Fabric Paintings

Buwa Shete - Couple - 30 x 60 inches (unframed size) Oil on Canvas, 2005 ( ROLLED AND DOOR DELIVERED ) Buwa Shete, born in 1960 in Maharashtra, India, is o...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

English, Early 19th Century " Portrait of a Woman Reading ", circa 1820-1825 Oil on Mahogany Panel 9 1/2" x 7 3/4" Housed in a 2" Ornamented Frame Overall Size: 13 1/2" x 11 3/8...

The painting 'By Rainy Night' captures the moody beauty of a rainy night in the city. The reflections dance on the slick pavement, and the blurred lights glow like distant stars. Sha...

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...

Mountains That Remind is a meditation on memory held within matter. The forms rise and fracture like thoughts surfacing from deep silence — reminders not of what has passed, but of w...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

This beautiful blue painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf on canvas. The artist studied calligraphy in Japan. In 2004 he moved to New York where he began painting abstract works of acrylic on canvas. Since 2009, Takefumi has been making gold and colored abstract works. He currently lives and works in Brooklyn where he is surrounded by the hustle and bustle of everyday urban life. The energy of New York City is an inspiration. His use of gold as a main material came about after long and intensive experiments. His compositional forms such as circles, squares and rectangles are ideal forms for gold to work with other colors in his work. The compositions of these elements are based on his experience with Japanese calligraphy. He merges the traditions of Eastern and Western art. His works are in numerous collections including Tiffany and Co., Claridges Hotel...

Seascape by famous artist of the period, this fine oil painting on canvas shows us soft hues in skies and waters, with a white-sailed ship in the center. One of Shayer’s more beauti...

Signed Oliveras - Fisherman's Beach - Oil on canvas. Slight paint chips on the sides that covered the frame. Oil measurements 61x122 cm. Frameless.

Artist: Jack Graves III (American, 1988-) Title: "George the Cat" Series: Eclecticism *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: ...

As a French Impressionist artist, most of the Renee Theobald's works were produced in the Mid-20th Century. She was known for her charming compositions ...

Artist: Marilina Marchica (b. 1984, Italy) Title: Frammento Year: 2024 Medium: Charcoal and pure mineral pigment on cotton canvas Size: 60 × 130 cm (23.6 × 51.2 in) Signature: Signed...

Hawaiian landscape, ocean, wind, clouds, movement, impressionism, plein air, interior painting, American artist, American art, American landscape "This small piece carries as much e...

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A substantial, American oil paint...

Arvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...

Cowgirl Barbie 1980 by McKenzie West is an original contemporary oil painting that merges photorealistic technique with nostalgic pop imagery. This striking artwork features a detail...

Abstract painting on canvas, blue, extra-large, XXL, large oil on canvas painting, abstract expressionism. Katarina Joys. Extra-large painting on canvas, Large painting, abstract a...

John Baker’s “Studio Sketch of Ella” is an acrylic painting on canvas with collage 20 x 16 inches in creams and browns. The painting is from the “Studio Visitors” series. When Ella a...

Antique oil painting featuring brids. Oil on canvas. Framed. No signature found.

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

An incredibly captivating image of a leopard basking on a rock by a river. Not only is this a very striking study of a magnificent feline but there is also a narrative here with a py...

Original Post-War Oil Painting of Mournes from Dundrum Ireland by 20th Century Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 20 inches Frame measures 36 x 26 inches (...

“Summer in the Pasture (Farmer’s Wife with Cow)” (Sommertag auf der Weide (Bäuerin mit Kuh)) Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 36 ¼ x 28 inches (43 ¾ x 35...

Title: Abstract Landscape Artist: Marilina Marchica Made In Itlay Year: 2025 Technique: Oil and pastel on canvas Dimensions: 80x100x3.8 cm Original, one-of-a-kind artwork, accompani...

'Ferocious Seas' by Contemporary Spanish artist Bernard. A vibrant and bold painting of sail boats on the open water. Colourful sails of red, g...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

Original painting by Daria Kusto. Acrylic on canvas. Painting rolled in a sturdy tube from Spain– safely and promptly. This work reflects the endless movement of life, where every f...

This tranquil landscape captures a sunlit autumn morning along a quiet stream. Delicate mist softens the background, while a weathered split-rail fence leads the eye through a grove ...

'Springtime in the Camargue' by Yves Brayer (circa 1960s). The Camargue region in the South of France is a stunning expanse of wetlands that boasts a unique blend of landscapes and w...

Desert Landscape with Agave and Yucca - Oil on Canvas Oil painting of a desert landscape by an unknown California artist (American, 20th C). California high desert with vibrant gree...

This vibrant, light-filled painting captures a hot day in the harbor of the resort town of Turunc, where the artist painted a sun-drenched coastal landscape. Dominating the foregroun...

This exceptional mid-19th century pastoral oil painting, after Eugene Verboeckhoven's celebrated composition "Passing the Brook," depicts a serene rural scene where cows and sheep cr...

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

Naguy Claude mixes popular culture icons and street art with comic and cartoon characters, as well as famous superheroes, in his original layered mixed media paintings. His artworks ...

Desdemona’ is an original abstract painting on canvas by contemporary artist Wendi Weller. Oil pastel mark making details are added to many layers of acry...

Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting the banana as...

In this oil painting, I've embraced the fluidity of impressionism to capture the ephemeral grace of nature. The gentle play of light through the trees, the warmth of the fallen leave...

Mountain Pathway [2022] original Oil Paint on Canvas Image size: H:91 cm x W:91 cm Complete Size of Unframed Work: H:91 cm x W:91 cm x D:3.5cm Sold Unframed Please note that ins...

Untitled, 20th Century Oil on canvas 16 x 20 in. Framed: 21 x 23 x 1 3/8 in. Signed lower left: Clark

This painting by artist Ray Simonini titled "Meryl" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white sheep against a colorful green background. Afternoon...

The Scent of the River is a unique oil on canvas painting by contemporary artist Gérard Priault, dimensions are 81 × 100 cm (31.9 × 39.4 in). The artwork is signed, sold unframed an...

This is a captivating portrait of Samuela Bergsma, executed by the Swiss artist Gottardo Segantini. Painted in the Divisionist style, the artwork em...

Karl Knaths Abstract Landscape, 1955 Signed lower right; signed and dated on the reverse Oil on canvas 27 x 41 inches Provenance Collection of Marika Herskovic, New Jersey Private C...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXXV" Series: Diamond *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Origin...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Collecting Seashells Oil on canvas, 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm) Framed dimensions: 17 3/4 x 21 5/8 inches Signed lower left: W.E. Norton Born in 1843 to a family of Bost...

Title: Moonlight Medium: Oil on canvas Size: 11.75 x 11.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Sergei Inkatov’s original, abstract fine art oil paintings have been exhibited internationally. His expressionistic artworks are vivid and richly textured. Inkatov’s paintings radiat...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

Flowers of the sun. 2023, canvas, cardboard, oil, 13x18 cm Small size plein air painting Alyona Prokofyeva (1988) From 2016 surname Galaktionova....

Framed size: 26" x 30" - Signed bottom left La Plage de Cannes is a striking example of Lebasque’s mature Post‑Impressionist style: serene yet subtly vibrant, intimate yet expansive...

French oil painting on canvas " Vibrant harbor scene in Dieppe " Additional information about the work: Title: Vibrant harbor scene in Dieppe Medium: oil on canvas Signature: signe...

Olive Rush Washington Square, 1913 Signed lower right Oil on canvas 32 x 24 inches Exhibited Indianapolis, John Herron Art Institute, circa 1914. Art Institute of Chicago, 1914. Literature The Fairmount News, Fairmount, Indiana, November 26, 1914, p. 4. Olive Rush studied at Earlham College, the art school associated with the Corcoran Gallery of Art and at the Art Students League before becoming an illustrator in New York. She was well known for her portraits and paintings of children and women, many of which were featured in magazines such as Woman's Home Companion and St. Nicholas. In 1904 she moved to Wilmington, Delaware, to study with Howard Pyle, and she stayed until 1910. She spent the next year in Europe studying British and French painters, and finished her art education at the Boston Museum School in 1912. In 1913 Rush returned to Europe with her friend, the watercolorist Alice Schille...

Antique American modernist landscape signed oil painting of the Anza-Borrego desert. Oil on canvas. Framed. Signed. Measuring: 36 by 44 inches overall. In excellent original condit...

Title: "Catalan Plain Landscape" Author: J. Valle Technique: Oil on canvas Dimensions: 16.14 x 20.47 in Signature: Signed in the lower right corner as...

In crafting this piece, I poured my soul into capturing the essence of ephemeral beauty. The delicate interplay of light and shadow, the tender petals against the vintage tones, all ...

Clydesdale Horses & Farmer Ploughing a Golden Autumn Field in Rural Countryside by British Artist Art measures 20 x 16 inches Frame measures 23 x 1...

This painting is a large format oil on canvas, depicting a composition that combines anthropomorphic figures and animal elements, integrated into a dark setting with geometric fragme...