Wood Panel Paintings

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Overhanging by Rebecca Tucker [2021] original Acrylic on wooden panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:25 cm x W:25 cm x...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 16 x 16 x 1.6 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

This is an original ink painting mounted on panel by artist Mat Tomezsko depicting an abstracted street sign with graffiti. These paintings were made in reaction to direct experience...

This is an abstract acrylic on panel painting with bold, gestural brushwork reminiscent of the style of Gerhardt Richter. Predominant colors are blue, green, and white. It has all hanging hardware attached; no need for additional framing. Works particularly well in a pair or series. Will combine shipping for multiple purchases. Elyce Abrams...

Sunset Song was created entirely en plein air, painted directly under the fading light of late summer and autumn sunsets—often continuing into moonlit hours. Working without artifici...

This is an abstract acrylic on panel painting with bold, gestural brushwork reminiscent of the style of Gerhardt Richter. Predominant colors are reds, pinks, and darks. It has all hanging hardware attached; no need for additional framing. Works particularly well in a pair or series. Will combine shipping for multiple purchases. Elyce Abrams...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. This piece combines C...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...

Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...

"Somersault" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in...

"Hopscotch to the Moon" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometri...

Andrzej Michael Karwacki’s acrylic paint and resin on birch panel work called: ‘EQ redefined series 1700-EU101-3’ is wonderfully colourful and a creative abstract piece of artwork. D...

This painting explores the graphic simplification of the wild coastline around the Hartland Point lighthouse in North Devon, England. The point marks th...

A landscape involving the idea of quantum superposition or matter existing as a combination of multiple states with multiple outcomes. Only the viewer can determine which potential ...

Deirdre Murphy was awarded an artist residency at Penn State University’s Shavers Creek Environmental Center which is the field lab for biology, environmental science and ornithology...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Coming up for air [2022] original Mixed media on wood panel Image size: H:67 cm x W:67 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:2cm Frame Size: H:67 cm x W:67 cm x D:2.8cm Sold Framed Please note that insitu images are purely an indication of how a piece may look "Coming up for air" is part of my Tapestry series of semi abstract paintings that explore the simplification of shape and texture in the places I have visited as the seasons change. Tapestry-like landscapes with bold mono-tone blocks and a cooler palette are evident as Autumn changes to Winter. Layers of paint are carved to reveal complex textures and marks with underlaying warmer tones. Change always sparks new ideas. This painting is framed in a hand-painted St.Ives frame in white. Tamara Williams...

Oil on canvas on wood panel. Unframed.

Unearthed [2022] original Mixed media on wood panel Image size: H:67 cm x W:67 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:2cm Frame Size: H:67 cm x W:67 cm x D:2.8cm Sold Framed Please note that insitu images are purely an indication of how a piece may look "Unearthed" is part of my Tapestry series of semi abstract paintings that explore the simplification of shape and texture in the places I have visited over the Summer months. Tapestry-like landscapes with bold colour blocks and a warming palette are evident as the seasons change. Muted shades of teal, chocolate and moss with undulating textural layers. Change always sparks new ideas. Tamara Williams...

Gold leaf floater frame included. 11" x 9" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and running...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

“As an encaustic painter, I have come to appreciate and enjoy the way the hot wax pushes me beyond precision. I am a very orderly person and I think in grids. Much of my work is cent...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Modernist Burton Kramer’s delightful compositions play with geometric shapes enhanced by a lively colour palette. This acrylic piece has a central square in turquoise complemented by...

Michael Barringer, from Granite Quarry, North Carolina, finds inspiration in the natural world and the legacy of familial craftsmanship. Influenced by the works of poets like TS Elio...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 12"x12" A certi...

Circle Painting - acrylic & mixed media on wood, 2019 16 x 16" inches / 41 x 41 cm mint condition - original and unique piece. Stuart Möller, German and born in Kabul Afghanistan...

This contemporary and colourful abstract painting is by artist Sylvain Loius-Seize. True to his street art origins, Canadian artist Sylvain Louis-Seize uses bold colours and abstra...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Please send zip code for best shipping/delivery costs and timeline -- I will work with you to get you the best price. Mat Tomezko's "Price" series of mixed media paintings are const...

Rimbaud is a contemporary homage to the 19th-century poet, capturing his enigmatic presence through an imagined portrait. Surrounding the figure are a constellation of small sketches...

Andrzej Michael Karwacki EQ Redefined, 1600-10-2 Original Abstract Art Mixed Media – Acrylic Paint and Resin on Board Artwork Size: H 91cm x W 61cm x D 5cm Sold Unframed (Please note...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This is an original sill life interior painting of fruit (apples) with a geometric fractured composition. The artist made the painting one section at a time. When working on one section, the artist would block off the rest of the composition so the objects and background needed to be placed again. By building the composition this way, the background and table appear at different levels and the shapes don't quite align. These imperfections convey a sense of passing time. In each section, the tone of the light changes, and the shadows switch directions. The apples and geometric shapes were chosen as much for metaphorical value as for aesthetics. A seemingly simple arrangement in a familiar painting genre contains a depth of observation, artistic choices, and interpretation. This painting is signed and dated on the back. Includes all hanging hardware and ready to install; no need for additional framing. Mat...

Oil on canvas on wood panel. Unframed.

Robert Somerton (British, born 1972) Abstract composition oil on box canvas 18 x 24 signed verso Superb original abstract painting by the contemporary British abstract artist Robert...

John Randall Nelson is an Arizona-based painter and sculptor. Nelson’s works are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with poured pigment, saturated washes and worked with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State University in 1995 and has completed commissions for projects as diverse as the National Endowment for the Arts, the United States Postal Service...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Europa 21 and Europa 22 are abstract paintings. They are acrylic on wood panel. Each is 48x 36. Together the diptych is 48 x 72. It is black, white, gray and green. Stephanie ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Union" is part of a series I call "Cut Line". The series explores relationships using morphic shapes. The lines you see are actually voids caused by sawing the MDF apart with a jig ...

In this dynamic work by Aron Hill, a deep violet geometric shape sits against a white tondo (circle) framed by a black canvas. The round panel is rimmed in gold leaf which casts a h...

This graphic-based painting of an aqua polygon on a round, white panel is rimmed with gold leaf. Calgary artist Aron Hill is known for their bold, colourful, and minimalist contemp...

Mat Tomezko's "Price" series of mixed media collage paintings are constructed from periodicals, circulars, acrylic, asphalt, graffiti, and coal on panel. Using mostly found materials...

Mat Tomezsko's "NOW" series of mixed imedia street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acryli...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: In Bloom measures 36" x 36" x 1.5" and is oil on birch panel . Ready to hang with wire on the back. Artist d...

Patrick Terenchin (b.1970). When I Was Away, 2014. Oil on cradled wood panel, 36 x 36 inches. Excellent condition. Signed and dated en verso. Artist statement: The irony: landsc...

Simple Stuff (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as ...

Edward Avedisian ( 1936-2007 ) 7.5 X 5.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert...

Fire and Ice (Abstract painting) Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizont...

This geometric abstract acrylic on canvas painting mounted on wood panel is part of Weaver's "Cubes Divided into Three" series. Squares, rectangles, triangles, and polygons appear in shades of red, purple, pink and gray on a pale yellow field. It is signed and dated on the back. It includes all hanging hardware and is ready to install; no additional framing is necessary. Benjamin Weaver...

Steven H. Rehfeld (American, born 1954) 'Untitled' 2001 Oil paint, wood panel, wood The artist signed the back of the painting. Untitled, an exquisite artwork by Steven H. Rehfeld, ...

This is an original still life interior painting of fruit (apples) with a geometric fractured composition. The artist made the painting one section at a time. When working on one section, the artist would block off the rest of the composition so the objects and background needed to be placed again. By building the composition this way, the background and table appear at different levels and the shapes don't quite align. These imperfections convey a sense of passing time. In each section, the tone of the light changes, and the shadows switch directions. The apples and geometric shapes were chosen as much for metaphorical value as for aesthetics. A seemingly simple arrangement in a familiar painting genre contains a depth of observation, artistic choices, and interpretation. This painting is signed and dated on the back. Includes all hanging hardware and ready to install; no need for additional framing. Mat...

Yes It's Pink is an abstract painting by Texas artist Cheryl McClure on a wooden panel so there is no need for a frame.. Like a lot of artists, McClur...

In James' paintings, he explores how uncertainty can lead to meaning and understanding. How harmony can be experienced even within tension and chaos and how the recognizable can rise out of purely abstract form. In his abstract paintings he responds to these phenomena by creating contemporary icons – works meant to encourage contemplation and meditation. James' more recent works have evolved from the romantic representational ideal into the symbolic, abstract archetype. He comes from a classical background inspired by the great romantic landscape painters such as Turner, Lorrain, Friedrich and Moran, his recent work is more influenced by the work of artists like Klee, Miro, Rothko, Pollock, Riley and Richter. James creates complex abstractions layered in familiarity and veiled in mysteriousness. The unorthodox methods he uses to apply and move oil paint allow him to create compositions that are formally beautiful – infused with tension and drama but also expressive of the spiritual, symbolic, mysterious and eternal. James' work counters...