Wax Paintings

(Very difficult to photograph inside the case with glass front, so we took a few outside the case. A video is included that we hope helps, thought it suffers from reflections on the ...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended t...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Amulet, on a wood panel with rust and acrylic paint with mixed media, suggests how an object becomes precious, serving as talisman for orientation in the perils of the world. After...

oil and wax on linen Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended th...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

"Prana" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium, and graphite on a cradled wood panel; measuring 36 x 36 inches. Titled "Prana" the ...

Jim Rattenbury’s work is of our time, yet it is filled with signs from other eras, both distant pasts and distant futures. He creates marks on his works that are accessible to childr...

Oil paint, oil stick & wax on canvas.

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

Neo expressionist palette.

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

Julia was born in Bulgaria and after receiving her BA in Fine Arts and MA in Architecture, she went to the US where she completed her Postgraduate specialization in Architectural Her...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Burn Scars (No. 3)" is an 11 x 11-inch (Framed Size 15 x 15 x 2 in) mixed media piece from Katherine Filice’s "Burn Scar" series, which reflects on the resilience of nature and the s...

"Floral Mystique" is an abstract diptych painted by Rebecca Sobin in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 44 x 44 inches. Each separate panel m...

"Once in a Blue Moon Shell" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium on a cradled wood panel; measuring 12 x ...

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

"Heat Lighting", an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches. A warm, harmonious comp...

Carl Linstrum's "Other Side" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer bea...

"Mystic Waters" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium on a cradled wood panel. The painting measuring 20 by 30 inches. A...

"Let it Wash Over Me" is an abstract painting by Rebecca Sobin executed in oil and cold wax medium on a cradled wood panel; measuring 22 x 44 inches. A soothing, harmonious composit...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

"After the Lightning" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches. A soothing, abs...

"The Consequence of Sunlight on the Soul" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 36 x 36 inch...

"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...

"Detour" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 48 x 36 inches. A warm, calming composition ...

Julia was born in Bulgaria and after receiving her BA in Fine Arts and MA in Architecture, she went to the US where she completed her Postgraduate specialization in Architectural Her...

A warm and entrancing abstract composition in oils, cold wax, and powdered pigment. It has a gorgeous pallet of reds, oranges, golds, and purples. The artist engraved the surface...

We have all experienced how times absorption in love has a different quality whether falling in, worrying over a loved one or immersion, showing us how tyme is created by our percept...

Figurative realist painting by Steve Hawley

Framed Dimensions: 11.25h x 9.25w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he receiv...

Framed Dimensions: 11h x 11w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Ceravolo's Large scale paintings have received international acclaim for more four decades. Known as "The Rock and Roll Painter" and "Painter of the Stars of Rock" by the media, Cera...

Artist Commentary: Made with plastic bags and beeswax Keywords: commercial, abstract, shopping, brands Artist Biography: Toby Zallman has always combin...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 22 D (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Acrylic, aluminum leaf, and wax on aluminum panel.

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

A woman with a rope wrapped around her, abstracted buildings in the background.

This cast wax wall panel painting contains blues in aqua and turquoise which blend into a gradient, with warm earth tones emerging amongst violet and yellow green undertones. 21"x3...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

From Majio’s visual journal: In Nuance and Power acrylic paint is used to paint this odd shape repeatedly before I recognized the fan. It elicited connection to my years in Japan. Th...

10.5" x 15" encaustic and painted cardboard on panel, signed on the reverse by the artist. The letters, L-O-V-E are embedded in pigmented wax, with a heart shape for the "o" in this ...