Board Paintings

Vibrant landscape of a purple sunset over a Napa County country road bathed in golden light, by an unknown California artist (American, 20th Century). In style of artists from Ovanne...

Gorgeous period painting of the Cape Cod Lighthouse with dunes and beach in the foreground by L. Clogston (American, 20th century). Oil on artist's...

Beautiful California mountain scene by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Circa 1950. Unframed. Image, 12"H x 16"W. Gleiforst was born in Crete, Nebraska but moved to Oregon where she studied at the University of Oregon. She then settled in Beverly Hills where she began to paint. Her teachers included Nicolai Fechin...

Miniature landscape of trees in the snow by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower left corner. Titled "#8 Snow + Trees" on verso. No frame. Kathleen Murr...

"La Place au Bistro des Filles" by Gerard Valtier is an original oil on canvas that measures 35x46 inches. The bright colors of this impressionistic painting create a lively evening scene of people walking and dancing outside of the shops along a canal. Empty gondola's float on the water, lit by the street lamps. Many appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Seething with colors, sparkling, blazing, molten gold: the whole mystery of Gerard Valtier’s painting lies in the working of this colorful living chemistry, where the thickening cover of the glaze catches the reflections of the light, which progressively becomes incandescent. The contrasting blue and yellow, basically naturalistic colors - characteristic of the impressionist palette - create a feeling of bedazzlement which send out their own light, directly imitating the natural effects of light itself. Thus, the property of the color, the interaction of colors as well as their power to create some light, definitely are the basis of Valtier’s work. The artist can paint everything: barges along the quay, the busy crowds, Venice and its carnival, the bride and her procession - his whole painting is under the sign of the feast. Unlike Renoir or Cezanne, Valtier does not hesitate to use black as a true color, not one designed to soften or drain the pure color, as in the shadows. One will also appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Valtier has had exhibitions throughout the world and has received many awards. He paints from his studio in Arles, France. He is listed in Mayers, Akoun, La Cote des Peinteres, Bordas International, and Financial Art.

Gorgeous vivid mid-century landscape painting of a house attributed to Texas artist Vivian Love (American, 1908-1982). Circa 1950s. Signed "Vivian" lower right. Presented in a blue wood frame. Image size, 20"L x 16"H. Vivian Rogers Love began exhibiting in San Antonio in the 1940s. She was a member of the San Antonio Art League, River Art Group, Coppini Academy of Fine Arts and the Highland Art...

March 24x32 cm, oil/cardboard, 1990

Suchitra Bhosle's "Dreams in Gold" is an original, handmade oil painting that depicts a nude, dark haired woman, in golden jewelry, relaxing on a bed with a book nearby. About the ...

Vivid mid century still life of glass pitchers and apples by listed artist Jon Blanchette (American, 1908-1987), c.1965. Signed "Jon Blanchette" lower right corner. Letter of Authent...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

An oil painting of sheep painted with thick paint applied spontaneously with a palette knife on linen. Displayed in a dark grey frame complimenting the tones of the sheep. ADDITIONA...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

A very beautiful signed and dated 1900 impressionist oil on board depicting a sunset on the coast, by Danish artist Holger Lübbers. The work is signed and dated lower left and prese...

The American landscape – endless skies, calming waters and the varied shores of the East and West coasts - are Cople’s passion and she travels far and wide to capture her subjects. “I love painting the landscape en plein air. In the outdoors, exposed to the sun, wind and rain, you can incorporate not only what you see, but also the sounds and the smells of the landscape. All of this lets me convey the sense of wonder I feel at the subject,” says Cople. Undeterred by nature’s extremes, Cople has painted in blizzards in the Wasatch Mountains of Utah; on the precarious cliffs of Monhegan Island, Maine; in howling gales off the California coast; and, of course, in both summer and winter in her beloved Eastern Shore of Maryland and Potomac River...

Incoming, Original Impressionist Painting, 2021 8" x 10" (HxW) Pastel on Board Please note this piece is framed A contemporary pastel work depicting the ocean's water crashing onto...

A whimsical oil painting depicting a Street Scene in Venice of people going about their day by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produ...

Poppy 2021., cardboard, oil, 30x21 cm

An original oil on board by American artist Julius Richter. Julius Richter, was a physician, surgeon and educator. He was born Dec. 19,1876, in Alleghany, Pennsylvania. He was educ...

Nathan Hoffman Brighton Beach, August 5, 1941 Signed, titled, dated and estate stamped on the reverse Oil on board 9 3/4 x 14 inches Born in Russia, th...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Giovanni Korompay (Italian, 1904-1988), Mountainous Landscape Scene, Oil on Board, signed lower right and to verso, silvered wood frame. Image: 14" H x 18" W; frame: 20.75" H x 25" W...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

Juliet M. White was born in Philadelphia in 1880. She studied at the Philadelphia School of Design for Women, which became the largest art school for women in the United States. Its ...

Egypt plein air

William Samuel Horton (1865 - 1936) La Seine Fumee bleu, Paris, France, circa 1909 Oil on canvasboard 17 x 21 inches Signed lower left A landscape painter, William Horton lived and ...

Signed oil on canvas laid on board landscape by American Impressionist painter Abram Molarsky. The work, painted in mostly pastel shades of green, blue and purple depicts a view of b...

Meadow herb, Scottish borders by Natalie Bird, oil on board painting in an impressionist style. The landscape composes of mounatins in tones of blue in the background with pink flowe...

An impressionistic, antique landscape painting depicting the rugged coastal beauty of Race Point Beach, Massechusets. The rocky coastline and rushing waves are rendered in luminous ...

"Provincetown" is a 12 x 11 3/4 inches, oil on board impressionist street scene by American impressionist painter and member of the Women's Artists Group "The Philadelphia Ten", Nancy Maybin Ferguson...

Arlberg brücke. 1930, оil on cardboard, 30x36,5 cm

"Park Benches" is a 10 x 11 1/2 inches, oil on board impressionist street scene by American impressionist painter and member of the Women's Artists Group "The Philadelphia Ten", Nancy Maybin Ferguson...

Lielupe. 1980. Cardboard, oil. 51x66 cm

A masterful oil painting depicting a coastal scene with a sail boat passing through the glimmering waters, lush hills, and seaside buildings under a lightly clouded sky. This particu...

Boris Vassiloff, Russian/American (1906 - 2000) Artist Boris Vassiloff was born on March 24, 1906 to Julia Nikolaevna and Boris Ivanovich Vassiloff in Russia. He died peacefully on D...

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught paint...

Sunny winter landscape. 1985, cardboard, oil, 45x58 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in diffe...

"Autumn on Canal" is a Pennsylvania landscape by American Impressionist painter Albert Van Nesse Greene. The painting is a 8" x 10" oil on board, framed, and signed "A V Greene...

Large oil painting of a rural early Town, British or other European, of thatched cottages and church set in a wide landscape with horses and figures on shining wet ground reflecting ...

Addison Thomas Millar Lady in a Interior Oil on canvas board 14 x 10 inches Millar's father emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott...

Harry Leslie Hoffman (1871 - 1964) Bermuda Oil on board 16 x 12 inches Signed lower right; estate stamped on the reverse A man with strong academic art training, Harry Hoffman was judged by his peers to have done best with his landscapes when he painted what he saw and set aside the theories. He studied in Paris, worked at Yale University with John Ferguson Weir, and was a student at the Art Students League with Frank DuMond. But Willard Metcalf had the strongest influence, encouraging Hoffman to paint in the style of impressionism. In 1902, Hoffman went to Old Lyme, Connecticut, and stayed at the Florence Griswold...

A fine impressionist harbor scene in Gloucester, Massachusetts by American artist Guy Carleton Wiggins (1883-1962). Wiggins was born in Brooklyn, New York, and had a long and success...

Artist: Vahe Yeremyan Title: After Storm Medium: Oil on Cardboard Year: 2025 Style: Impressionism Dimensions: 17" x 17" x 0.2" inch (43 x 43 x 1cm) Framed: 21'' x 21'' x 1'' inch (53...

Suchitra Bhosle's "The Visitor" is an original, handmade oil painting that depicts floating white and pink roses with a hummingbird approaching. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

"In the Spotlight" (2024) by Dianne L Massey Dunbar is a playful oil painting that depicts two empty Coca-Cola bottles. This piece measures 12 x 9 inches and ...

A fine impressionist marine painting of boats docked in the harbor by Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterdam, Holland and, after traveling i...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Pine trees on the seashore. 1981, cardboard, oil, 46x65 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in d...

Joseph Rerolle (French, 1829 – 1901) A girl at a woodland stream, Leman Oil on paper laid down on board Signed ‘J. Rerolle’ (lower left) 13.7/8 x 16.3/4 in. (35.3 x 42.5 cm.)

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

This bright and colorful floral painting, "Arrangement of Zinnias", is a 24x22 still life oil painting on canvas by Maryann Lucas. Featured a colorful arrangement of pink, yellow, a...

Lilies and Rose bud by Rosie Copeland [2019] original Oil on board Image size: H:37 cm x W:24 cm Complete Size of Unframed Work: H:2 cm x W:37 cm x D:24cm F...

Allen Dean Cochran’s Nude Woman Sitting by Stream is a captivating exploration of serenity and nature, rendered in vibrant hues of green and blue. The painting features a nude woman ...

plein air

Abel LAUVRAY (1870-1950) Rome, the Arch of Titus Oil on cardboard mounted on canvas Size: 48 x 65 cm Signed lower right Painting in good condition. A few fine cracks without liftin...

Windy day. 1981, oil on cardboard, 40x62 cm

Roses. 2008, cardboard, oil, 87x67 cm

Serene landscape of the Putah Creek Bridge (now submerged, also known as Monticello Bridge) by Frank Willson Judd (American, 1864-1940). The Putah Creeks flows beneath an old Closed-spandrel red stone arch bridge 1896-1957 submerged intact beneath Lake Berryessa in 1957. When built this bridge was reputed to be the longest stone arch bridge in California and quite possibly the largest West of the Rockies. Signed and dated "Frank Willson Judd 1937" in the lower left corner. Presented in an antique, distressed frame...

Wonderful example of Houston Artist David Adickes's early work. This heavily textured still life features 2 apples and 3 bottles. Most likely this work was framed at Dubose Gallery o...

Carnations and roses. 1990, cardboard, oil, 92x67 cm