Linen Paintings

Original oil painting on linen by artist Frank Ordaz. Framed.

A contemporary geometric abstract painting in oil on linen mounted on panel, sky blue background complements geometric shapes in shades of dark indigo and navy blue, green, yellow an...

George Washington's dentures, painted from historical references. They were made from animal and human teeth. William Blake lives and works outside Chicago, IL. As a participant in ...

A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

“Much like the human body, trees carry marks of time—scars, textures, and changes that reveal their history. For me, the older a tree is, the more interesting it becomes. Its bark is...

Denied Warhol painting of a Hamburger Silkscreen Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with artist's Denied stamp of the Andy Warhol Art Authentication...

“Much like the human body, trees carry marks of time—scars, textures, and changes that reveal their history. For me, the older a tree is, the more interesting it becomes. Its bark is...

Denied Warhol Flowers, (Red) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 24 x 24" inches...

Nathan Brad Hall's work comes together in this show to build an undeniably jaw dropping experience for viewers. “Undercurrents,” says Hall, “is about ...

'Sea Foam 2', 2022 is 47.25 x 35.5 inches, oil on linen painted by French-American artist Frédéric Choisel who explores the poetic intersection between nature and abstraction, drawin...

J Louis is both an heir and a heretic; carrying on a rich artistic tradition while subtly challenging its conventions. Evoking the lush atmospherics of Impress...

Rose Freymuth-Frazier Cave Dreams oil on linen 22h x 50w in 55.88h x 127w cm RFF062 Employing the techniques of the past in the service of contemporary exploration, I seek to add a ...

This contemporary painting "In the moment " featuring a woman lying on the beach makes part of my series dedicated to "Women". This art piece is all about a committed life of engag...

Perididas III- Water Reflections Turquoise and Gold Tones 70.5 X 51 ". Oil on Linen The reflection of water is inspired by the rivers in southern Chile. The detail shots show the lay...

Makinti Napanangka walked in to Haasts Bluff ration depot during the 1940’s with her young son when in her early 20’s and by the time she had moved to the new settlement of Papunya h...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

MORENO PINCAS Bulgaria, b. 1936 Moreno Pincas emigrated to Israel in 1949. He studied at the Avni Art Institute in Tel Aviv from 1958 to 1960 and in 1960 obtained the First Prize of the Biennial of Young Painters at the Museum of Modern Art in Haifa. Fellow of the America Israel Cultural Foundation, he moved to Paris and formed at the Ecole Nationale Superieure des Beaux-Arts in Paris . Moreno Pincas is a member of the Committee Salon de Mai . Art at the Histadrut Beit HaVa'ad Hapoel, Tel Aviv 1989 Artists: Abramovich, Pinchas Uri, Aviva Eisenscher, Jakob Rita, Alima Aroch, Arie Bogen, Alexander Baser, Robert Bergner, Yosl Gutman, Nachum Gliksberg, Haim Giladi, Aharon Garbuz, Yair Gershuni, Moshe Gat, Eliyahu Halevi, Joseph Sisselman, Mina Janco, Marcel Cohen Gan, Pinchas Litvinovsky, Pinchas Lifshitz, Ephraim Mokady, Moshe Naton, Abraham Stematsky, Avigdor Sima, Miron Simon, Yohanan Ovadyahu, Shmuel Ozeri, Yigal Okashi, Avshalom Paldi, Israel Pincas, Moreno Frenkel, Itzhak Zabar, Simon Kossonogi, Joseph Kupferman, Moshe Krize, Yehiel Rubin, Reuven Reeb, David Reisman...

The cloud building energy of an oncoming storm depicted in swirling brushstrokes. Oil on museum grade one quarter inch linen panel. Signed by the artist. Includes an official certifi...

“Much like the human body, trees carry marks of time—scars, textures, and changes that reveal their history. For me, the older a tree is, the more interesting it becomes. Its bark is...

Suzanne Chamlin’s paintings are records of her observations and imagination. Painting on site Chamlin explores her expressions of light and color. Suzanne’s process centers on exper...

Acrylic, spraypaint, oilbar, oil on linen Krieger began making her “Day Dreams” paintings in the spring of 2023 in Cedarmere Estate in Roslyn Harbor, NY, close to the artist’s home....

Acrylic, spraypaint, oilbar, oil on linen During the days of painting en plein air, Krieger describes how she began to dream about painting while sleeping, and thus turned those night visions into this series of night time paintings. In these, we see the landscape transformed into a dream-like setting. These surrealist imaginings of the natural world place Krieger’s paintings within a cohort of contemporary women painters reimagining the tradition of the landscape genre, such as Shara Hughes...

A combination of a Cape Cod marsh and imaginary storm clouds. The foreground grasses are slightly impasto brushstrokes, as are some of the wind tossed 'debris' in the air. Original o...

Acrylic and oil on linen Krieger began making her “Day Dreams” paintings in the spring of 2023 in Cedarmere Estate in Roslyn Harbor, NY, close to the artist’s home. Throughout the s...

Horse Candy by Alyson Kinkade 50x44" oil on linen, gallery wrapped, includes black frame - adds 1/4" *due to scale, custom packing and extra lead time is factored into shipping for t...

Acrylic, spraypaint, oilbar, oil on linen During the days of painting en plein air, Krieger describes how she began to dream about painting while sleeping, and thus turned those night visions into this series of night time paintings. In these, we see the landscape transformed into a dream-like setting. These surrealist imaginings of the natural world place Krieger’s paintings within a cohort of contemporary women painters reimagining the tradition of the landscape genre, such as Shara Hughes...

Hand pulled acrylic, enamel screen print of 18th century Dutch painting on linen. About the artist: Born in 1959 in Northern England, Russell Young began his artistic career st...

Suzanne Chamlin’s paintings are records of her observations and imagination. Painting on site Chamlin explores her expressions of light and color. Suzanne’s process centers on exper...

"Solar Plexus" by Denver artist and professor Melissa Furness showcases the artist's signature layering techniques. This particular work is from the 2022 series "Romantic Overgrowth....

Oil on linen Soonnam Kim is a Korean artist born in 1969. Kim studied painting at Changwon National University (BFA) in Korea and New Jersey City Universi...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

In this colorful, imaginary landscape, diminutive saffron finches fly through the yellow leaves and graceful branches of a tropical Bacarubu tree. The light of the evening sun reflec...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Robin Hextrum's (US based) "Pyramid of Irises" is an oil painting that depicts purple flowers in tall grass on a black background.. This piece measures 22.50 x 22.50 inches in its fr...

Depicting a quiet moment, "Clouds Swirling Over the Great Marsh" is an atmospheric, contemporary landscape painting inspired by visits to the Great Marsh of Cape Cod, Massachusetts. ...

Andrew S. Conklin Lily in Blue Tights on Pluff Chair oil on linen 24h x 18w in 60.96h x 45.72w cm ACK012 Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. ...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Artwork framed with acrylic on linen Christiane Hess alias Chrystal is a French abstract artist born in 1951 who lives and works in Lalinde, near Bergerac in France. Her conversion...

“Much like the human body, trees carry marks of time—scars, textures, and changes that reveal their history. For me, the older a tree is, the more interesting it becomes. Its bark is...

“Calm Reflections” is a landscape painting depicting a tranquil marsh scene. The overall tone is calming and natural, with careful attention to light reflecting off the water. Surrou...

A world of emotion, a floating dream in the shadow of a blue sky. Sold as a Diptych. Acrylic paint, collage, linocut, handmade paper on linen canvas.

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

A large, unique oil painting on Belgian linen canvas, stretched on a timber support frame. Ready to hang. Framing on request.

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. She said that her paintings echo the work of John Marin and Milton Avery. Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension." Joellyn Duesberry was born on June 30, 1944 in Richmond, Virginia. Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to recreate the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint." She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe. Soon thereafter she decided that "Women artists existed and she needed to be among them." She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966. In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks." She took her master's degree at New York University Institute of Fine Arts. Despite her degrees, she is considered to be a self-taught artist. Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finished] them in the studio, frequently making monotypes in between." She moved to Denver in 1985, and embraced the Colorado landscape in her art. In that year she received an Individual Painting Grant from the National Endowment for the Arts to work with Richard Diebenkorn. In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design. While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower. She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Ripple Effect oil on linen over panel 16 x 20 inches $2200.00.00 Sudden precipitation sends cascading ripples of water over the windshield distorting th...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Acrylic, graphite, transfer on linen

"Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representations of actual landscape as much as they are surrogates for the artist’s e...

Acrylic, transfer, oil, spray paint on linen

"Drift no.4" by Alyson Kinkade Abstract Landscape, dreamy clouds over colorful plains Oil on Canvas 15x15" image 15.5x15.5" framed in black wood as pictured "There are parts of the ...

"Elephant" Textile Painting 28" x 22" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and gen...

While Rachelle Krieger hints at elements of landscape across her canvases spherical shapes for rocks and boulders, dynamic lines climbing up and across the canvas for trees—she is re...

William Blake’s oil painting asks us to perceive the powerful layers of history that shape both art and memory. In Blake’s painting is a man, but what Blake painted is an idea. Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. Artist, William Blake channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake Salud Johnny, 2023 oil on linen 76h x 36w in 193.04h x 91.44w cm WIL049 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

Siena Spring Study No.1 by Alyson Kinkade Painting of Siena, Italy from a photo I took. Oil on Linen 22x18" image 32x28" framed - hand built stained wood with gold leaf ABOUT THE ...

Stone’s luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three di...