Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Mel Ramos
Nude Descending a Staircase #2

2004

$145,000List Price

You May Also Like

"Un poco de paz II". Contemporary, Pop, Surrealistic, Figurative, Nude
Located in MADRID, ES
Contemporary, Pop, Surrealistic, Figurative, Nude
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil

"Iron Women" Oil painting 31" x 20" inch by Alina Shimova
By Alina Shimova
Located in Culver City, CA
"Iron Women" Oil painting 31" x 20" inch by Alina Shimova 2021 Alina Shimova is a young and ambitious artist from Moscow, Russia. Her creative journey began at an early age. Alina...
Category

21st Century and Contemporary Pop Art Figurative Paintings

Materials

Canvas, Mixed Media, Oil

Neoclassical Figurative Painting, "Knowledge is Power"
Located in San Diego, CA
This is a one of a kind original oil and acrylic neoclassical painting depicting biblical Eve, by Southern California artist, Gina Palmerin. Its dimensio...
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil, Acrylic

"Un poco de paz (beach mode)". Contemporary, Pop, Surrealistic, Figurative, Nude
Located in MADRID, ES
Contemporary, Pop, Surrealistic, Figurative, Nude
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil

"Un poco de paz III". Contemporary, Pop, Surrealistic, Figurative, Nude
Located in MADRID, ES
Contemporary, Pop, Surrealistic, Figurative, Nude
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil

"Hasta traspasarse II". Contemporary, Pop, Surrealistic, Figurative, Nude
Located in MADRID, ES
Contemporary, Pop, Surrealistic, Figurative, Nude
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil

"Como el puente de Avignon". Contemporary, Pop, Surrealistic, Figurative, Nude
Located in MADRID, ES
Contemporary, Pop, Surrealistic, Figurative, Nude
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil

"Abrazo en un mundo que no entiendo III". Contemporary, Pop, Surrealistic, Figur
Located in MADRID, ES
Contemporary, Pop, Surrealistic, Figurative, Nude
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil

Figurative Painting of The Thinker, "Final Thought"
Located in San Diego, CA
This is a one of a kind original oil and acrylic painting depicting Rodin's "The Thinker", by Southern California artist, Gina Palmerin. Its dimensions ...
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Oil, Acrylic

Pop Art Painting, Female Figure, Bright Color, Neon Daisy by Chris Watts
Located in Laguna Beach, CA
CHRIS WATTS "Neon Daisy" Acrylic on Canvas 59 x 47.5 inches _____________________________________ Chris Watts is an award-winning graphic designer, singer...
Category

2010s Pop Art Figurative Paintings

Materials

Canvas, Acrylic

More From This Seller

View All
Untitled
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64”. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
Category

Late 20th Century Post-War Figurative Paintings

Materials

Canvas, Oil

Untitled (Censor Painting Pink)
By Richard Prince
Located in Palm Desert, CA
"Untitled (Censor Painting Pink)" is a nude figurative acrylic on inkjet board painting by Richard Prince in 2009. The artwork is 35 1/2 x 30 inches and 37 1/2 x 32 x 1 1/2 inches wi...
Category

21st Century and Contemporary Contemporary Nude Paintings

Materials

Acrylic, Inkjet

Leta and the Hill Myna
By Mel Ramos
Located in Palm Desert, CA
"Leta and the Hill Myna" is a painting by American Pop artist Mel Ramos. The work is signed verso "Mel Ramos". Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...
Category

Mid-20th Century Pop Art Figurative Paintings

Materials

Canvas, Oil

Alte Fischerhutten - Expressionist Oil Painting of Fisherman’s Village, 1949
By Max Pechstein
Located in Palm Desert, CA
Alte Fischerhütten (1949) by Max Pechstein is an oil on canvas in which the artist transforms a humble cluster of weathered fishing huts into a study of light, form, and atmosphere. Broad, rhythmic brushstrokes delineate the worn timbers and thatched roofs, while a sky streaked with lavender and rose imbues the scene with a quiet, almost meditative luminosity. Pechstein's bold outlines and flattened perspective are tempered by a late-career restraint, allowing the simple geometry of dunes, huts, and sea to resonate with an almost timeless calm. The artwork is signed lower right, "HMPechstein 1949" and signed verso, "Alte Fischerhütten 1949 HMPechstein” Provenance: Private Collection, Europe Lempertz, Cologne, June 15, 1966, lot 531 Selected Artists Galleries, New York, acquired by 1970 Private Collection, New York, acquired from the above Private Collection, by descent from above Phillips, New York, Wednesday, November 15, 2023, lot 123 Private Collection, acquired from the above Literature: Aya Soika, Max Pechstein The Catalgoue raisonne of oil paintings, Volume II 1919–1954, Munich, 2011, no. 1949/12, p. 490, illustrated Hermann Max Pechstein was born on December 31, 1881, in Zwickau, into a working-class family headed by his father, a textile-mill craftsman. Drawn to art early on, he apprenticed as a decorative painter from 1896 to 1900 before enrolling at Dresden’s School of Applied Arts and, from 1902, studying under Otto Gussmann at the Royal Academy of Fine Arts. His academic grounding—unique among his future peers—laid a solid foundation for the bold, expressive work that would follow. In 1906 Erich Heckel invited Pechstein to join Die Brücke, the pioneering Expressionist collective, and he quickly became one of its most active members. Exposure to ethnographic wood carvings in Dresden in 1905 spurred his first woodcuts, and travels to Italy (1907) and Paris (1908)—where he befriended the Fauvist Kees van Dongen—expanded his palette and compositional daring. After relocating to Berlin in 1908, he co-founded the New Secession in 1910, serving as its chairman and gaining acclaim for richly colored prints inspired by Van Gogh, Matisse, and the Fauves. With the outbreak of World War I, Pechstein’s peripatetic life took him from internment in Japan to service on the Western Front in 1916. In the revolution’s aftermath, he aligned with radical socialist art...
Category

Mid-20th Century Expressionist Landscape Paintings

Materials

Canvas, Oil

In the Wheatfield (Girl Standing in a Wheat Field)
By Winslow Homer
Located in Palm Desert, CA
"In the Wheatfield (Girl Standing in a Wheat Field)" is a painting by Winslow Homer. The painting is signed, lower left, "Homer 1873". The framed piece measures 29 3/4 x 21 5/8 x 2 7/8 in. During the early 1870s, Winslow Homer frequently painted scenes of country living near a small farm hamlet renowned for generations for its remarkable stands of wheat, situated between the Hudson River and the Catskills in New York state. Today Hurley is far more famous for inspiring one of Homer’s greatest works, Snap the Whip...
Category

1870s Realist Figurative Paintings

Materials

Canvas, Oil

Untitled
By David Smith
Located in Palm Desert, CA
"Untitled" is a painting by artist David Smith. The work is signed and dated in the upper left "David Smith (symbol) 1936". When David Smith set up a workshop on the Brooklyn Navy Pier in 1933 to learn direct-metal techniques, he shared the space not with artists, but with professional welders. Yet as he stated in 1964, ‘…all my early friends were painters…I never conceived of myself as anything other than a painter because my work came straight through the raised surface.’ Picasso and Cubism would be dominant influences in Smith’s work. He understood that Picasso imagined the world as a sculptor might, and not necessarily limited to the unavoidable impact of Cubism. In addition to pursuing a kind of rethinking of the world in three-dimensionality on his own terms, by the late 1920s, Picasso had shown interest in surrealism. That meant drawing not as a depiction of reality, but rather as a reconfiguration of the body in an assemblage of often precariously balanced, interconnected forms — some expressed in a three-dimensional form, others as drawings or paintings. Those processes are reflected in this work by David Smith; three fanciful totemic assemblages set within a landscape perspective of ground, mountains, and sky and whose presence is surreal enough to cast shadows under a presumed solar presence. Untitled, 1936 embraces surrealism, yet also serves to demonstrate the extent to which his thought processes are inextricably linked to sculpture and related to scale, spatial orientation, and three-dimensionality. With that in mind, it is not surprising to know that Smith saw no demarcation between sculpture and painting, or that a painting such as Untitled (1936) can exist outside of planning or design for future three-dimensional work. Provenance: Estate of David Smith, New York Hauser & Wirth Private Collection Exhibition: Kunstsammlung Nordrhein-Westfalen, ‘David Smith: Skulptureen, Zeichnungen [David Smith: Sculpture and Drawings]’ Dusseldorf/DE, March 14 – April 27, 1986 (travelled to: Städtische Galerie im Stäelschen Kunstinstitut, Frankfurt/DE, June 19 – September 28, 1986: Whitechapel Art Gallery...
Category

1930s Abstract Abstract Paintings

Materials

Canvas, Oil

Still Thinking About These?

All Recently Viewed