Melinda Patrick

Blue Cafe, Painting, Acrylic on Canvas

2021

Innokentiy Fateev, Irises, 2022 Acrylic paint on canvas canvas 50cm x 60 cm height Innokentiy Fateev (Russia, 1980) is originally from Tomsk, Siberia; in 2001 he moved to Faenza, It...

Exquisite painting by Léolaf, the artistic name of León Lafourcade, a French-born artist active between the 19th and 20th centuries. He participated in various exhibitions, including...

Impresionist woman figure

Impresionist cityscape from Albarracín, Spain

Impresionist landscape and waterscape from Alboraya, Valencia, Spain

Impresionist cityscape from Cuenca, Spain

Impresionist cityscape from Oporto, Portugal

Impresionist cityscape from Lliria, Valencia, Spain

Impresionist landscape and waterscape from La Albufera, Valencia, Spain

"La Place au Bistro des Filles" by Gerard Valtier is an original oil on canvas that measures 35x46 inches. The bright colors of this impressionistic painting create a lively evening scene of people walking and dancing outside of the shops along a canal. Empty gondola's float on the water, lit by the street lamps. Many appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Seething with colors, sparkling, blazing, molten gold: the whole mystery of Gerard Valtier’s painting lies in the working of this colorful living chemistry, where the thickening cover of the glaze catches the reflections of the light, which progressively becomes incandescent. The contrasting blue and yellow, basically naturalistic colors - characteristic of the impressionist palette - create a feeling of bedazzlement which send out their own light, directly imitating the natural effects of light itself. Thus, the property of the color, the interaction of colors as well as their power to create some light, definitely are the basis of Valtier’s work. The artist can paint everything: barges along the quay, the busy crowds, Venice and its carnival, the bride and her procession - his whole painting is under the sign of the feast. Unlike Renoir or Cezanne, Valtier does not hesitate to use black as a true color, not one designed to soften or drain the pure color, as in the shadows. One will also appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Valtier has had exhibitions throughout the world and has received many awards. He paints from his studio in Arles, France. He is listed in Mayers, Akoun, La Cote des Peinteres, Bordas International, and Financial Art.