Oil Crayon Paintings

Untitled #535 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

This vibrant painting captures an abstracted seascape at sunset, rendered with bold, impasto brushstrokes and vivid, contrasting colors. The scene features two sailboats gliding acro...

Interior design paintings. The work was done with acrylic in beige, pink salmon and grey color on a paper. Each work is 24 by 18 inches in size, framed (gold). Mila Akopova is New Y...

The grand scale of Metamorphosis Duo has a magnified cellular quality - as though they are strands of DNA recombining and bringing forth new life. The primary colours used here reinf...

mixed media on canvas John Hogan A graduate of Northeast Louisiana State University with a Bachelors degree and New Mexico Highlands University with a Masters in Art Hogan studied with Edward Schutz and Elmer Schooley...

This painting is part of a series titled Sublime Memories. It is inspired by the commonly unseen aspects of nature that I notice when in such an environment. I look for those element...

In this piece, the use of negative space highlights each individual marks character, weight and texture. The painting explores various types of mark making and application inspired b...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

"Summer Pond I" by Karen Blair – Mixed Media Painting on Canvas Featuring Orange Fish (48 x 36 in) Lush, serene, and full of painterly charm, Summer Pond I by Karen Blair is a 48 x ...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

acrylic on canvas blue white yellow red orange can hang vertically or horizontally Thomas starts with several layers of acrylic, using processes of contrasting colors and surface te...

Untitled #SP-206 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Delight (Abstract Painting) Acrylic, spray paint, oil stick on canvas - Unframed Ludovic Dervillez is a French abstract painter. His work explores...

Untitled #SP-#209 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray ...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

"Sail Away" by Karen Blair – Mixed Media Abstract on Canvas Featuring Sailboat (43 x 43 in) Fresh, uplifting, and full of movement, Sail Away by Karen Blair is a 43 x 43 inch mixed ...

acrylic, paintstik on canvas Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates t...

La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...

Gabriel Mendoza Niña naranja con flores (Orange Girl with Flowers), 2025 Oil and paint stick on canvas 23.62 x 19.75 x 1 inches This one-of-a-kind painting on canvas is stretched ac...

Delight (Abstract Painting) Acrylic, spray paint, oil stick on canvas - Unframed Ludovic Dervillez is a French abstract painter. His work explores...

"Summer Pond II" by Karen Blair – Mixed Media Painting on Canvas Featuring Fish (48 x 36 in) Bursting with color and life, Summer Pond II by Karen Blair is a 48 x 36 inch mixed medi...

La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...

'Words Vs Action II' 2025 by Roohi Saleem. Oil and oil sticks on canvas, 66 x 44 in. This pastel painting is constructed as a dense compostition of abstract forms, featuring various ...

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

The Conviction of Things Not Seen #5 by Judith North [2022] original Oil, oil bar and chinagraph pencil on canvas Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:90 ...

medium: oil stick on Arches paper Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native a...

Monumental Ink & Oil Painting on Canvas by Katherine Filice "Eye of the Storm" is an colorfully atypical 93″ × 93″ (unstretched size) painting on canvas by Northern California base...

La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...

George Dannatt (1915-2009) Untitled 1992 Medium: Mixed media on paper Image: 14.9 x 10.9 cm Mount: 29.8 x 24.8 cm George Dannatt’s long career as a painter and sculptor ended w...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Untitled #SP-207 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Karen Blair lives in Charlottesville, Virginia where the surrounding mountains provide daily inspiration for her work. Her own garden and those of friends inspire the flowers and tre...

This original oil painting is noted for its bright and vivid analogous color palette and soft, yet distinctive geometric shapes that appear to dance within the frame. The artist, Wyn...

Street Art, graffiti, bright colors, Gestural Abstraction1365

On the Road #7 feels like landscapes remembered in motion rather than observed in place. Bands of color slide past the eye; like fields seen from a moving car, horizons blur and diss...

On the Road #5 feels like landscapes remembered in motion rather than observed in place. Bands of color slide past the eye; like fields seen from a moving car, horizons blur and diss...

On the Road #1 feels like landscapes remembered in motion rather than observed in place. Bands of color slide past the eye; like fields seen from a moving car, horizons blur and diss...

Anastasia Pelias was born in New Orleans, LA to a Greek immigrant mother and a first generation Greek-American father. She received her BFA from the Newcomb College of Tulane University in 1981, and her MFA from the University of New Orleans in 1996. Pelias has exhibited her work in solo and group exhibitions at galleries and museums nationwide, and has been featured in publications including Hyperallergic, New American Paintings, Artnet news, ArtDaily, Forbes, Pelican Bomb and New Orleans Art Review. Her work appears in the permanent collections at the New Orleans Museum of Art; the Ogden Museum of Southern Art, New Orleans; the Mobile Museum of Art, Alabama; Newcomb Art...

Sleeping beauty is part of my “Imagined places” series of works. Inspired by an amalgamation of memories and feelings from walks around my studio near the River Thames in Surrey and ...

This mixed media painting on canvas measures 36x54" framed size 38x56". Titled "Brando and G", it is in Ceravolo's classic urban Pop style. In this mixed media painting on canvas ...

Title (FR) : Glycine A delicate drawing depicting a cascading wisteria cluster, created with colored pencils and oil pastels. Soft layers of violet and pink tones bring depth and lum...

medium: oil stick and acrylic on aluminum Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her na...

Street Art, graffiti, bright colors, Gestural Abstraction

Untitled #SP-202 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

Jim Stella Triptych 2017 Mixed Media Oil, Acrylic, Oil Stick and Collage 48 x 72 in  24" x 48" in  each panel  Jim Stella was born in Detroit in 1954 and was attracted to art from an early age. He attended University of Detroit Jesuit high school where he was inspired by art teacher Jim Bridenstien. In 1973 he attended Pratt Institute, NY where he studied sculpture and anatomy. He later returned to Michigan to attend the University of Michigan on a medical illustration scholarship.Stella graduated with high honors. He continued his artistic education at the College for Creative Studies in Detroit, where he studied watercolor under the direction of Richard Jersey...

George Dannatt (1915-2009) Deflection of Light - Venice No 1 1995 Mixed crayons on paper Image: 26.4 x 19.6 cm Mount: 40.0 x 32.4 cm Reference no: 1233/1 George Dannatt’s lon...

Available at Madelyn Jordon Fine Art. 'Serenity In Hues' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 30 x 30 in. This pastel painting ...

Vibrant blue and red action painting 'Alpha' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Alpha' is 72 x 72 inches, and is created in two parts that hang side by side. Each individual panel is 72 x 36 inches. 'Alpha' is from a series of paintings that characterize sacred spaces such as Mexican chapels...

St. Giorgio e il Drago Oil Painting on Canvas Saint Georges and Dragon In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tus...

Available at Madelyn Jordon Fine Art. 'Stronger Together' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 40 x 40 in. This colorful painting is constructed as a dense compostiti...

Palms by Casey Haugh "So many of us all are constantly living in the past or busy planning the future, and that’s okay, but allow yourself to gaze upon this work and maybe reconnect...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

"Red Lipstick Curves" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes ...