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Paul FournierRedemption - painting, acrylic on canvas2015
2015
$13,600
£10,366.16
€11,956.28
CA$19,316.07
A$20,757.15
CHF 11,137.41
MX$244,506.48
NOK 140,040.61
SEK 127,926.20
DKK 89,356.49
About the Item
This contemporary abstract colourful painting by Paul Fournier has a red background.
Paul Fournier received early praise from the distinguished NY art critic, Donald Kuspit, who described his colourful Fauvist-like work as that of an ‘exotic modernist.’ Fauvism was a post-impressionist movement in France (think Matisse) characterized by an imaginative use of colour. In the sixties, Fournier was part of a group of gifted Toronto painters…Milly Ristvedt, K.M. Graham and David Bolduc, among them who explored the techniques and forms of abstraction. Time spent in the Caribbean provided inspiration for an entire series of paintings that allowed Fournier the freedom to play with saturated colour and spontaneous abstract form. In this acrylic piece, a myriad of bright colours—expressive strokes of hot pink, yellow, purple, turquoise, blue, orange, white and black pop against the bold, bright red backdrop.
”My painting is just a world that I jump into.” Paul Fournier
“Fournier continues to explore and extend the limits of his own imagery, his own handwriting, his own ability to use colour and paint. His new pictures are personal and expressive: lyrical, generous and decorative in the best Matissean sense of the word.” Karen Wilkin, NY Curator, Art Critic
Paul Fournier was born during the Great Depression in Simcoe, Ontario. He first studied at the Ontario College of Art and Design in 1959 and went on to study printmaking at McMaster University in Hamilton in 1967. Fournier also received an Honorary Doctor of Laws from Sir Wilfrid Laurier University in 1996, where he’d also been the artist in residence. Fournier became a member of a group of artists in Toronto who were mentored by Jack Bush and together explored modernist expressionism. During a career that spans six decades, Fournier has had solo exhibitions in several Canadian cities and in the U.S. His work is held in private collections in North and South America and Europe.
Public collections include the Art Gallery of Ontario, the National Gallery of Canada and the Hirshhorn Museum and Sculpture Garden in Washington.
- Creator:Paul Fournier (1939, Canadian)
- Creation Year:2015
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29117444632
Paul Fournier
Paul Fournier (b. 1939, Simcoe, ON) first emerged within a movement of third-generation non-figurative painters who worked in Toronto during the 1960s. His peers included Milly Ristvedt, K.M. Graham, David Bolduc and others exploring techniques and forms of post-painterly abstraction. Fournier began studies in 1959 at the Ontario College of Art and Design. He soon became known for his use of bright fauvist colours for which he was dubbed an "exotic modernist" by New York art critic Donald Kuspit. Fauvism was a post-impressionist movement in France characterized by the "wild' use of colour. Fournier has had major solo exhibitions in Toronto, Guelph, Hamilton, Edmonton, Houston and Washington, D.C. His work was selected by critic Andrew Hudson for 14 Canadians: A Critic's Choice at the Hirshhorn Museum and Sculpture Garden and by Boston Museum of Fine Arts curator Kenworth Moffett for inclusion in The new Generation: A Curator's Choice at the Andre Emmerich Gallery in New York. In 1996, Fournier received an Honorary Doctor of Laws from Sir Wilfrid Laurier University. His paintings and graphics are included in most major public collections, including the National Gallery of Canada, the Art Gallery of Ontario, and the Tate Museum, as well as in private collections in the United States, South America and Europe. "...Paul Fournier’s canvases seemed typical of his generation of Toronto painters. Like his colleagues K. M. Graham, Daniel Solomon, Paul Hunter and David Bolduc, Fournier demonstrated an almost Fauvist sense of color and an ability to be both playful and lyrical in the same picture. Like them, too, he clearly admired Matisse and Jack Bush. Yet Fournier’s pictures were and have remained stubbornly personal, in a challenging territory of his own, a narrow zone between reference and invention." Karen Wilkin, Canadian Art, 1991.
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