Ink Paintings

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunit...

This drawing is one in a series of botanical line drawings depicting the seasonal flowers of English gardens and the countryside. ADDITIONAL INFORMATION: Colour Pencil on Paper Sold...

Bluebell Woods Large is a limited edition canvas print by artist Michael Sanders. These stunning prints are created using fine art archival quality inks and canvas with three layers ...

This painting and 'Release' are pure abstracts, demonstrating the effects of different attitudes. Passion Waves reflects anticipation, liveliness, and happiness. It's a very active p...

Jean BURKHALTER (1895-1982) The Painter, circa 1925 Brown wash, highlights of white gouache on board 48 × 32 cm Provenance : artist's workshop Born in Auxerre (Burgundy, France) i...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

We are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 deca...

SOPHIA MILLIGAN 'August Remembered' Original Artwork. Unframed _________________ The eucalyptus is swaying softly this morning, dancing with it's shad...

India ink on paper Handsigned by the artist in pencil LCD4792

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an ar...

SOPHIA MILLIGAN 'Pollen and Swallows' Original Artwork ________________________ Capturing the essence of the thick heat of a June afternoon, when the ...

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

Adele Riley is a British contemporary land and seascape artist working primarily in acrylic and acrylic inks. Her artistic process usually begins with a loose idea of what she wants ...

Title: "Mid Century French Original Ink Drawing of a Rural Landscape with Hay Wagon" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 19.75 (height) x 25...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Mirror to the Sun III Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primaril...

This is a framed sumi ink, acrylic, and mixed media painting on paper in gray, black, and white. It is a highly textured work on heavy, handmade khadi paper from India, hand torn for...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Frida Willis (Swedish, born 1971) "Unfinished" 2024 Oil Pastel, Paper The artist signed the bottom right of the painting. In "Unfinished", Frida Willis uses sharp, deliberate lines ...

The artist loves to capture the shape of trees during the winter days. The river Windrush flows through many of the North Cotswold villages. the drawing is made in black ink with the...

In his early years Colin Kent studied and worked as an architect. He was elected a member of the Royal Institute of Painters in Watercolours in 1971 and then became a full time paint...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Irene Rice Pereira Composition with Figure, 1951 Inscribed, signed and dated Salford/Pereira 2/51 (lr); inscribed I Rice Pereira/2669 Great Clowes St/Sa...

Oil and printing ink on canvas Peny Manavi is a Greek artist born in 1968 who lives & works in Athens, Greece. She has a degree in Physics from the University of Athens in 1992 & M....

This is a gestural painting that reflects an emotional response to world conditions. Sitting in a bothy thinking about things not usually considered, I found myself in the zone of ab...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Ram Kumar - Untitled Pen & Ink on Paper, 8 x 11.5 inches, 1961 (Unframed) Will be sent in a frame Born in 1924 in Simla, Ram Kumar was among India’s leading modernists. In the ear...

Sunil Das - Making Love Series I - 9 x 7 inches (unframed size) Pen and Ink on Paper Pasted on Board Shipment without frame . Sunil Das (1939-2015) was a Master Modern Indian Artist...

This pink and black abstract painting titled "Malignant" is an original artwork by Christine Larsen made of gouache & ink on wood. This piece measures 12"h x 12"w. Originating from ...

Autumns Colours [2021] Original Landscape Acrylic and acrylic inks on boxed canvas. Image size: H:50 cm x W:60 cm Framed Size: H:55 cm x W:65 cm x D:5cm Sold Framed Please note that ...

Near Saint Georges is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 100 ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Milton Figen 'SLR', Mid-Century Modernist Figurative Acrylic on Paper, SIGNED.

2306C – Myron Discobolus [2023] original ink on paper Image size: H:41.5 cm x W:29.5 cm Complete Size of Unframed Work: H:41.5 cm x W:29.5 cm x D:0.1cm Sold Unframed Please note...

Stage - Opera view. 1935-37s, paper, ink, watercolor, 35,3x24 cm Women in evening dresses on the stage, mixed media on paper Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jur...

0118.15 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May...

Ancestral sound #40 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions a...

Dialogue with Nature #17 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on canvas, dime...

"Tokolosh" is part of a series of circular abstracts that Jennifer Blalack worked on in 2020. This piece, in particular depicting Zulu mythology. In Zulu mythology, the Tokolosh is ...

Tango (Abstract painting) Ink and acrylic on Wasli paper - Unframed. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic...

Near Charlemagne is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 100 × ...

Where to...? is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil, ink and antique textile on cotton ...

Near Volta is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 100 × 30 cm ...

"How Would You Like To Have," is a text based mixed media contemporary abstraction by artist Vivian Liddell. This piece is very gestural with the application of the mediums cohesivel...

Frontal wave is a unique Silver ink on Canson paper painting by contemporary artist Franco Salas Borquez, dimensions are 70 × 50 cm (27.6 × 19.7 in). Dimensions of the framed artwork...

Nocturnal Melody 6 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, acrylic, etching on cardboard mounted ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

"Figures at Dawn " is an abstract expressionist painting by Romina Milano where a dance of black vigorous gestures unfolds over an abstract sky backgroun...

JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fa...

Acrylics & Ink on Canvas Albrecht Behmel is a German artist born in 1971 who lives and works in Freudenstadt, Germany. Albrecht is a best-selling writer and winner of the German Nat...

Size includes Mat. Without its 8" X 4". Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962, Pratt Institute (MFA), and New York University (Ph. D, Art History). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first Korean artist to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. He belongs to the generation of Korean Abstract artists that include Kim Whan-Ki, Park Se-Bo, Lee Ufan, Chung Sang-Hwa, Yun Hyong-Keun and Ha Chong-Hyun. He was also a student of the T'ai Chi grandmaster Cheng Man-ch'ing in New York City. Ahn's work is greatly influenced by nature, specifically the cycles of nature as in Zen and other Eastern philosophies. Ascribing to the Eastern belief that nature is central to everything that exists, Ahn paints natural forms and environments, which he abstracts into brushstrokes, drips, and splatters. Titles of his paintings reference trees, wind, and water, and include Broken Branch in the Rain, Old Zen Tree, and Wind, Rain, & Ocean. His swirls and drips portray the rapid, random, and untamed effects of natural forces. Another influence or concept in Ahn's work is the dragon, a good and powerful figure from Korean and Chinese mythology, whose movements and forms Ahn suggests in whimsical ribbon-like marks and trails of paint. In Korean folk tales, dragons show goodwill to humans by sending clouds and rain, and they tend to live in lakes, rivers, and oceans. Paying tribute to this Folkloric legacy, Ahn's paintings bear titles such as Brown Dragon and Yellow Dragon, as well as titles using names of underwater creatures and habitats, like Phantasy in the Deep Sea. Ahn's ink and acrylic paintings on canvas are reminiscent of Chinese Zen Calligraphy and paintings, with their quick brushstrokes and elegant compositions. Composed of swipes and spatters that course across the pictorial field, these works blend Eastern brush painting with Abstract Expressionist "action painting." Ahn has had numerous solo and group exhibitions in the U.S. and abroad, including the solo shows Dragons & Oceans at Ewha Gallery, Seoul, South Korea in 2007, and Zen & Void at Walter Wickiser Gallery, New York, NY in 2004. His work is in private and public collections, including The Museum of Modern Art, New York, the Dayton Art Museum, Ohio, and the Evansville Museum, Indiana. Awards and honors include First Prize (in painting) from the Dayton Art Museum Ohio Regional Art Annual in 1963, the Pratt Graduate Fellowship in 1963, First Prize (in etching) from East Coast Printmaker's Annual in 1964, and the McDowell Artist Fellowship in 1964. Selected solo exhibitions 2014 Don Ahn: Spirit, BBCN Bank, New York, NY 2014 Don Ahn (1937-2013), Walter Wickiser Gallery, New York, NY 2012 Paintings From 1968 Through 2005, Walter Wickiser Gallery, New York, NY 2007 Dragons & Oceans, Ewha Gallery, Seoul, South Korea 2004 Zen & Vold, Walter Wickiser Gallery, New York, NY 1975 Lotus Gallery, New York, NY 1972 Green Mountain Gallery, New York, NY 1972 Westbeth Gallery, New York, NY 1971 Westbeth Gallery, New York, NY 1971 Dalhousie Gallery, Nova Scotia, Canada 1969 Downey Museum, Los Angeles, CA 1965 Evansville Museum, Evansville, IN 1963 Dayton Art Museum, Dayton, OH 1952 Kilbride Bradley Gallery, Minneapolis, MN 1950 Korean Do-Su-Kwan Gallery, Seoul, South Korea Selected group exhibitions 2013 Coloring Time, Korean Cultural Service, New York, NY 2013 Friends, Walter Wickiser Gallery, New York, NY 2011 Friends, Walter Wickiser Gallery, New York, NY 2011 Art Toronto, Toronto, Canada 2011 Art Chicago, Chicago, IL 2010 Art Toronto, Toronto, Canada 2002 Eastern Essence, Gary Snyder Gallery, New York, NY 2001 Abstract Expressionism, Gary Snyder Gallery, New York, NY 1999 Pleiades Gallery, Seoul University Alumni show, New York, NY 1999 Korean New York Art Society Show, Jersey City, NJ 1999 Fukuoka Asian Art Museum Fukuoka, Japan 1999 Artist of the Third Millennium, Walter Wickiser Gallery, New York, NY 1998 Kaohsiung Museum Of Fine Arts, Taipei, Taiwan 1997 Chicago Institute Of Art, Chicago, IL 1997 Zimmerli Museum, Rutgers University 1997 Asian Tradition & Modern Expression: 1945 - 1970, Zimmerli Museum, Rutgers University 1976 Lotus Gallery, New York 1972 Westbeth Gallery, New York, NY 1971 US National Print Biennial, Museum Of Modern Art, Tokyo, Japan 1969 Cooper Union, faculty show, New York, NY 1968 6th Invitational International Print Biennial, Museum Of Modern Art, Tokyo, Japan 1967 International Print Biennial, Grenchen, Switzerland 1967 Audubon, National Annual, New York, NY 1966 Society of American Graphic Artists, National Annual, New York, NY 1966 Ball State College, National, Drawing and Sculpture, Muncie, IN 1966 Traveling U.S. Print Show, Pratt Graphic Arts Center, New York, NY 1965 Traveling U.S. Print Show, Pratt Graphic Arts Center, New York, NY 1964 New York, Institute of Technology, faculty show New York, NY 1964 Evansville Museum, Indiana 1964 East Coast Printmakers, Village Art Center, New York, NY 1963 Ohio Regional Art Show, Dayton Art Institute, OH 1963 Drawing and Prints from the collection of J.Johnson, Cincinnati Museum of Art, OH 1962 Seattle...

Le Bois (Abstract Painting) Ink on paper - Unframed. This artwork is a polyptych made of 9 elements. Each element's dimensions are 50 x 65 cm/19.6 x 25.5 inches. Martín Reyna is a...

Nazanin Moghbeli is a Persian American artist with training in Persian calligraphy, miniature painting, and music. She borrows techniques from Iranian calligraphy to create abstract ...

TN666-D is a unique diptych painting by Japanese contemporary artist Hachiro Kanno. The painting is made with ink and acrylic on canvas, dimensions are 100 × 130 cm (39.4 × 51.2 in)....

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually e...