René Albert Raphaël Gouin

The Model, Life Drawing. Large Scale French Post-Impressionist Oil on Canvas.

1920s

Large Oil on Canvas by Fernande Horovitz-Edwards, France, 1930s - "Bathers". This large oil on canvas by Fernande Horovitz-Edwards, titled Bathers, dates from the 1930s and showcases...

Betsy Podlach (American, born 1964) "Young Man in Repose" 2009 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Young Man in Repose" is a captivating p...

Paul Graf (1866–1903), Swedish Children Bathing by a Rocky Shore, 1892 signed Graf and indistinctly dated 1892 oil on canvas mounted on panel unframed 139 × 175 cm (54.7 × 68.9 in)...

Betsy Podlach (Americam, 1964) 'The Couple and the Bunny' 2024 Oil paint, canvas, stretcher bars The artist signed the back of the painting. Betsy Podlach's 'The Couple and the Bunn...

Dick Beer (b. London 1893 - d. Stockholm 1938) Dancer Tying Her Shoes, c. 1916 (Dansösen knyter sina skor, c.1916) oil on canvas unframed 102 x 80 cm Provenance: Within the fami...

Betsy Podlach (American, born 1964) "Young Woman with Birds" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Betsy Podlach is a ...

René Magritte 1898-1967 Belgian Le carnaval du sage (The Sage’s Carnival) Signed “Magritte” (lower right); titled and dated "Le carnaval du sage 1947" (en verso) Oil on canvas The enigmatic paintings of René Magritte have become some of the most familiar and celebrated of the Surrealist movement. Among the most influential of the Surrealist painters of the 20th century, Magritte is an artist of international renown, as beloved for his popular appeal as he is for the psychological intensity of his works. The present oil on canvas, entitled Le carnaval du sage, was executed in 1947 at the height of his career, and it is a tour-de-force example of the haunting, mysterious scenes that comprise his oeuvre. Painted in the years following the Second World War, Le carnaval du sage showcases several recurring themes from Magritte’s oeuvre. Chiefly, a juxtaposition between the visible and the hidden is keenly felt. Throughout his career, Magritte explores the psychological obsession with revealing what is hidden, particularly with regard to the human face. In his Le fils de l’homme, he obscures the face of a man in a bowler hat with an apple, while his Les amants (Metropolitan Museum of Art) conceals the faces of two lovers with white sheets. In Le carnaval du sage, Magritte juxtaposes the blatant nudity of his central figure by masking her face, simultaneously revealing and concealing her from the viewer. The work also incorporates two of Magritte’s most common tropes – the glass of water and the baguette. Lending the scene a strange sense of domesticity, they appear infinitely familiar and distinctly out of place, and thus heighten the uncanny effect of Magritte’s composition. In the background hovers a ghost obscured by a sheet, a figure which was of particular fascination to Magritte beginning in 1946. He once wrote to his fellow Surrealist Paul Nougé: "I saw in a dream an answer to the problem of the ghost: the traditional ghost draped...

On the red. 1992. Oil on canvas, 80x100 cm Woman on the red with fruits In 1965 graduated from J. Rozentals Art High School, in 1971 graduated from the Painting Department of the Art Academy of Latvia (diploma thesis supervisor Indulis Zariņš). He has participated in exhibitions since 1970, organized about 20 solo exhibitions, and was a teacher. J. Rozentals Art High School, worked in various painting genres, created monumental wall paintings...

Nu au canapé bleu y Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 46 x 38 cm (18 ¹/₈ x 15 inches) Signed lower left, Ludovic Rodo Executed circa 1910 This work is accompanied by a certificate of authenticity from Lélia Pissarro. Provenance: Private collection, France Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas
 55 x 47 cm (21 ⅝ x 18 ½ inches) 
Signed lower left, Ludovic Rodo
 Executed circa 1910 This work is accompanied by a cer...