Panel Paintings

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. If painting still respects a logic that legitimizes its practice and existence in our hyper-saturated civilization of the image, it is its ability to break the representation, to open a crack on the slippery LCD surface behind which reality takes shape and action, a crack that even if it was imperceptible, has permanent and incisive effects, destined as it is to open more and more. And it’s just around the idea of the crack that Giorgio Petracci...

This is a one of a kind original abstract oil painting on canvas by Southern California artist, Daniel Ketelhut. Its dimensions are 18" x 24" x 1". It is unframed. A certificate of a...

"Construct 05.12.25", oil on canvas - 36"H x 48"W - 2025

This is a one of a kind original abstract oil painting on panel by Southern California artist, Daniel Ketelhut. Its dimensions are 18" x 24" x 1". It is unframed. A certificate of au...

All the Sun on the Sea II is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patin...

Plaines & Mines, d’Ombre 2025.1 is a vibrant and intricate painting on wood created through the use of stencils, airbrushing, and pyrography. A hand-painted grid in vivid tones of el...

"Desert Bloom" is a striking modern geometric abstract painting, with an earth tone mid-century modern contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting Awards semi-finalist, was twice chosen as a visiting artist at the Torpedo Factory Art...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

Manchester Abstract Expressionist Art by Contemporary British Artist, Angela Wakefield - a rare early work. Entitled 'Jilly's, Manchester', this painting is from an intense body of s...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

This is an abstract acrylic on panel painting with bold, gestural brushwork reminiscent of the style of Gerhardt Richter. Predominant colors are blue, green, and white. It has all hanging hardware attached; no need for additional framing. Works particularly well in a pair or series. Will combine shipping for multiple purchases. Elyce Abrams...

"Natura Pura" is an abstract painting featuring the full rainbow of colors. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. “...

Anything You Lose Comes Round in a Different Form (Abstract painting) Collage, Encaustic, Charcoal and Ink on panel - Unframed. Adams works on panel and paper, using a mixture of p...

"Nacre, plea and entice 3" explores a singular and cohesive orchestration of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of ...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Artist: Donald Gerola, American XXth Title: Abstract Rose Year: circa 1990 Medium: Sand Fresco on Panel, signed verso Size: 36 x 47.5 in. (91.44 x 120.65 cm)

This creation is a symphony of organic forms, where minimalism meets nature's complexity. Crafted with acrylic, every stroke and shape is charged with emotion, capturing the beauty o...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

James Minden 51906 Holographic style painting- incised plastic and acrylic on wood panel 18 x 18 inches 2019 To get a sense of the holographic effect look at the video on that vime...

Fields in Waiting by Annie green [2021] original Mixed media on wood panel Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:3cm Frame Size: H:54 c...

In this abstract oil painting, Dintino chooses slightly unorthodox colors to go together, bright yellows, bright mints, royal blues, reds, purples, practically all of the colors. Th...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with white calli...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

In this abstract oil painting, Dintino uses muddy colors to evoke images of garbage, swamps, and junk yards. The dirty green melds into the orange and creates a muddy orange, which then melds into a black, almost as if the colors were being infected. The painting almost reeks with the colors Dintino decided to use, as each one has its own aroma and pungency. Dintino's work has to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion art...

In this abstract oil painting Dintino evokes images of childhood, and adulthood. In a very nostalgic way, Dintino uses the peaches and warm toned colors to help recall images of stu...

Dintino's abstract oil paintings have to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion...

Coastal Mist [2022] original and hand signed by the artist Oil Paint on Cradled Panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:25 cm x W:25 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Coastal Mist was painted from a recent visit to Anglesey where the mist was lying over the sea, I used this to create a sense of mystery and of otherness that you can sometimes feel when out in the landscape. The colours reflect the moody atmosphere of the weather on a typical Welsh day. This painting is unframed for use on its own or framed in a frame of your choice. Oils on cradled panel. Elaine Fox...

Abstract interior, with figures and bison. Oil on panel.

Petals on the Water by Jeff Slemons shows the beauty of nature with Koi and Waterlilies .There is the use of the palette knife which builds up a texture o...

Chelleneshin 50 (Abstract painting) Oil on panel — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mysti...

Meet Me by the Wall is an original painting by Mary Scott. This is an abstract painting in a minimal palette of cool turquoise, white and grey hues inspired by the seascape of the ha...

Wainscott (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, ba...

"Everything is Right Now" (2025) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in a paler rainbo...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) "The Road to Damascus" 16 x 20 inches Oil on panel Initialed and dated 63 lowe...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

"Gravity Zero" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Gravity Zero: 24 x 18 inches Signed on verso Oil on panel Provenance...

Gold leaf floater framed included. 21" x 17" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and runni...

Katheryn Holt (American, born 1951) "Mirage II" 2022 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. With Frame: 33" x 49" x 2" “Mirage ...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Sandra Cohen’s “disinheritance” is a 30 x 24 x .25 inch abstract acrylic painting on tempered hardwood, in pink, green, yellow, tan and black. Flowers, biological forms, spinal bones...

Acrylic and Spray paint on canvas Set of 4 originals 20 x 20 inches each 2023 Signed on the reverse (To purchase a canvas individually message us for details)

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

Neutral-toned abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with black calligraphic-l...

Textiles, varnish and metal on wooden panel, Framed Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in In...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Moments by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 28 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human p...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on cradled birch panel. It is part of Mudre's Venezia series, which is inspired by his recent trip to...

"Cascadia 5" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Salvatore Grippi was my art professor at Ithaca college from 1970- 1971 Who was doing paintings like this in 1950? Jackson Pollack, Willem De Kooning and Salvatore Grippi, and a few...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Katheryn Holt (American, born 1951) "Tropic" 2022 Oil Paint, Mixed Media, Wood Panel, Wood Bars The artist signed the back of the artwork. "Tropic" is a mesmerizing painting that em...

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 6 3/4 x 8 3/4 inches Estate stamp verso Oil on panel Provenance: Estat...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...