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Style: Abstract
Medium: Graphite
"micro/macro" - Abstract Geometric Composition
By Jay Weiner
Located in Soquel, CA
Abstract geometric composition by California artist Jay Weiner (American, 20th Century). Signed and dated "Jay Weiner 2006" in the lower right corner. No frame.
Category
Early 2000s Abstract Geometric Graphite Paintings
Materials
Canvas, Oil, Graphite
$940 Sale Price
20% Off
Mirrors of Apprehension Before the Fallen Sun, Abstract Drawing - Wesley Kimler
Located in Chicago, IL
Combining fractions of abstracted drawings into one, Kimler creates a whole new abstracted form. With expressive pours of black paint and brushwork in charcoal and graphite, Kimler's...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Charcoal, Acrylic, Archival Paper, Graphite
Passion Wave, Original painting, Abstract art, Mixed media, Colourful
By Jon Rowland
Located in Deddington, GB
This painting and 'Release' are pure abstracts, demonstrating the effects of different attitudes. Passion Waves reflects anticipation, liveliness, and happiness. It's a very active p...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Pastel, Ink, Mixed Media, Acrylic, Graphite
Time travel (Abstract painting)
Located in London, GB
Time travel (Abstract painting)
Acrylic, oil bar and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled i...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Acrylic, Graphite
Rick Lewis, Mirror to the Sun III, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun III
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primaril...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Spray Paint, Graphite, Pigment
Dawn (Abstract painting)
By Xanda McCagg
Located in London, GB
Dawn (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying aest...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Approaching Calm, Original painting, Abstract art, Mixed media, Colourful
By Jon Rowland
Located in Deddington, GB
This is a gestural painting that reflects an emotional response to world conditions. Sitting in a bothy thinking about things not usually considered, I found myself in the zone of ab...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Pastel, Ink, Mixed Media, Acrylic, Graphite
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Graphite Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Interior (Abstract painting)
By Xanda McCagg
Located in London, GB
Interior (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying ...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Graphite Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Abstract Physical Graffiti Painting by Joseph Conrad-Ferm, Mixed Media on Canvas
Located in New York, NY
Physical Graffiti by Joseph Conrad-Ferm, 2022
Acrylic, spray paint, oil crayon, graphite, color pencil, paint marker on Canvas
W 60" x H 72" x D 1.5"
Mixed media abstract painting ...
Category
2010s Abstract Graphite Paintings
Materials
Oil Crayon, Spray Paint, Acrylic, Permanent Marker, Color Pencil, Graphite
Un pedazo de cielo. Painting From the series Plato’s Heaven F
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Graphite
Estuary 1 (Abstract Drawing)
Located in London, GB
Estuary 1 (Abstract Drawing)
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The inter...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Linen, Acrylic, Graphite
Multiverse #22 - Abstract Contemporary Painting, Framed
Located in New Orleans, LA
Comes framed and ready to hang in black floater frame.
(Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...
Category
2010s Abstract Graphite Paintings
Materials
Lacquer, Charcoal, Wax, Oil, Acrylic, Graphite
$1,125 Sale Price
25% Off
Bola Liquida. Abstract painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Graphite
Cubo suave. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Graphite
Cielo de Platón 4. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Graphite
Cielo de Platón 1. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Graphite
Rick Lewis, Untitled (Blue), Painting 2025
By Rick Lewis
Located in Stamford, CT
Untitled (Blue)
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 30"
I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Spray Paint, Graphite, Pigment
Illumination
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spen...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Wax, Oil, Graphite, Pigment
View from a Great Height, abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Woodpecker Conversation
Located in Dallas, TX
gouache & graphite on mylar
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Mylar, Gouache, Graphite
Backyard Grackles
Located in Dallas, TX
gouache & graphite on mylar
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Mylar, Graphite, Gouache
"Multiverse #16" - Framed Geometric Contemporary Abstract Painting
Located in New Orleans, LA
Comes framed and ready to hang in black floater frame.
Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...
Category
2010s Abstract Graphite Paintings
Materials
Lacquer, Charcoal, Wax, Oil, Acrylic, Graphite
$1,440 Sale Price
20% Off
Green Bricks, abstract geometric painting, grid
Located in New York, NY
Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
$920 Sale Price
20% Off
Disintegrating (with a Measure of Grace), abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Rick Lewis, Mirror to the Sun IV, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun IV
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primarily...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment, Spray Paint
Rick Lewis, Camael, Painting 1997
By Rick Lewis
Located in Stamford, CT
Camael
Oil, graphite, sand, dry pigment on paper, laid canvas
47" x 35"
I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite, Pigment
Rick Lewis, Mirror to the Sun V, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun V
Oil, graphite, litho ink, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment
Rick Lewis, Untitled (Burnt Orange), Painting 2021
By Rick Lewis
Located in Stamford, CT
Untitled (Burnt Orange)
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primar...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment, Spray Paint
Rick Lewis, Mirror to the Sun, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun
Oil, graphite, litho ink, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium o...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment
Rick Lewis, Did You See the Moon Tonight? - Painting 2019
By Rick Lewis
Located in Stamford, CT
Did You See the Moon Tonight?
Oil, graphite, litho ink, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primarily in ...
Category
2010s Abstract Graphite Paintings
Materials
Oil, Graphite, Pigment, Paper, Ink
Mixed Squares, abstract geometric painting, grid
Located in New York, NY
Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Gala Of Dandelions (Abstract painting)
Located in London, GB
Gala Of Dandelions (Abstract painting)
Acrylic, oil pastel and graphite on canvas — Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Acrylic, Graphite, Oil Pastel
Multiverse #13 (Framed Contemporary Abstract Painting)
Located in New Orleans, LA
Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered graphite and other media. They are painted on fiber pan...
Category
2010s Abstract Graphite Paintings
Materials
Lacquer, Charcoal, Wax, Oil, Acrylic, Graphite
$1,440 Sale Price
20% Off
"Sonata in Three Colors" - Contemporary Multimedia Abstract Painting
Located in New Orleans, LA
Artist's statement:
"Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...
Category
2010s Abstract Graphite Paintings
Materials
Charcoal, Pastel, Oil, Spray Paint, Acrylic, Graphite
$1,200 Sale Price
20% Off
Saltwater
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Wax, Oil, Graphite
SUM OF DESTRUCTIONS
Located in Vancouver, CA
Bryan Ryley: Rigorous Inquiry at the Intersection of Material and Structure
Bryan Ryley, a significant figure in contemporary Canadian abstraction, operates from his studio in Verno...
Category
Early 2000s Abstract Graphite Paintings
Materials
Acrylic, Panel, Graphite
$22,125 Sale Price
25% Off
Summer Sorbet (Abstract painting)
Located in London, GB
Summer Sorbet (Abstract painting)
Acrylic, oil pastel and graphite on canvas — Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant tube...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Acrylic, Graphite
Balancing Act 1 (Abstract painting)
By Tracey Adams
Located in London, GB
Balancing Act 1 (Abstract painting)
Gouache, graphite and ink on Rives paper - Unframed
This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...
Category
2010s Abstract Graphite Paintings
Materials
Paper, India Ink, Gouache, Graphite
Summer Wave 1, abstract painting on canvas, textured with bright colors
blues
By Liz Barber
Located in Dallas, TX
“Summer Wave 1” - Oil, Acrylic, and Ink on Canvas, 48 x 48 inches
Comes with a champagne color floater frame.
“Summer Wave 1” radiates with a lush vibrancy, where waves of layered s...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$6,400 Sale Price
20% Off
Balance
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Wax, Oil, Graphite
Rose Vine, large abstract painting on canvas, textured with bright colors
By Liz Barber
Located in Dallas, TX
“Rose Vine” - Oil, Acrylic, and Ink on Canvas, 36 x 72 inches
“Rose Vine” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with translucen...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$7,040 Sale Price
20% Off
My black greyhound (Abstract painting)
Located in London, GB
My black greyhound (Abstract painting)
Acrylic, oil pastel and charcoal on canvas
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant tube.
This...
Category
2010s Abstract Graphite Paintings
Materials
Charcoal, Oil Pastel, Acrylic, Graphite
Mod Abstract Expressionist Modernist Oil Painting Dog Drawing Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 )
7.5 X 5.75
Oil paint on wood panel
This is not signed on front. It bears his name verso.
Provenance: Hudson, N.Y. estate of noted Art Collector Albert...
Category
1960s Abstract Expressionist Graphite Paintings
Materials
Oil, Wood Panel, Graphite
Utterance (Abstract painting)
By Xanda McCagg
Located in London, GB
Utterance (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Waterlilies 3 (Abstract painting)
Located in London, GB
Waterlilies 3 (Abstract painting)
Acrylic, oil bar, oil pastel and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resi...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Oil, Acrylic, Graphite
Rosetta #11 (Abstract Contemporary Painting, Framed)
Located in New Orleans, LA
Comes framed and ready to hang.
Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by revisiting a series I did a few ...
Category
2010s Abstract Graphite Paintings
Materials
Charcoal, Spray Paint, Acrylic, Watercolor, Graphite
$780 Sale Price
20% Off
Prospectus 1 (Abstract Drawing)
Located in London, GB
Prospectus 1 (Abstract Drawing)
Graphite on paper, Unframed.
Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphit...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Paper, Graphite
Floral encounters, suddenly (Abstract painting)
Located in London, GB
Floral encounters, suddenly (Abstract painting)
Acrylics, oil, spray paint on unprimed canvas - Unframed
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a den...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Spray Paint, Graphite
Floral encounters, suddenly (Abstract painting)
Located in London, GB
Floral encounters, suddenly (Abstract painting)
Acrylics, oil, spray paint on unprimed canvas - Unframed
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a den...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Spray Paint, Graphite
Approach (Abstract painting)
By Xanda McCagg
Located in London, GB
Approach (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying ...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Floral encounters, suddenly (Abstract painting)
Located in London, GB
Floral encounters, suddenly (Abstract painting)
Acrylics, oil, spray paint on unprimed canvas - Unframed
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a den...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Spray Paint, Graphite
Estuary 1 (Abstract Drawings)
Located in London, GB
Estuary 1 (Abstract Drawings)
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The inte...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Linen, Acrylic, Graphite
Estuary 1
Located in London, GB
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The intersecting multi-layered forms cr...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Linen, Acrylic, Graphite
Approach (Abstract painting)
By Xanda McCagg
Located in London, GB
Approach (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying ...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Threshold (Abstract painting)
By Xanda McCagg
Located in London, GB
Threshold (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Rosetta #7 (Abstract Contemporary Painting, Framed)
Located in New Orleans, LA
Comes framed and ready to hang in professional wood black floater frame.
Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loos...
Category
2010s Abstract Graphite Paintings
Materials
Charcoal, Spray Paint, Acrylic, Watercolor, Graphite
$960 Sale Price
20% Off
Rosetta #3 - (Contest Finalist - Abstract Contemporary Painting, Framed)
Located in New Orleans, LA
Comes framed and ready to hang in professional wood black floater frame.
This painting was a Finalist in the Grey Cube Gallery's City Art International Art Exhibition:
"Out of all ...
Category
2010s Abstract Graphite Paintings
Materials
Charcoal, Acrylic, Graphite, Watercolor, Spray Paint
"Cronus Dining" David Hare, Yellow
White Mythological Surrealist Composition
By David Hare
Located in New York, NY
David Hare
Cronus Dining, 1968
Graphite, acrylic, paper collage on board
44 x 34 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1960s Abstract Graphite Paintings
Materials
Paper, Acrylic, Graphite
Graphite paintings for sale on 1stDibs.
Find a wide variety of authentic Graphite paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, pink, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, Adrienn Krahl, Holly Miller, and Alison Haley Paul. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite paintings, so small editions measuring 0.1 inches across are also available
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