Crayon Paintings

This artwork is painted in the form of a classical school board with math equations. It is a part of the Science Art Collection by Anastasia Vasilyeva. The painting's size is 100x100...

The work was inspired by the theme of the creation of the world.

Action painting in multi-colors including mainly green with pink, blue, white and black black, 'Uncertain Steps,' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Uncertain Steps,' is 72 x 60 inches...

Jaled Muyaes (Chilean/Mexican, 1921 - 2007). "Abstracted Still-Life". Pastel drawing. 1951. Signed "Kena" and dated, lower right. Triple matted under glass. Greens, Blues, golden toned yellows, and Oranges predominate. Muyaes always signed his work "Kena," "S. Kena," "Silvestre Kena," or "Silvestre;" or, if initialed, "K." or "S.K.". Cream wove paper. Provenance: From the estate of Estela Ogazon...

"Gioia" (meaning "Joy" in Italian) 2023, 72" x 108" large scale acrylics, house paint, oil pastels, wax crayons, and pencils abstract work on canvas by Argentine born artist Karina G...

Mary Abbott Postcard Geometry Signed lower right Crayon on paper 4 x 5 1/2 inches Among the early exponents of Abstract Expressionism, Mary Abbott created powerful oil paintings in...

Life with a cat, 2023, 78x54 cm The work is sold without a frame.

With "Djinn imprévisible", Pierre Morquin plunges us into a dreamlike, phantasmagorical universe. Bright colors and abstract shapes create an atmosphere...

Artist unknown "Black & Green Street Scene" c. 1970s Acrylic paint and oil pastel on paper 29.5"x4" black wood gallery frame float mount on linen 33"x1.5"...

Monumental Ink & Oil Painting on Canvas by Katherine Filice "Eye of the Storm" is an colorfully atypical 93″ × 93″ (unstretched size) painting on canvas by Northern California base...

16 x 12" oil, pastel and cold wax on a cradled wooden panel.

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

C.Dimitri has received fellowships in painting from the Vermont Studio Center and the RI State Council on the Arts. He is represented by Tabla Rasa gall...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Vintage Southwest Adobe Landscape Original Pastel Painting c.1985 Outstanding late 20th century pastel painting by mystery artist. The painting is s...

Magdalena Morey Exploring Every Path 3 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in sit...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

Arietta series 2 (Abstract drawing) Charcoal ink and pastel on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal mater...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

"feel the breeze carefree spirit breathing is easy atmosphere, livin' oh, how every day could feel like this, one of my faves" 'do it now' is a reminder that the Universe is ful...

Roberto Eduardo Biagio Borgatta y Ruiz (1921–2009). Industrial River Landscape, 1960. Tempera and pastel on illustation board. Image measuring 10.5 x 13.5 inches. Meauring 17.75 x...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

This original oil painting is noted for its bright and vivid analogous color palette and soft, yet distinctive geometric shapes that appear to dance within the frame. The artist, Wyn...

10 X 17 without frame. Seymour Boardman (1921–2005) was a New York abstract expressionist. Since his first solo exhibition in Paris in 1951, Boardman developed a personal vision and style of his own, following his own path of abstraction. As a painter he sought to reduce the image to its bare essence. Initially working in the freely brushed manner of Abstract Expressionism, Boardman gradually eliminated the arbitrary aspects of his work until only straight lines and two or three areas of flat, sometimes somber, tones remained. He could hardly have achieved more with less. In a career that was steady and determined, Seymour Boardman created paintings that are unique, while avoiding fashion and trends. His work stands alone because it derives from the Romantic landscape previously articulated by Milton Avery and early Mark Rothko (who was a friend) and later developed into almost hard edged painting. Seymour Boardman majored in art at City College of New York in 1938-1942. He served in the United States Air Force from 1942–1946, during which he was hospitalized for over a year due to a wound to his left shoulder, which resulted in partial paralysis of the arm and hand. After a full medical discharge from the service in 1946, he left for Paris to continue his art education at the École des Beaux-Arts, Académie de la Grande Chaumière, and Atelier Fernand Léger. Boardman's work became more abstract but still based on figure and landscape. He returned to New York in 1949 and went to the Art Students League. Boardman continued to paint dark, moody paintings using a limited palette of black, white, grey, and an occasional additional color. Departed Le Havre France on the Liberte, arriving with his wife in New York on Jan. 22, 1952. In 1955, he had his first one-man show in New York at the Martha Jackson Gallery. It was favorably reviewed by Hilton Kramer, Emily Genauer, Fairfield Porter, and others. "…inscrutable, dark, mostly in blacks stained here and there with calm whitish shapes, they yet manage to suggest something inhuman and romantic…" (N.Y.Times, March 26, 1955). He began to acquire recognition in the 1950s with his paintings of griddled facets seen as if through a frosted glass, without any crisp lines, and in bright colors favoring reds. Boardman's friends included Lawrence Calcagno, Perez Celis, John Hultberg, Burt Hasen, Frank Lobdell, Richards Ruben, Robert Ryman and Nassos Daphnis. Throughout the 1960s, Boardman showed at both the Stephen Radich Gallery and the A.M. Sachs Gallery; in 1967, The Whitney Museum of American Art and the Guggenheim Museum acquired a painting each. In the early 1970s Boardman had a large exhibition of paintings at the Andrew Dickson White...

Witches Banner is an original mid-century abstract painting by celebrated Denver modernist Edward Marecak (1919–1993), created circa 1960s. This bold, expressionistic work features r...

Physical Graffiti by Joseph Conrad-Ferm, 2022 Acrylic, spray paint, oil crayon, graphite, color pencil, paint marker on Canvas W 60" x H 72" x D 1.5" Mixed media abstract painting ...

Untitled 1513 (Abstract painting) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerg...

Untitled 1915 (Abstract Drawing) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

The Silence of Sound by Maria Pierides [2020] Original Oil, oil stick, pastel, wool and wax on deep edge canvas Image size: H:15 cm x W:15 cm Complete S...

Judith Brenner Alberto Standing 2 Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insitu images are purely an ind...

La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...

La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...

This is a gestural painting that reflects an emotional response to world conditions. Sitting in a bothy thinking about things not usually considered, I found myself in the zone of ab...

A line of white cloud rises at the foot of swirling silver calligraphy in this luminous canvas by Alice Teichert. Resembling an abstracted tornado against a crimson sky, the dynamic ...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

'Words Vs Action II' 2025 by Roohi Saleem. Oil and oil sticks on canvas, 66 x 44 in. This pastel painting is constructed as a dense compostition of abstract forms, featuring various ...

"LOVE" is an abstract mix media painting on cardboard, measuring 77 x 57 x 3,5 cm, by contemporary Polish artist Monika Widenka. LOVE is a painting that subtly conveys the emotions...

(Comes framed and ready to hang in a high-profile maple frame.) Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by ...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Talking until midnight, 2023, 78x54 cm The work is sold without a frame.

By that time, 2023, 78x54 cm

“Signals of Stillness” is an original 54 x 47 cm acrylic painting on cardboard by Finnish multidisciplinary artist Emmi Iida, celebrated for her intuitive mark-making and emotional m...

This work is signed lower right. A very rare large pastel by the artist, which was intended as a study for, or as a return to the theme of a similar painting executed in gouache and...

Neige (Abstract painting) Collage, Gouache, acrylic and oil pastel on Arches paper — Unframed Marie de Lignerolles is an artist, designer, illust...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Pastel, Acrylic on canvas Lika Sarishvili is a Georgian artist born in 1988 who lives and works in Tbilisi, Georgia. She was awarded with a master’s degree at the Tbilisi State Acad...

Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. H...

Filled Space #1 Jackie Battenfield, American Date: 1981 Mixed media on paper, signed and dated in pencil, titled verso Size: 22.5 x 30 in. (57.15 x 76.2 cm)

Vibrant blue and red action painting 'Alpha' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Alpha' is 72 x 72 inches, and is created in two parts that hang side by side. Each individual panel is 72 x 36 inches. 'Alpha' is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Sound of the Wind by Maria Pierides [2020] Original Oil, pastel, collage and wax on deep edge canvas Image size: H:15 cm x W:15 cm Complete Size of Unfr...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Untitled , 2025, 78x54 cm The work is sold without a frame.

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Crescendo 24.0 x 12.0 x 1.0, 4.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Chasing light is what artists do. Sometimes Mother Nature cooperates a...

Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

ARIATTA 6 (Abstract drawing) Pastel and acrylic on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as...