Wood Panel Paintings

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Mary Ellen Johnson is internationally recognized as one of the top Photo Realist painters working today whose extraordinary area of expertise is large-scale, unimaginably realistic, stunningly beautiful and delightful images of food. Currently available is this gorgeous bowl of raspberries, blueberries and strawberries with whipped cream, a mouth-watering slice of cherry pie with vanilla ice cream, an equally amazing strawberry parfait sundae, and a delicious slice of cherry cheesecake: Mary Ellen Johnson "Berries and Cream" Oil on Wood Panel 24 x 20 Inches Note: This painting is framed in white wood. The artist has also completed many commissioned food paintings including the Canadian Government's request for images of 5 of Canada's favorite foods which subsequently became stamp images - and The Cheesecake Factory's two commissions for their corporate headquarters and the owners' Malibu beach house. A quote from the artist: “I make the panels large to give a monumental feeling to the painting when viewed. These large images not only confront the viewer with their size but with their tremendous sense of extravagance. My work explores the deep connection that food has with humanity.” Mary Ellen Johnson Johnson further describes herself as a ‘Precision Realist’ whose primary subject is food. Sold works include paintings of PB & J sandwiches, pancakes with blueberries and syrup, banana splits, ice cream, hot dogs, cupcakes, waffles, muscles and sushi, among others. Unequaled for their brilliance and dramatic depictions of mundane subjects with their connotations of nostalgia, comfort and tradition, it is also her scale, cropping and over the top technical skill that renders these works so overwhelmingly appealing! MARY ELLEN JOHNSON Born: 1967, West Long Branch, NJ. Education: 1989, Ringling School of Art and Design, Sarasota ONE PERSON EXHIBITIONS: Beth Urdang...

A stunning copy of the Northern Renaissance masterpiece "Maddalena Dolente" by Quentin Matsys (1466-1530) which is in the collection of the Gemäldegalerie Berlin. Beautifully execut...

"TAGGED" is an original ink painting mounted on panel by artist Mat Tomezsko depicting an abstracted urban street environment with graffiti. These paintings were made in reaction to ...

This is an original ink painting mounted on panel by artist Mat Tomezsko depicting an abstracted street sign with graffiti. These paintings were made in reaction to direct experience...

"System II" is an original painting with circular gestures in a range of greens on an ultramarine blue background that has a subtle labyrinthine pattern. Circles and lines have the p...

Bart Koning (Dutch artist) Landschap III 24 x 30 cm (Framed included in price 24,4 x 30,4) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incred...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape, and light. Andy Moses paints with pearlescent pigments on concave canvases, which cu...

Spring Rain is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments on Japanese paper mounted on wood, silver leaf, dimensions are 110 × ...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Bart Koning (Dutch artist) Bowl of Peaches 29 x 40 cm (not framed) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredibly clever how the orig...

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

"Time Square" is a traditional plein-air painting of a bustling urban landscape. Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was eviden...

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

"Ogunquit, Maine 03.16.2020" is an American Impressionist oil painting, painted en plein air. A day at the beach by Nelson White is not complete without the textured blue sky made by his palette knife and bright-colored umbrellas. People on the beach lounge...

The Village Cricket Match, 18th/19th Century English School - Indistinctly Signed 18th 19th Century English School Rural Village Cricket match, oil on ...

"X Composition" Acrylic on linen over panel. 18 x 14" 2017 Sara Walton orchestrates a symphony of color that transcends mere visual aesthetics, delving deep into the realm of emoti...

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

The experience of art itself can be an intimate one, and this bed canopy, hand-painted over 100 years ago by an artist in Canton, was more intimate than most. Delicately painted pheasants...

medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

Denzil Smith was a British marine painter active in the 19th century. His oeuvre is largely comprised of ship paintings, especially the large, three-masted sailing vessels that popul...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

Judd Mercer presents "Fractured Dream," is an original, handmade oil painting created in 2025. The piece measures 24 inches in height by 24 inches in width, rendered on a durable 1.5...

A five-bedroom, pale blue-and-turquoise country house located an hour and a half southwest of Paris, Maison de Lèves served as a lifelong laboratory for France’s maîtresse of interio...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

The Event III is a unique oil on wood painting by contemporary artist Joachim van der Vlugt, dimensions are 95 × 95 cm (37.4 × 37.4 in). The artwork is signed, sold unframed and come...

Lakeview (Expansive Blue + Green Landscape Reminiscent of Color Field Painting) by Tracy Helgeson 2024 oil on panel 36 x 48 inches unframed The disparate traditions of American folk...

Steadfast Earth II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 40 × 40 cm (15.7 × 15.7 in). The artwork is signed, sold unframed a...

unframed this piece measures 12 x 12. Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary. Wh...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 12"x12"x.75"" A...

Meander (Female Figure in Quilted Dress with Collage Lake Landscape) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophis...

medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...

"Yasgur's Farm Today" by Richard Rosenblatt Oil on wood Max Yasgur's Dairy Farm, Bethel, Upstate New York, Woodstock Rock Festival, Music, Pop Cult...

these twins hand painted this painting on panel of their self-made characters in dream like worlds on panel 1/1

Artist Commentary: I create abstract paintings that distill the light, the intense colors, and the constant movement in nature. The final visual is pure, ethereal, and cosmic with n...

Convergence in Blue by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 24 x 38. Rose Umerlik extracts the intangible emotional moments that live in our collect...

"Welcome To My World," by artist Haleh Mashian, serves as a mesmerizing amalgamation of mixed media and expressionistic techniques. Vibrant hues dance upon the canvas, redefining the...

The work Fishing is an intimate evocation of the tranquility and calmness offered by the sea. It captures a moment of peace and contemplation in which a fisherman, abstracted from h...

Bart Koning (Dutch artist) Monky 14,9 x 13,5 cm (Framed included in price 15,3 x 13,9) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredibly...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...

"Lily Pond Sketch" is an impressionist bright green and yellow landscape. A serene depiction of a lily pond through the trees that thrives around the border of the pond. Florence mas...

White wood floater frame included. 25 1/8" x 37 1/8" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting a...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Artist Commentary: My husband and I love eating oysters. When we travel, we always eat the local oysters and choose one to take with us to remember the experience. I then later paint their portraits. These oysters, as well as some Spanish moss...

Echo by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 32 x 52. This is part of a new 2022 series. According to Umerlik, " I became a mother this past year. ...

A fine impressionist view of a New Jersey Beach, possibly Atlantic City, at the turn of the 20th century by American artist William Gilbert Gaul (1855–191...

End of summer III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaf on Japanese paper mounted on panels, dimensions are 65...

Luca Forte (Naples, 1615 ca. - 1670 ca.) Title: Walnuts, Chestnuts, a Bunch of Grapes and a Quince Medium: Oil on walnut panel Dimensions: without frame 13 x 22.5 cm - with frame 31 ...

"Tranquil Beach" is a peaceful dog painting on panel by Kazaan Viveiros features a soulful brown dog sitting quietly amid coastal grasses under a blue sky with soft clouds. A tranqui...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

JOERG DRESSLER "Elemental II" Acrylic on Panel 14 x 11 inches _____________________________________ Joerg was born in Hanau, Germany. He received his MFA from the Hochschule für Ges...

Lotte Petricone's paintings blend representational and abstract imagery. The interplay of color, value, and texture creates a sense of space and movement throughout the image, while ...

This abstract oil painting of flowers is by Jennifer Hornyak. A beloved and masterful artist, Canada’s Jennifer Hornyak has been painting for more than four decades. Her delightfull...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

AUSPICE 2020 Paris, France An auspice is a ‘prophetic sign’ which the artist was inspired by. This textured, abstract piece features a lying skull, looking up to the sky...

Tropical Garden viii by Alanna Eakin [2021] original Oil paint on wood panel Image size: H:25.5 cm x W:25.5 cm Complete Size of Unframed Work: H:0.5 c...

An oil painting of a beach painted en plein air. Tina Orsolic Dalessio captures a quintessential summer beach day at Indian Wells Beach in Amagansett, East Hampton, New York. A couple sits in the shade of an umbrella, nestled alongside the dunes. Other beachgoers are planted along the shoreline in the distance. Seagulls fly above the horizon where the ocean meets the sky. The blue sky above has streaks of white wispy clouds. Painting dimensions: 10 x 14 inches Framed dimensions: 15.5 x 19.5 inches Artist Bio: Tina Orsolic Dalessio is a figurative painter born and raised in Zagreb, Croatia. She graduated from Florence Academy of Art in June 2018. She also holds a bachelor’s degree from University of Zagreb Law School...

A serene plein air painting of a Tuscan-style house seen through thick summer foliage. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest yea...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...