taxes to pay on this item * A superb mid 20th century French naïf oil on canvas depicting cockle fishermen on a beach, by Jean Cha. Excellent quailty and condition...

A beautiful signed and dated 1901 oil on paper laid on board by Auguste Grass-Mick, the French impressionist painter who was friends with Edgar Degas and Henri Toulouse-Lautrec. Gr...

Pierre Emile Lelong French, 1908-1984 Brittany Coast Oil on canvasboard 17 ¾ by 21 ¾ in, w/ frame 25 ⅝ by 29 ⅝ in Signed lower right Pierre Emile Gabriel Lelong was a neo-Impressio...

Vintage Post Impressionist framed oil painting on stretched canvas, signed in the bottom right, Abel Villard (1871-1969). A stunning, calm and moody depiction of a village boarderi...

"The Coastline" by Maurice Mazeilie (French) oil painting on canvas, unframed, signed with initials painting: 9.5 x 13.75 inches A delightful original oil painting by the 20th cent...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...