Archival Paper Paintings

Los Girasoles De Lele Artist signed and titled. Acrylic, Indian Ink on Archival Paper. Gabriela Fournier emerging young Mexican artist, born in Guanajuato 2001. She discovered art ...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

You are viewing a mixed media painting and collage on paper by American artist Richard Huntington. This piece is titled "George Washington with Letters" and is signed lower r...

Rajib Bhattacharjee - Untitled Acrylic & Charcoal on Archival Paper, 23 x 23 inches (unframed) Rajib Bhattacharjee passed preparatory painting in 1991 from Govt. College of Art and ...

Rajib Bhattacharjee - Untitled Acrylic & Charcoal on Archival Paper, 23 x 23 inches (unframed) Rajib Bhattacharjee passed preparatory painting in 1991 from Govt. College of Art and ...

Rajib Bhattacharjee - Untitled Acrylic & Charcoal on Archival Paper, 24 x 30 inches (unframed) Rajib Bhattacharjee passed preparatory painting in ...

A turquoise blue, emerald, violet, viridian and light green hummingbird perches on a spiral bound notebook with a pencil in its beak is depicted in this watercolor painting by New Yo...

Debabrata Basu - Survival III - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper Style : Debabrata derives his style and theme by introspecting within himself. The fears of...

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Aster da Fonseca Listening Acrylic on Tape on Paper Year: 2022 Size: 11x14in Signed by hand COA provided Ref.: 924802-1367 collage acrylic paint tape nature landscape bird tree beau...

"Light on Water I" is a soothing naturalist landscape featuring hues of blue, green and yellow. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 inc...

Charcoal drawing and Collage on sintra panel, blue tones, portrait, excellent gift

I love walking along the sea coast, looking at big beautiful stones and talking to them. I record these dialogues on watercolor paper in the open air. Each stone has its own thousand...

The watercolor was painted en plein air on the picturesque coast of the Adriatic Sea. It is strewn with stones of stunning beauty and history. It's impossible to pass by. I want to s...

The painting was painted in watercolors en plein air in the Balkans from life. When I saw this kitten, it evoked a sea of ​​tender emotions and experiences. I decided to portray him ...

This painting features hues of orange, yellow and brown with highlights of pink and purple. It is a work on paper mounted to three cradled wood panels that lock together when installed. The materials used are watercolors made with clay, ochre, and weathering rind found in Georgia, manganese brown pigment, and watercolor on paper mounted on panel, protected with beeswax, This piece is part of a recent show titled "love as large as grief demands." Heather ‘Bird’ Harris...

Richard Huntington (b. 1936) is an american painter, printmaker, and writer, is Critic Emeritus at The Buffalo News and has written for High Performance magazine, ARTnews, and Art Ne...

This beautiful triptych by Eran Shmueli will bring color to any room it will be placed in. These are 3 hand made pieces that comes rolled in a tube but can also shipped framed with ...

This winter scene watercolor by Daniel Maldonado depicts a lone Teepee in a vast snowy plain at twilight. A vibrant rainbow of colors grace the clear sky. The piece measures 7 x 20 i...

Carol Stewart September Patterns oil on paper on panel 12h x 12w x 1.50d in 13.25h x 13.25w x 2d inches (framed) 33.66h x 33.66w x 5.08d cm CST015 Through her ethereal and often dre...

Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Rajib Bhattacharjee - Melody of Spaces Acrylic & Charcoal on Archival Paper. 8 x 10 inches (unframed) Rajib Bhattacharjee passed preparatory paint...

Rajib Bhattacharjee - Landscape Acrylic on Archival Paper, 19.5 x 7.5 inches Rajib Bhattacharjee passed preparatory painting in 1991 from Govt. College of Art and Craft Kolkata and ...

Rajib Bhattacharjee - Melody of Spaces Acrylic & Charcoal on Archival Paper. 8 x 10 inches (unframed) Rajib Bhattacharjee passed preparatory painting in 1991 from Govt. College of A...

Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large abstract expressionist watercolor paintings similar in style to Paul Jenkins and for his Enamel work. His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Singier, Alfred Manessier, Roger Bissiere, "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles – rather than as the visual representation of sociopolitical realities or philosophical theories." "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Artists associated with Lyrical Abstraction include: Natvar Bhavsar, Lamar Briggs, Friedel Dzubas, Sam Francis, Ronnie Landfield, Pat Lipsky...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Jay Walker's "Prismatic Polygon" paintings on archival artist's paper are signed and dated on the back. Walker's paintings work particularly well in a pair or series -- see photo gal...

Jay Walker's "Prismatic Polygon" paintings on archival artist's paper are signed and dated on the back. Walker's paintings work particularly well in a pair or series -- see photo gal...

An original acrylic on paper by emerging contemporary artist Anthony Leone which was featured in the artist's solo exhibition Grape Farm.

LOL (laugh out loud) 2014 4x6" framed. 8x10" SUBTEXT This series of small paintings are a mash-up of Renaissance Choir book borders with their ornate grotesques and drolleries combi...

"Open Loop II" is a bright graphic abstract geometric original work on paper with patterns and shapes. The colors used are blue, gold and black. It is part of Kazaan Viveiros' series...

Watercolor on paper 10 x 12 in. image 19.25 x 17.5 traditional frame with gold leaf finish and white matte A cheerful scene depicting village life in a settlement of Native America...

"Yellow Brick Parade" is a bright and happy abstract geometric work on paper with patterns and shapes. It is part of Kazaan Viveiros' series titled "Passages". A stunning and contemp...

Los Amigos De Lele Artist signed and titled. Acrylic, Indian Ink on Archival Paper. Gabriela Fournier emerging young Mexican artist, born in Guanajuato 2001. She discovered art at ...

Painting on canvas signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Color...

This beautiful triptych by Eran Shmueli will bring color to any room it will be placed in. These are 3 hand made pieces that comes rolled in a tube but can also shipped framed with ...

Artist: Daniel Gibson Title: The Spirit Remains Size: 9 x 12 Inches Medium: Sumi Ink and Oil Stick on Paper Edition: Original Year: 2024 Notes: Signed, Dated Lower Right. Ac...

This contemporary surrealist animal painting depicts a blue parakeet with a yellow throat on a wood spindle chair. The scale relationship of the bird to the bench makes it seem eith...

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This painting features hues of green, yellow, pink and orange. These pieces are archival pigment prints mounted to panel. The images are macro scans of neutral water (Left) and alkaline water (Right) mixed with ink from: white oak acorns...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and color. This lush orange and sunset hued artwork titled "Soft Light 09" works well on it's own or as a...

Martin Fuller was born in 1943 in Royal Leamington Spa and his initial studies were at the local Mid–Warwickshire College of Art, from 1960–62. ‘Mid–Warwickshire College was very good’, he says; ‘they taught drawing, and I was a natural image maker, but I wasn’t necessarily a natural drawer. They made me draw objectively. In a way it’s quite beautiful to have gone through that rigour and not to have one’s creativity made dead’. He moved to London in 1962 to attend Hornsey College of Art, where he became ‘more sybaritically cultured’, then was awarded the Guggenheim–McKinley Scholarship to Italy in 1964. He was in Positano for just under a year and says that it changed his life: in those days there was a thriving artists and writers community, long before the tourist invasion: ‘Although it was the beginning of the supposed swinging sixties, London was still fairly dour, so then I went to Italy with its food culture and more emotional openness…I remember watching a traffic policeman in white jodhpurs and a white hat pinching a girl’s bottom. It was a wonderful revelation of a different way of life’. The Italian light, which was ‘very different from Camden Town’, also influenced his art. When he returned from Italy he took a job at Hornsey, painted portraits, and then in 1968 had his first one–man show at the Arnolfini gallery in Bristol, which he reckons at that time was probably the best provincial art gallery in Britain. He continued to exhibit widely throughout the 1970s and ’80s. 3cIn 1991 he spent a year as Artist in Residence at Santa Fe in New Mexico. Five years later he won the Discerning Eye Modern Painters Prize and also won first prize in the Hunting Art...

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"Leeward", by Christina Haglid, is a meticulously detailed watercolor. In a surreal scene, an orchid stem sprouts from a paper lantern in a boat. The calmness of the water and soft...

Multi-layered oil paint, inked paper on repurposed wood panel. Title is from the final act of Puccini's "Turandot."

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

Watercolor on paper, signed in the lower right corner, signed verso, in decorative frame, overall 21" x 25".

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and ...

Carol Stewart Morning Glory, Clementine oil on paper on panel 8h x 8w x 1.50d in 20.32h x 20.32w x 3.81d cm CST016 Through her ethereal and often dreamlike paintings Carol Stewart i...

This quadriptych (4 individual works of art presented together to create one work) are sold together. Each is 32X24 cm and if hung together will be 72X52 cm (as seen in the image). They will be shipped not framed (paper only), but framing is optional upon request. Like to "erase" my failiure's calligraphy poems with colors and fill "the body" of the image like it was a prehistoric animal or an imaginery figure . This way, I can recycle my images and paint new creative images. In this serie, "HOPE DUCK" I decided, on purpose ,to write a lot of HOPE and to fill their body like it was a duck. "To call a duck a duck" means to say the true without blemishes. "Lame duck" means helplessness. "Duck soup...

This painting was inspired by the many themes within my art. Duality is seen in the changing textures and colors creating a strong sense of depth, concave to convex as well as dark t...

At over 11 feet in length, Broadbent’s “Andromeda” galaxy watercolor painting captures the spectacle and wonder one feels when looking at the stars in the night sky. In this large sc...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 42 x 43 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Salty” Materials : Chalk pastel and pencil on Arches Paper Date : 2016 Dimensions : 20 ¼ x 24 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer...

This vibrant neo-expressionist piece by Linda Dumont depicts a set table on an outdoor patio on a clear sunny day. This 16 x 12 inch piece is executed on oil on panel and framed in a...

Beautiful original gouache paintings on Arches watercolour paper by Ellen Von Wiegand are float mounted and framed in white, all archival materials, and ready to hang. "The Sun Dazzl...

Born in London in 1923, Collins began his artistic journey working in a commercial studio while attending evening classes at art school. His education was interrupted by World War II...

Finding My Way 1 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 2 in Inv #: 794 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

“Smack My Bitch Up” boldly portrays a woman with a yellow bob against a vivid red background. Her face is the focal point, with blue and red forming an abstract, mask-like overlay symbolizing multifaceted identity. Jon Pannier’s series for our “Muscle Memory” exhibition delves into violence against the LGBTQIA+ community from the 1980s to the present. As a young gay...