Marble Paintings

The layout of this work was imposed upon the artist during one night, likely in resonance with what remains after the passage of fanaticism and barbarism. Through this composition, ...

"Cherished freedom" abstract acrylic poudre de marbre 100x82cm 2022 the joy and lightness of yellow is for me the freedom to breathe and think, which is always threatened I wanted...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

In this piece, the artist cultivates a tonic allure to accentuate elegance. Every stroke is a dance, seeking equilibrium between strength and grace. It unfolds as a nuanced explorat...

"Cherished freedom" abstract acrylic poudre de marbre 100x82cm 2022 the joy and lightness of yellow is for me the freedom to breathe and think, which is always threatened I wanted...

In this intriguing piece titled "The Effectiveness of Red No. 2," the artist delves into the expressive nuances of abstraction. The 120x120cm canvas skillfully combines acrylic, mar...

"Balance 1" abstract acrylic paint on linen panel 120x120cm 2022 While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, g...

"Need for lightness" abstract acrylic paper collage marble powder sand on canvas linen beige ochre send in wood crate at cost stay positive in a heavy social environment fight again...

"Guarantee of freshness" abstract acrylic paint on linen panel 81x100cm 2022 In these days of pleasant but disturbing heat, I pay tribute to the foliage of trees on the banks of pe...

"Along the water" abstract acrylic marble powder on canvas linen black white send in wooden crate at cost the beneficial water, which opens to tranquility, to reverie… Emmanuelle vroelant...

abstract "Traces" acrylic oxidation marble powder linen canvas 100x120cm send in wood crate traces left by torn-away posters, traces of cultural and political expressions.

"Joyful effervescence" abstract acrylique collage marble powder garnets grains on wood panel 116x86cm send in wood crate at cost It is the energy linked to creation, the one that pu...

"Chinese mythology" abstract acrylic oxidation on linen canvas 100x80cm 2020 send in wood crate at cost travel memory, need to paint red red made me think of dragons, oxidized that we see in the multitude of temples of South-West Asia to temples I associate the deep reds of the pillars and frayed silks Emmanuelle vroelant...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Cala Pragonda Oil, bitumen, graphite, marble powder, burlap on canvas 66" X 56" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

"All that would happen to me in addition, well, it’s like rain on a pebble. It refreshes it and it’s already very beautiful. Another day, it will burn with sunshine. It always seemed...

Abstract acrylic marble oxidation linen canvas 81x60cm send in wood crate at cost Emmanuelle Vroelant has, at one point in her life, practiced art therapy, blue is the color of refoc...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

The Source Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

The Goat Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of...

“Having made fantasy 1, I found that he needed a companion with very sober forms that make us think of a presence charged with calm and benevolent authority. The two suit me perfectl...

“Refraction 2022–25” is a 30 x 24 inch mixed-media painting by contemporary artist Fenway Fan, composed of oil and marble dust on canvas. Created in a deep state of meditation, this ...

«The dialogues exchanged while greeting people at the market, in the street interest me a lot. We often talk about time and each interlocutor keeps his or her intimate story to himse...

« In these grey Breton winter times, I remember the screens and kimonos that fascinated me in Japan. Gold in its changing side according to the light always seems very warm to me. I...

Exploring shapes, materials and relief is a much more complex challenge than it seems. It is a demanding process that requires patience, technique and a deep understanding of materia...

"Balance 1" abstract acrylic paint on linen panel 120x120cm 2022 While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, g...

"Guarantee of freshness" abstract acrylic paint on linen panel 81x100cm 2022 In these days of pleasant but disturbing heat, I pay tribute to the foliage of trees on the banks of pe...

"Methaphysics of light" abstract acrylic paint on linen panel 100x100cm 2022 Listening to a quantum physicist talking about matter and light… This level of knowledge, this new loo...

"beneficial complementarity" abstract acrylic on linen panel 100x100cm I want to use vegetable fibres. I needed a large format to have freedom of action. I started with the flexibi...

"Homage to African craftsmanship" abstract acrylic collage 120x120cm 2022 everyday soulless plastic objects make me miss the traditional materials that I had so admired during my e...

"And the tenderness?" figuratif portrait acrylique on linen canvas 100x100cm in this age of digital communication and social networks, the lack of courtesy ...

abstract acrylic collage marble powder on canvas linen beige white grey send in wooden crate at cost Second confinement, the slaughter of a teacher: a sense of a world that is losing its bearings, saturated with narcissism and intolerance, like a return to a society that no longer knows how it will manage. emmanuelle vroelant...

abstract "Blue Clearing" acrylic linen canvas 80x80cm certificate wood crate During a walk in the forest, the shade of the trees suddenly appeared...

This 30 x 24 inch oil and marble dust painting by Fenway Fan is a radiant example of the artist’s intuitive, energy-based practice. Created in a deep meditative state, this original ...

"Refraction 2022-6" is a 30 x 24 inch mixed-media painting by Fenway Fan, incorporating oil paint and marble dust on canvas. This unique, meditative work was exhibited at Tokyo Tower...

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...