Martin Bollé

Reclining Nude

unknown

This colourful painting is vintage Tcholaria. It is signed and there is a certificate by the artist himself.

Oil on canvas painting of Marie-Henriette Mus (1927), the wife of the artist Cornelis Leegenhoek (1903-1971). Leegenhoek was a Master Restorer at the Bruges Museums. His signature ca...

Lady in Red 2 - sensual photo of a lying woman, on panel. Mixed media. Signed by the artist at the back.

Oil on canvas painting of a naked woman in a smokey blue setting by Hans Defer

A vibrant and expressive study of a reclining nude. Well-presented in a painted wooden frame. Indistinctly signed and dated to the lower left. On board.

Edwin Brent (American, 1921-2004), Reclining Female Nude Figure, Oil on Canvas, 1952-53, signed, marked "Brackman A.M." and with Art Students League of New York label verso, wood fra...

A vibrant 20th-century life study depicting a nude model reclining on a bed. Rendered with confident brushstrokes and a keen eye for colour. Signed to the stretchers verso. On canvas...

James Stroudley 1906 -1985 Reclining Nude Oil on canvas, signed lower left Image size: 17 x 25 inches Original frame James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...