Nathan Solano

Moonlight on Taos Pueblo

2020

Original oil painting on linen by Bruce Cheever. Signature on lower left. Framed Size: 14.5" X 17.5"

Original painting signed by the Artist in lower left.

Original oil painting on canvas by artist Brad Teare. Framed.

Original painting signed by the Artist on the lower left.

"Moonlight San Lorenzo de Picuris" by Lorenzo Chavez (US based) is a handmade landscape oil painting that depicts a southwestern adobe basking in moonlight. The piece is framed, and ready to hang. “Moonlight San Lorenzo de Picuris” This old mission...

"Late Afternoon Taos Pueblo" by Lorenzo Chavez (US based) is a handmade oil painting that depicts a rural road around the old Taos Pueblo. “Late Afternoon Taos Pueblo” I love explo...

Dusk, Hopi Arizona landscape lithograph contemporary by Dan Namingha purple pink hand pulled limited edition lithograph signed and numbered by the a...

Mid-day, Zuni Village, 1897 By. Frank Reed Whiteside (American, 1866-1929) Unframed: 20" x 30" Framed: 28" x 38" Frank Reed Whiteside, born in Philadelphia on 20 August 1867, became a student of Thomas Anshutz at the Pennsylvania Academy of the Fine Arts (1888-92). He already began exhibiting there during his student years (1887-98). In 1893, he enrolled in the Académie Julian in Paris where he received instruction from Jean-Paul Laurens and Benjamin Constant. After his French academic training, Whiteside taught art in Philadelphia high schools. He took frequent trips to the Southwest between 1890 and 1928 to live with and paint the Zuni Indians. Whiteside depicted ceremonial dances, Zuni buildings, and other genre scenes, usually in blinding afternoon sunlight. He carefully observed the effects of light on vibrant color, using a finely crafted impressionist technique. He was fond of broad areas of color, subtle combinations of hues, and simplified shapes and silhouettes. Whiteside continued to exhibit at the PAFA (1905-15), at the Art Institute of Chicago (1896-1916), at the Carnegie International (1905 and 1907) and at the Corcoran Gallery (1907). He was a member of Philadelphia art societies and beginning in 1909 had a summer studio in Ogunquit, Maine, where he took part in Hamilton Easter Field's discussion groups. Frank's wife, Clara Walker Whiteside, who published Touring New England in 1926, was active in the Ogunquit Art Association. Like Stanford White, Frank Reed Whiteside was the victim of murder, on 19 September 1929, but Whiteside's case remains unsolved. One night, the sixty-three year-old painter answered the doorbell. Two witnesses...