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Style: Abstract
Medium: Graphite
Completing, Abstract, Oil, Graphite, Wood Panel, Blue, Black, Green
By Rose Umerlik
Located in Riverdale, NY
Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...
Category
2010s Abstract Graphite Paintings
Materials
Oil, Wood Panel, Graphite
Un pedazo de cielo. Painting From the series Plato’s Heaven F
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Graphite
Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry Mandell
Located in Surfside, FL
Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...
Category
1980s Abstract Expressionist Graphite Paintings
Materials
Oil, Graphite
Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Graphite Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Graphite Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Cubo suave. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Graphite
Bola Liquida. Abstract painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Graphite
Cielo de Platón 4. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Graphite
Cielo de Platón 1. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Graphite
Estuary 1 (Abstract Drawing)
Located in London, GB
Estuary 1 (Abstract Drawing)
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The inter...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Linen, Acrylic, Graphite
Approaching Calm, Original painting, Abstract art, Mixed media, Colourful
By Jon Rowland
Located in Deddington, GB
This is a gestural painting that reflects an emotional response to world conditions. Sitting in a bothy thinking about things not usually considered, I found myself in the zone of ab...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Pastel, Ink, Mixed Media, Acrylic, Graphite
Waterlilies 3 (Abstract painting)
Located in London, GB
Waterlilies 3 (Abstract painting)
Acrylic, oil bar, oil pastel and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resi...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Oil, Acrylic, Graphite
Green Bricks, abstract geometric painting, grid
Located in New York, NY
Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
$920 Sale Price
20% Off
Estuary 1
Located in London, GB
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The intersecting multi-layered forms cr...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Linen, Acrylic, Graphite
Balancing act 2 (Abstract Painting)
By Tracey Adams
Located in London, GB
Balancing act 2 (Abstract Painting)
Gouache, graphite and ink on Rives paper. Unframed.
Balancing Act 2 is part of a series of works on paper started in 2016.
They are created in the evenings and aptly named after busy days of teaching and other responsibilities.
The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing.
This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution.
Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California.
Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Paper, Ink, Gouache, Graphite
Mixed Squares, abstract geometric painting, grid
Located in New York, NY
Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
View from a Great Height, abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Disintegrating (with a Measure of Grace), abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Bright Blooms 4, abstract painting on canvas, textured with bright colors, pinks
By Liz Barber
Located in Dallas, TX
“Bright Blooms 4” - Oil, Acrylic, and Ink on Canvas, 36 x 48 inches
“Bright Blooms 4” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly wit...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$5,280 Sale Price
20% Off
FLD 26/2808 (Abstract painting)
Located in London, GB
Graphite on Arches Ingres paper - Unframed.
Image's size: 55 x 55 cm/21.6 x 21.6"
The simplest reading of Henderson’s work is that he is a painter with the sensibility of a sculpto...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Graphite
Generous, Abstract, Oil, Graphite, Wood Panel, Yellow, Black, White
By Rose Umerlik
Located in Riverdale, NY
Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...
Category
2010s Abstract Graphite Paintings
Materials
Oil, Wood Panel, Graphite
"Cronus View from the Cave" David Hare, Abstract Surrealist Composition
By David Hare
Located in New York, NY
David Hare
Cronus View from the Cave, 1971
Graphite, Ink wash, Paper Collage on Paper on Board
25 x 33 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1970s Abstract Graphite Paintings
Materials
Paper, Ink, Graphite
Balancing Act 3 (Abstract Painting)
By Tracey Adams
Located in London, GB
Balancing Act 3 (Abstract Painting)
Gouache, graphite and ink on Rives paper. Unframed.
Balancing Act 3 is part of a series of works on paper started in 2016.
They are created in the evenings and aptly named after busy days of teaching and other responsibilities.
The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing.
This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution.
Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California.
Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Paper, Ink, Gouache, Graphite
Rick Lewis, False Bar, Painting 2021
By Rick Lewis
Located in Stamford, CT
False Bar
Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas
38" x 50"
I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment, Canvas, Laid Paper
Rick Lewis, Untitled (Blue), Painting 2025
By Rick Lewis
Located in Stamford, CT
Untitled (Blue)
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 30"
I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Spray Paint, Graphite, Pigment
Azalea Light, large abstract painting on canvas, textured with bright colors
By Liz Barber
Located in Dallas, TX
“Azalea Light” - Oil, Acrylic, and Ink on Canvas, 36 x 72 inches
“Azalea Light” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with tran...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$7,040 Sale Price
20% Off
Collaborate, Abstract, Oil, Graphite, Wood Panel, Red, Orange, Blue, White
By Rose Umerlik
Located in Riverdale, NY
Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48.
Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves.
In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...
Category
2010s Abstract Graphite Paintings
Materials
Oil, Wood Panel, Graphite
Rick Lewis, Mirror to the Sun III, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun III
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primaril...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Spray Paint, Graphite, Pigment
Rick Lewis, Camael, Painting 1997
By Rick Lewis
Located in Stamford, CT
Camael
Oil, graphite, sand, dry pigment on paper, laid canvas
47" x 35"
I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite, Pigment
Rick Lewis, Mirror to the Sun V, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun V
Oil, graphite, litho ink, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment
Rick Lewis, False Bar II, Painting 2021
By Rick Lewis
Located in Stamford, CT
False Bar II
Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas
38" x 50"
I am a visual artist whose work investigates small and large -scale abstraction primarily i...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Paper, Ink, Oil, Laid Paper, Graphite, Pigment
Woodpecker Conversation
Located in Dallas, TX
gouache & graphite on mylar
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Mylar, Gouache, Graphite
Abstract Painting "Alone in the Dim Baggage Room (shipment of newt fate)"
By Mark Masyga
Located in New York, NY
40"x50" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. Masyga employs drawing tech...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Gala Of Dandelions (Abstract painting)
Located in London, GB
Gala Of Dandelions (Abstract painting)
Acrylic, oil pastel and graphite on canvas — Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Acrylic, Graphite, Oil Pastel
"Garage in Provincetown" Joseph Solman, Urban Landscape by Expressionist Artist
Located in New York, NY
Joseph Solman
Garage in Provincetown
Signed with initials lower right
Graphite on paper
8 7/8 x 11 7/8 inches
Joseph Solman was born in 1909 in Vitebsk, in what is now Belarus, the...
Category
20th Century Abstract Expressionist Graphite Paintings
Materials
Paper, Graphite
Two Stories (Abstract painting)
Located in London, GB
Two Stories (Abstract painting)
Acrylic, charcoal and graphite on canvas — Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant tube.
Th...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Acrylic, Graphite
Mod Abstract Expressionist Modernist Oil Painting Dog Drawing Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 )
7.5 X 5.75
Oil paint on wood panel
This is not signed on front. It bears his name verso.
Provenance: Hudson, N.Y. estate of noted Art Collector Albert...
Category
1960s Abstract Expressionist Graphite Paintings
Materials
Oil, Wood Panel, Graphite
Dawn (Abstract painting)
By Xanda McCagg
Located in London, GB
Dawn (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying aest...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Interior (Abstract painting)
By Xanda McCagg
Located in London, GB
Interior (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying ...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Multiverse #22 - Abstract Contemporary Painting, Framed
Located in New Orleans, LA
Comes framed and ready to hang in black floater frame.
(Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...
Category
2010s Abstract Graphite Paintings
Materials
Lacquer, Charcoal, Wax, Oil, Acrylic, Graphite
$1,125 Sale Price
25% Off
Often I Wander, Five Vessels
Located in Dallas, TX
David A. Dreyer was born in Dallas, and earned his BFA and MFA at Southern Methodist University. He has had solo exhibitions at The McKinney Avenue Contemporary in Dallas and The Gra...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Oil, Graphite
Utterance (Abstract painting)
By Xanda McCagg
Located in London, GB
Utterance (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Approach (Abstract painting)
By Xanda McCagg
Located in London, GB
Approach (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying ...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Floral encounters, suddenly (Abstract painting)
Located in London, GB
Floral encounters, suddenly (Abstract painting)
Acrylics, oil, spray paint on unprimed canvas - Unframed
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a den...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Spray Paint, Graphite
Watercolor Leftovers
By Kory Twaddle
Located in Kansas City, MO
Kory Twaddle
"Watercolor Leftovers"
Watercolor on paper
Year: 2015
Size: 10 x 12 inches
COA provided
"I hope to use all the materials in my studio and waste nothing, so emptying out...
Category
2010s Abstract Graphite Paintings
Materials
Paint, Paper, Acrylic, Tempera, Watercolor, Graphite
My black greyhound (Abstract painting)
Located in London, GB
My black greyhound (Abstract painting)
Acrylic, oil pastel and charcoal on canvas
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant tube.
This...
Category
2010s Abstract Graphite Paintings
Materials
Charcoal, Oil Pastel, Acrylic, Graphite
Time travel (Abstract painting)
Located in London, GB
Time travel (Abstract painting)
Acrylic, oil bar and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled i...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Acrylic, Graphite
"Tradescantia Zebrina I" 2023
By Luke Jackson
Located in New York, NY
Luke Jackson "Tradescantia Zebrina I" 2023
51” x 51” (framed) Graphite, Water, Eraser, on Paper
About the Artist:
Luke Jackson is a visual artist who has been based in Brooklyn, ...
Category
2010s Abstract Impressionist Graphite Paintings
Materials
Paper, Graphite
Untitled 13 (Abstract painting)
Located in London, GB
Untitled 13 (Abstract painting)
Graphite on paper - Unframed.
Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizing...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Graphite
Floral encounters, suddenly (Abstract painting)
Located in London, GB
Floral encounters, suddenly (Abstract painting)
Acrylics, oil, spray paint on unprimed canvas - Unframed
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a den...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Spray Paint, Graphite
Harbor 9
By Liz Barber
Located in Napa, CA
Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...
Category
2010s Abstract Graphite Paintings
Materials
Ink, Acrylic, Gouache, Graphite
$6,900
Britney Penouilh "Probability Pattern" - Contemporary Abstract Painting
Located in New Orleans, LA
Collaged Scientific American articles, plaster, acrylic and graphite on handmade wooden panel.
Artist's Statement:
"Despite the advances we’ve made in technology, there’s something...
Category
2010s Abstract Graphite Paintings
Materials
Plaster, Acrylic, Graphite
Balancing Act 1 (Abstract painting)
By Tracey Adams
Located in London, GB
Balancing Act 1 (Abstract painting)
Gouache, graphite and ink on Rives paper - Unframed
This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...
Category
2010s Abstract Graphite Paintings
Materials
Paper, India Ink, Gouache, Graphite
Waterlilies 3 (Abstract painting)
Located in London, GB
Waterlilies 3 (Abstract painting)
Acrylic, oil bar, oil pastel and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resi...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Oil, Acrylic, Graphite
Shadow Blooms 3, large abstract painting on canvas, textured with bright colors
By Liz Barber
Located in Dallas, TX
"Shadow Blooms 3" is a brightly colored abstract painting with richly layered tones, inks and paint. It is sized at 48x60 inches, and can be in...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$8,400 Sale Price
20% Off
Untitled 12 (Abstract painting)
Located in London, GB
Untitled 12 (Abstract painting)
Graphite on paper - Unframed.
Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizing...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Graphite
Hundred Times (Abstract painting)
Located in London, GB
Hundred Times (Abstract painting)
Acrylic, oil bar, oil pastel and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant tube.
This method is especially safe for large works, and provides lower shipping costs as well.
Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival.
Adrienn Krahl...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Oil, Acrylic, Graphite
Prospectus 1 (Abstract Drawing)
Located in London, GB
Prospectus 1 (Abstract Drawing)
Graphite on paper, Unframed.
Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphit...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Paper, Graphite
Partly cloudy 39° (Abstract Painting)
By Holly Miller
Located in London, GB
Partly cloudy 39° (Abstract Painting)
Acrylic, graphite and thread on canvas - Unframed.
The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Thread, Acrylic, Graphite
Estuary 1 (Abstract Drawings)
Located in London, GB
Estuary 1 (Abstract Drawings)
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The inte...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Linen, Acrylic, Graphite
Graphite paintings for sale on 1stDibs.
Find a wide variety of authentic Graphite paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, pink, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, Adrienn Krahl, Holly Miller, and Alison Haley Paul. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite paintings, so small editions measuring 0.1 inches across are also available
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