Wood Paintings

Large Italian oil painting by Gabrini entitled ‘On the Lagoons, Venice’ Italian, Late 19th Century Canvas: Height 65cm, width 101cm Frame: Height 94cm, width 132cm, depth 10cm This...

Fun, vibrant mixed media piece. Homage to the late, great Audrey Hepburn. Also featuring Chanel, Tiffany's, Paris and The U.S. Themes of Hepburn's iconic films. On wood. About the Artist: Allen's work has gained recognition world-wide for it's complex layering of mixed media works that create a narrative of modern American culture. His work today is a culmination of many years of painting, thinking and experiencing. He blends urban street art with his background of typography, mixed media collage, and abstract expressionism into each of his urban pop expressionist works. The son of fine artist / commercial artist Harrison Allen, Mark learned a lot very early from his talented father. His think training also includes a bachelor degree in commercial art from Texas State University in San Marcos, TX. He continued study at Parson's School of Design in New York City where he had an apartment across the street from Andy Warhol's factory (they met in 1982.) He continued study later at Art Center College of Design in Pasadena, CA. Allen is represented in galleries throughout the world. Museums he has shown in include The Rock & Roll Hall of Fame Museum - Cleveland, OH; Experience Music Project - Seattle, WA; Memphis Brooks Museum of Art; Dallas Museum of Art, and Acadian Museum - Lafayette, LA. He was a major figure in the graphic design community for over two decades. Much of his celebrated work is from the entertainment industry doing graphic design work for high profile clients including the 'Yu-Gi-Oh' logo, 'The Wizard of Oz' 60th Anniversary logo, redesigned Coca-Cola bottles, designed 'The Nightmare Before Christmas' logo for Disney and art directed for recording artist Sean 'P Diddy' Combs record label, Bad Boy Records. Promotion work for Pepsi, Diet Coke, Miller Beer...

Swan Scalabre "Western n°17" Oil on Wood 8 x 10 in. 11 x 13 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze p...

Unborn Sound #14 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are ...

Oil on oak panel Image size: 9 x 7 1/4 inches (23 x 18.5 cm) Period style hand made frame This is a self-portrait is most likely by a 17th century English...

Orientalist oil painting of a mosque in Cairo by Berchère French, 19th Century Canvas: Height 62cm, width 47cm Frame: Height 83cm, width 70cm, depth 7.5cm This exquisite Orientalis...

Questa ceramica dipinta, 33 x 24 cm senza la cornice, è ispirata dal "Riposo durante la fuga in Egitto" di Simone Cantarini detto il Pesarese, realizzato negli anni trenta del XVII s...

A vibrant, Mid-Century Modern painting, "Vermont Landscape, Spruce Tree and Shoreline" by notable Chicago artist Harold Haydon. Painted near the artist's longtime summer studio loca...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Figurative Painting. American Flag with symbolism of disparate views of the states. About the Artist. Mothes is an artist living and working in East Hampton.  His work has be...

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...

Swan Scalabre "Ambition n°30" Oil on Wood 10 x 8 in. 13 x 11 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Bultrini Original Abstract mixed media female figure. oil and wood Mixed technique and combustion Work done on wood. BULTRINI, Mateo (Rome 1979) Lives and works in Pratola Pelig...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Expressive and colorful seascape by Vasil (Victor) Papkov (20th Century). The vivid cyan blue churning waves mirror the sky above, with a glowing orange sunset splitting the canvas o...

Adolphe Joseph Thomas Monticelli 1824-1886, was a French painter and influencer of Vincent van Gogh. Monticelli was well known to Theo and Vincent Van Gogh, Theo acted as agent for ...

Price on Request. The Saturday Evening Post cover, August 10, 1940

silicone cast on frame Size: 24x32 cm Framing: Custom handmade wooden frame – ready to hang Year: 2025 Signature: Signed Certificate of Authenticity: Included Condition: Excellent –...

Beautifully rendered in Krolls signature academic style. Unframed - Signed lower right, unframed

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

A pressed wood with two matrixes of rectangles in yellow, orange, and black painted on the wood. The background is painted in green. Acrylic on pressed wood Lucio Pozzi (b. 1935) was born in Milan and moved to the United States in 1962 as a guest of the Harvard International Summer Seminar. His first of many exhibitions at Hal Bromm Gallery was in 1976. Though foremost a painter, Pozzi considers writing, drawing, and sculpture to be valuable tools to his art. He has an extensive teaching career as well, having lectured at Cooper Union, Yale Graduate Sculpture...

Jim’s of Lambertville is proud to offer this artwork by: Lloyd R. Ney (1893 – 1964) Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...

Acrylic on Masonite

French mid 20th century Wood and plaster frame Internal measurement (to house painting or mirror): 39.75 x 19.75 inches Overal outer measurements: 48 x 28 inches Provenance: from a c...

This work sells itself. Just look at it, and an elaborate explanation is not required. There is virtually no one alive who can paint a picture like Crockwell. Crockwell offers the viewer a complex and inventive composition by showing two wonderful portraits in the foreground and, beyond a broken wall...

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863- 1925 THE WASHERWOMEN signed and dated "Garcia y Rodriguez" 1910 (lower right) oil on mahogany wood panel 19...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Signed and titled by the artist. Pierre Vlerick...

Title: Renewal and Revival Painting Diptych Abstract Contemporary Bold Blue Green Invest Unique Flora The two panels align perfectly and can be displayed right next to each other, ...

After the original by Henrika Langus (Slovenian, 1836-1876) and painted circa 1880. Unsigned. Framed dimensions: 17.25 x 1 x 15.5 inches. A charming and antique study of a young, f...

Original mixed media painting on wood. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included....

Created by Richard Britell (American, born 1944) circa 1990. Accompanied by a certificate of authenticity from the Richard Britell Archive of Works, signed by the artist and noting t...

This is an original oil painting on wood. This artwork is produced under a license from the grandchildren of The Three Stooges®. We are a 1stdibs Platinum Seller...

Title: Infinite Peace Painting Animal Horse Abstract Nature Floral Unique Original Bold Delight Invest Mixed Media One-of-a-kind This strikingly beautiful artwork by Karnish, depi...

La scena raffigurata è presa dal capitolo 20 del vangelo apocrifo dello Pseudo Matteo e raffigura un evento avvenuto durante la fuga in Egitto. Maria, stanca, chiede a Giuseppe di ra...

This captivating seascape presents a masterful coastal harbor scene from the 18th century, attributed to an unknown master of marine art. The composition is built around 2 watchtower...

Bull- original expressionist acrylic painting During its first exhibition in Paris, the French press catalogs it like "The Catalan Sorolla". Honorary Member of the MECOART (Mediter...

This Stan Laurel and Oliver Hardy illustration was used as a traveling show sign for the comedy duo. Medium: Oil on Wood Panel Signature: Unsigned

Dynamic midcentury modern abstract expressionist painting by Normandy artist Rene Couturier (French, b. 1933), circa mid-1960s. A grey and black plane comprised of clashing diagonals...

"ASYMPTOTIC FREEDOM" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY),...

Bellissima marina con bagnanti ,alba, barca a vela all'orizzonte 1930 ca Firmato in basso a destra Etichetta Galleria Pirra

Tipula Maxima Painting by Keith Purser B. 1944, 2008 Additional information: Medium: Oil on plywood Dimensions: 51 x 48 cm 20 1/8 x 18 7/8 in Signed, dated and titled. Keith Purser...

This mystical painting depicts a beloved figure dressed in soft blue, radiating an inner light that seems to awaken and blossom the surrounding flowers. The contrasting landscape amp...

Selvas Verdes is a unique round oil on wood painting by Spanish contemporary artist Calo Carratalá, diameter is 60 cm (23.6 in). The artwork is signed, sold unframed and comes with a...

Artwork sold with frame (43 x 56.5 x 3.5 cm) Baldo Guberti was an Italian painter, engraver, and illustrator born in Ravenna in 1907 and died in Camaiore in 1974. His work is known ...

Fun, vibrant mixed media piece. Homage to the late great Andy Warhol. And Coca Cola. On wood. About the Artist: Allen's work has gained recognition w...

A Vibrant, Expressionist 1950s Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a bright and cheerful studio still life sce...

Original acrylic on masonite painting of the “Kingston 2” tugboat underway by the well known American marine artist, Ron Saporito. Signed by the artist lower right. Condition is ex...

Emerald Sky V is a unique oil on wood painting by contemporary artist Joachim van der Vlugt, dimensions are 40 x 40 cm (15.8 × 15.8). The artwork is signed, sold unframed and comes ...

Sonia Gechtoff Untitled portico, from the estate of gallerist Andre Zarre, 1977 Acrylic and graphite on masonite Signed and dated '77 in graphite on the front Unique Provenance: Acqu...

A Lively, Expressionist 1950s Mid-Century Modern Painting, "Still life with Lemon" by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a painterly studio still life...

"Taweret" Mixed Media Painting 39" x 39" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, video a...

Capturing a "bees" eye view of Cosmos and Rudbeckia. A flower in close-up abstracted detail. Cosmos and Rudbeckia showcases a dynamic interplay of color and texture through the depi...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Jim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...

Inspired by a walk through the woods at Blickling Rachael Dalzell’s paintings are colourful and expressive. Her free and lively use of paint through various techniques, mean that...

Katheryn Holt (American, born 1951) "Water to Sand" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. Framed Artwork: 37" x 37" x 1.25" "Wat...

HIND LEGS 2020 Paris, France Bold, hand-painted, serif typography on raw wood reads: ‘Hind Legs Adult.' Subtle primitive, animalistic, and sexual tones are injected in this piece. A...

This abstract painting by little known Los Angeles artist is a fine example of color abstraction. The painting portrays an abstract ballerina dancer. The painting has been newly fram...